Perennially listed among the classics of American literature, Mark Twain’s Adventures of Huckleberry Finn (1885) broke new ground by allowing a teenage boy to narrate his own story. The son of a cruel town drunkard, Huck Finn vividly describes his friendship with Tom Sawyer, his resolve to run away from his abusive father, and his decision to join a runaway slave named Jim in a search for freedom. Jim and Huck’s days and nights on a raft floating down the Mississippi River form one of the most evocative stories of interracial bonding ever written, and the bizarre characters they encounter in their journey are memorably sketched. Though comical in places, ultimately the book warns about the price of immoral social conformity. Editor Alan Gribben explains the historical and literary context of Twain’s novel and vigorously defends it against the many critics who fault its language, relationships, and conclusion. Gribben also supplies a helpful guide to Twain’s satirical targets. This Original Text Edition faithfully follows the wording of the first edition.
This coming-of-age story captures a vanished world of outdoor action and introduces Mark Twain’s two most enduring literary characters, Tom Sawyer and Huckleberry Finn. In a novel that Twain termed a “hymn to boyhood,” Tom and Huck fish and swim in the Mississippi River, search for buried treasure, and hide in a haunted house. Tom Sawyer falls for pretty Becky Thatcher, tricks his pals into painting a fence for him, and stages an elaborate prank on the schoolmaster. Around the edges of this idyllic boy-life, however, loom dangerous events in the fictional village of St. Petersburg: Tom and Huck witness a midnight murder in a graveyard, the killer escapes from the courtroom while Tom is testifying, Tom and Becky become lost in a labyrinthine cave, and two sinister villains plot robbery and revenge against a wealthy widow. This Original Text Edition faithfully follows the wording of the first edition, and the editor supplies a historical and literary introduction as well as a guide to Twain’s satirical targets
Mark Twain’s two most famous novels are published here as the continuous narrative that he originally envisioned. Twain started writing Adventures of Huckleberry Finn soon after finishing The Adventures of Tom Sawyer (1876), but difficulties with the sequel took him eight years to resolve. Consequently his contemporary readers failed to view the volumes as the companion books he had intended. In the twentieth century, publishers, librarians, and academics continued to separate the two titles, with the result that they are seldom read sequentially even though they feature many of the same characters and their narratives open in the identical Mississippi River village, St. Petersburg. This Original Text Edition brings the stories back together and faithfully follows the wording of the first editions.
In a radical departure from standard editions, Mark Twain’s most famous novel is published here with one disturbing racial label translated as “slave.” In seeking to record accurately the speech of uneducated boys and adults along the Mississippi River in the 1840s, Twain casually included an epithet that is diminishing the potential audience for his masterpiece. While dozens of other editions preserve the inflammatory slur that the author employed for the sake of realism, the NewSouth Edition proves that the main point of Twain’s masterpiece—the immense harm deriving from inhumane social conformity—comes through just as vibrantly without obliging readers to confront hundreds of insulting racial pejoratives. The editor’s Introduction supplies the historical and literary context for Twain’s groundbreaking book, along with a helpful guide to his satirical targets.
In a radical departure from standard editions, the coming-of-age story that introduces Mark Twain’s two most enduring literary characters—Tom Sawyer and Huckleberry Finn—is published here with its disturbing racial labels translated as “slave” and “Indian.” Everything else is completely intact in a novel that Twain termed a “hymn to boyhood.” Tom and Huck fish and swim in the Mississippi River, search for buried treasure, and hide in a haunted house. Around the edges of this idyllic boy-life, however, loom dangerous events in the fictional village of St. Petersburg: Tom and Huck witness a midnight murder in a graveyard, the killer escapes from the courtroom while Tom is testifying, and two sinister villains plot robbery and revenge against a wealthy widow. Readers can follow the boys’ adventures without confronting the dozens of racial slurs that are available in other editions of the book. The editor supplies a historical and literary introduction as well as a guide to Twain’s satirical targets.
Josh Gibbs decided he was through with investigative reporting when controversy derailed his Pulitzer Prize ambitions in Atlanta. Now editor of a weekly paper, he gets two pieces of news from Dr. Allison Wright that change everything. The first is that his daughter has cancer. The second – that a mysterious condition is plaguing Wright’s patients – leads the widowed newspaperman and divorced physician in pursuit of an unimaginable danger. Fallout is the story of their journey – a journey through an Ohio River town’s myths, heroes and oddities, from Indian curses to rat fishing to an alternative view of George Washington. Above all, Fallout is a story of corporate irresponsibility, of political self-interest, and of a potential catastrophe that looms in most American cities. Written by Mark Ethridge, author of the novel Grievances, now the major motion picture Deadline, starring Eric Roberts.
Transformative Years is Daniel Meador's account of his four years as dean of the School of Law at the University of Alabama from 1966 to 1970. Those were indeed transformative years, bridging the Law School of the past to the Law School of the future. Working on the premise that this institution was a crucial training ground for the state’s future legal and political leadership, the author, with the backing of university president Frank Rose, moved rapidly to build the school up in every respect – alumni involvement in fund raising, faculty, curriculum, library, and student life. All of these steps are described, along with the challenges presented by entrenched and limited expectations. The book describes the problems the author faced, in the context of their time and place, the steps taken to overcome them, and his dashed hopes in the ultimate denouement. The book concludes with a summary of what turned out to be lasting changes in the school as a result of those four years.
During the plague year of 1358, Heron, a French student, decides to walk to the sea and then to seek passage to England. His journey symbolizes freedom, as he turns his back on both the ruling oligarchy and the peasant armies forming all over Europe. He travels through a chaotic wasteland, where armies clash for unknown reasons, where the barren countryside is plagued by robbers and warlords. He meets death, destruction, and famine before finally finding Claudia, the daughter of a medieval lord. Heron’s quest, stemming from a desire to create an ideal world out of a violently cruel one, leads him through despair and danger, before delivering him to love. Originally published in 1961, A Walk with Love and Death was the third novel by Hans Koning (Koningsberger) and was directed as a film by John Huston in 1969.
This new collection of short stories by Charles Rose, author of In the Midst of Life: A Hospice Volunteer’s Story, features works previously published in The Sewanee Review, The Georgia Review, The Southern Review, Southern Humanities Review, Willow Springs, Crazyhorse, The Chattahoochee Review, Alabama Literary Review, Blackbird, and Shenandoah, among others.
Otci, a rising youth in the village of Attaugee in the great Muskogee nation, knew the rites of initiation to warriorhood and manhood would demand the best of mind, body and spirit. But what he didn’t know was how quickly the tensions mounting in the nation would bring the ultimate conflict, and challenge Otci to his very core. Otci and his brother initiates are trained by a master legend-giver for the ceremony that marks their transition. He is assisted by Pakahle, a beautiful and insightful attendant. With a new name given at the Green Corn Festival from his visions, he inherits a position of power among Attaugee, and soon the nation’s warriors.