Now in paperback, Nocturnal Butterflies of the Russian Empire was acclaimed by The Hartford Courant as «a thrilling discovery … a reversal of the letters [of] Saul Bellow's Herzog … [with] a Nabokovian delight in words and texts.» J. is a smuggler living in Russia, making his living fencing the flotsam of communism's collapse. In Istanbul he takes a commission to trap an endangered Russian butterfly and decides to use it as an opportunity to smuggle V., his Russian lover who has no papers, back into her homeland. In the port of Odessa, she disappears, and J. continues alone to a small village on the Black Sea. Letters from V. begin to arrive, and as J. hunts the butterfly, he seeks a way to lure V. back into his life. Equal parts bittersweet love story, international intrigue, and one man's quest to write the perfect love letter, Nocturnal Butterflies of the Russian Empire, wrote The Tennessean, is «an amazing jewel of a story … that winks with wit [and] wears its astonishing craftsmanship lightly.» «An aesthetically blissful reading experience … Nabokov's spirit, alive and kind, has touched [Prieto] with its butterfly wings.» – Aleksandar Hemon, The Village Voice Literary Supplement «…Nocturnal Butterflies is an impressive performance by a writer whose gifts are clearly abundant.» – Richard Bernstein, The New York Times «A beautiful, lavish, seedy, poetic, and magical book.... Pure pleasure for the literary mind.» – Chris Kridler, The Baltimore Sun
Continuing the subversive self-revelation begun in Tropic of Cancer and Tropic of Capricorn, Henry Miller takes readers along a mad, free-associating journey from the damp grime of his Brooklyn youth to the sun-splashed cafes and squalid flats of Paris. With incomparable glee, Miller shifts effortlessly from Virgil to venereal disease, from Rabelais to Roquefort. In this seductive technicolor swirl of Paris and New York, he captures like no one else the blending of people and the cities they inhabit.
Written over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac's early classics, On The Road. Centering around the tempestuous breakup of Leo Percepied and Mardou Fox—two denizens of the 1950s San Francisco underground—The Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America's field of vision.
Satori in Paris and Pic, two of Jack Kerouac's last novels, showcase the remarkable range and versatility of his mature talent. Satori in Paris is a rollicking autobiographical account of Kerouac's search for his heritage in France, and lands the author in his familiar milieu of seedy bars and all-night conversations. Pic is Kerouac's final novel and one of his most unusual. Narrated by ten-year-old Pictorial Review Jackson in a North Carolina vernacular, the novel charts the adventures of Pic and his brother Slim as they travel from the rural South to Harlem in the 1940s.
Science fiction is the playground of the imagination. If you are interested in science or fascinated with the future then science fiction is where you explore new ideas and let your dreams and nightmares duke it out on the safety of the page or screen. But what if we could use science fiction to do more than that? What if we could use science fiction based on science fact to not only imagine our future but develop new technologies and products? What if we could use stories, movies and comics as a kind of tool to explore the real world implications and uses of future technologies today?
Science Fiction Prototyping is a practical guide to using fiction as a way to imagine our future in a whole new way. Filled with history, real world examples and conversations with experts like best selling science fiction author Cory Doctorow, senior editor at Dark Horse Comics Chris Warner and Hollywood science expert Sidney Perkowitz, Science Fiction Prototyping will give you the tools you need to begin designing the future with science fiction.
The future is Brian David Johnson’s business. As a futurist at Intel Corporation, his charter is to develop an actionable vision for computing in 2021. His work is called “future casting”—using ethnographic field studies, technology research, trend data, and even science fiction to create a pragmatic vision of consumers and computing. Johnson has been pioneering development in artificial intelligence, robotics, and reinventing TV. He speaks and writes extensively about future technologies in articles and scientific papers as well as science fiction short stories and novels (Fake Plastic Love and Screen Future: The Future of Entertainment, Computing and the Devices We Love). He has directed two feature films and is an illustrator and commissioned painter.
