'Effective writing: plain English at work, second edition, is about writing that works: it is based on sound English grammar and plain English style. If you want to write in a way that is clear and meaningful, to avoid writing ‘gobbledegook’, and to be able to explain effective writing to others, this book is for you.
Through this book you will gain the skills needed to write cohesive paragraphs and to consider your target audience. This updated edition also considers writing emails, material for websites, and other workplace writing that wasn’t covered in the first edition.
– How do you explain to a colleague why their writing ‘doesn’t make sense’?
– Why does choice of font matter in a document?
– What is appropriate use of social media in the workplace?
– Why is white space important in an email and in a printed report?
Many such questions are answered here. You can practise writing and check your progress by doing the activities after every topic. Use this book as a self-tutor or as a class textbook.
After a lifetime in India, Philip returns to Australia, to his estranged wife Jenny, whom he had brought from India fifty years earlier. Philip seeks to establish links with his ex-wife and his grandson amidst the 2001 'Tampa' crisis. Displaced and disappointed in his hopes of resuming a career in his own country, Philip is visited by a ghost: Ragini, the young revolutionary he fell in love with in 1948.
Philip is troubled by his unsorted memories of those times. In 1948 India has achieved its independence but the princely state of Hyderabad – the Nizam's Dominions – with its feudal splendours and deep pockets of rural poverty and injustice, totters alone, unwilling to accede to India, fighting Communist insurrection within. Philip, 'the world's youngest headmaster', has been appointed from Australia to a one-teacher school in the distant town of Warangal, a post no Hindu will take. He meets Anand, a Congress Party member working to bring Hyderabad into the Indian Union, and Ragini, the daughter of a landlord and a Communist, who has given away the family lands. A love triangle develops as events sweep them up – events that will return to life and take their toll half a century later.
"The Last Candles of the Night" is a lyrical and moving tale of the pitfalls of memory and the costs of deep allegiance.
Victoria Eliza Annie MacLean can’t escape actors. Her father Richard, who raised her in a bohemian and somewhat morally negligent household, is a famous actor. Her childhood playmate and “prince” Billy is inspired and encouraged by Richard to pursue his dream of acting. All the men she is seriously attracted to turn out to be actors – and not just in their professional lives.
With so much drama in her life, Eliza is determined to be normal and – like many people from dysfunctional families – become a psychologist, despite her faerie looks and her penchant for playing bluegrass fiddle. Indeed, Eliza’s life is anything but normal.
Annie Warwick, as the witty and humorous Omniscient Narrator, entertains us, with sex and romance, strange coincidences, dramatic action sequences and bloody violence in this modern-day melodrama.
"From da kokroach point of view, humans are irrelvant. Kokroaches no like em. Doan want em. Do not even tink bout em. Doan care for deh conversations. Books we like to eat, not read. We wish humans dead so we can eat em too." – Sizwe Bantu, The Cockroach Whisperer, 2010.
Sizwe Bantu is the Greatest African Writer of All Time – according to Timothy Turner, failed academic and lover, who not only lives by Bantu’s words but keeps a giant rubber cockroach in homage to the writer of the renowned ‘cockroach stories’.
Inspired to travel to Bantu country, Timothy takes up a position at a university near the place rumoured to be the reclusive writer’s residence in the misty Zululand hills. Instead of drawing closer to his source of inspiration, Timothy is drawn into a Machiavellian world of campus politics and suppressed desire.
As Timothy grapples with the mystery surrounding Makaya, the academic he has replaced, and the demands of his students, particularly the attractive Tracey, he must confront his own paranoia, prejudice and insecurity in a search for the shocking truth.
Cokcraco is an exhilarating, playful and witty novel that explores writing, identity and politics.
Life becomes complicated for Simon – a fundamentalist preacher and marriage guidance counsellor – when he realises in between adulterous affairs that he is, in fact, an atheist. From his dingy office in Kings Cross, from the pulpit, and from the beds of his lovers, Simon sorrowfully observes the hypocrisies and corruption of the worlds that he inhabits. And sometimes he embraces them. Raunchy and blasphemous, provocative and funny, Falling Backwards follows Simon from his flock at Sunday School to his ministry in the brothels of Kings Cross, and asks us to wonder whether Simon may not be something of a saint after all. James Quinn lives in Sydney, Australia. Falling Backwards is his first novel.
Ghost Armies presents Andrew Sneddon’s poetic works Fukuoka and The Wait-a-While Vine in one volume. Sneddon’s connected verses explore two defining episodes in Australia’s history and provide emotional and cultural insights of both personal and universal import. Fukuoka relates the experiences of two Australian brothers, Alf and Wally, in a prisoner-of-war camp in Japan during the Second World War. The work contemplates life and death, brutality and kindness, beauty and horror, courage and cowardice. It reflects on suffering and the consequences of suffering. The Wait-a-While Vine is a poetic imagining of the doomed Cape York expedition of Edmund Kennedy and Jacky Jacky in 1848. It presents playful vignettes of society in colonial New South Wales, meditates on convict life and the interactions between colonists and traditional owners, and follows the events of the expedition. Ultimately it is the story of an unlikely friendship. This is an extraordinarily moving collection of poetry about love, endurance and the human condition.