Table of Contents: Preface / Foreword / Epilogue / Dedication / Acknowledgments / 1. The Future Is in Your Hands / 2. Religious Robots and Runaway Were-Tigers: A Brief Overview of the Science and the Fiction that Went Into Two SF Prototypes / 3. How to Build Your Own SF Prototype in Five Steps or Less / 4. I, Robot: From Asimov to Doctorow: Exploring Short Fiction as an SF Prototype and a Conversation With Cory Doctorow / 5. The Men in the Moon: Exploring Movies as an SF Prototype and a Conversation with Sidney Perkowitz / 6. Science in the Gutters: Exploring Comics as an SF Prototype and a Conversation With Chris Warner / 7. Making the Future: Now that You Have Developed Your SF Prototype, What’s Next? / 8. Einstein’s Thought Experiments and Asimov’s Second Dream / Appendix A: The SF Prototypes / Notes / Author Biography
Code Nation explores the rise of software development as a social, cultural, and technical phenomenon in American history. The movement germinated in government and university labs during the 1950s, gained momentum through corporate and counterculture experiments in the 1960s and 1970s, and became a broad-based computer literacy movement in the 1980s. As personal computing came to the fore, learning to program was transformed by a groundswell of popular enthusiasm, exciting new platforms, and an array of commercial practices that have been further amplified by distributed computing and the Internet. The resulting society can be depicted as a “Code Nation”—a globally-connected world that is saturated with computer technology and enchanted by software and its creation. Code Nation is a new history of personal computing that emphasizes the technical and business challenges that software developers faced when building applications for CP/M, MS-DOS, UNIX, Microsoft Windows, the Apple Macintosh, and other emerging platforms. It is a popular history of computing that explores the experiences of novice computer users, tinkerers, hackers, and power users, as well as the ideals and aspirations of leading computer scientists, engineers, educators, and entrepreneurs. Computer book and magazine publishers also played important, if overlooked, roles in the diffusion of new technical skills, and this book highlights their creative work and influence. Code Nation offers a “behind-the-scenes” look at application and operating-system programming practices, the diversity of historic computer languages, the rise of user communities, early attempts to market PC software, and the origins of “enterprise” computing systems. Code samples and over 80 historic photographs support the text. The book concludes with an assessment of contemporary efforts to teach computational thinking to young people.
We have called him a devil and quarantined him behind such labels as «the most dangerous man alive.» But Charles Manson remains a shocking reminder of our own humanity gone awry. This astonishing book lays bare the life and the mind of a man whose acts have left us horrified. His story provides an enormous amount of new information about his life and how it led to the Tate-LaBianca murders, and reminds us of the complexity of the human condition. Born in the middle of the Depression to an unmarried fifteen-year-old, Manson lived through a bewildering succession of changing homes and substitute parents, until his mother finally asked the state authorities to assume his care when he was twelve. Regimented and often brutalized in juvenile homes, Manson became immersed in a life of petty theft, pimping, jail terms, and court appearances that culminated in seven years of prison. Released in 1967, he suddenly found himself in the world of hippies and flower children, a world that not only accepted him, but even glorified his anti-establishment values. It was a combination that led, for reasons only Charles Manson can fully explain, to tragedy. Manson's story, distilled from seven years of interviews and examinations of his correspondence, provides sobering insight into the making of a criminal mind, and a fascinating picture of the last years of the sixties. No one who wants to understand that time, and the man who helped to bring it to a horrifying conclusion, can miss reading this book. 
Here, by popular demand, is the updated edition to Joel Best's classic guide to understanding how numbers can confuse us. In his new afterword, Best uses examples from recent policy debates to reflect on the challenges to improving statistical literacy. Since its publication ten years ago, <i>Damned Lies and Statistics</i> has emerged as the go-to handbook for spotting bad statistics and learning to think critically about these influential numbers.
The main theme of the book are transformations of the world community at the political level and at the level of the international institutions. The book explores the currently precarious state of an emerging multipolar world at the time of the peaceful rise of China. It starts with the basic political and geopolitical features, followed by a discussion on norms, values and institutions of the organized international community, and the potential of international law in the face of political instability and crises. The rise of China is discussed in its various aspects: economic and political, with particular regard to the recent turning of China outward, the Belt and Road Initiative and its evolving cooperation with the European Union. The third part of the book is devoted to development as seen from the perspective of the United Nations and the evolving conceptualization of development. In the final chapters emphasis is placed on the issues of multilateralism and the basic precepts for the future peaceful transformation of the world. There exist different types and sources of state legitimacy and different development models that can co-exist and co-evolve. Significantly, such a transformation requires respect for the fundamentals of international law, in particular sovereignty of states. Building new or reforming existing international institutions is possible only on this basis. This book could be used in courses on international relations and law at universities in all countries, either as a basic or a supplementary source. It would be also useful to journalists and researchers.