Ingram
Все книги издательства IngramInside the Dancer’s Art
<P>In this gorgeous book, the acclaimed photographer Rose Eichenbaum captures the spirit, beauty, and commitment of dancers along with the dancers' own words of wisdom and guidance. More than 250 color and black and white photographs are paired with inspirational quotes from legendary and emerging dancers, including Bill T. Jones, Katherine Dunham, Ann Reinking, Mark Morris, Pina Bausch, Jawole Willa Jo Zollar, Gregory Hines, Mitzi Gaynor, Desmond Richardson, Rennie Harris, Paul Taylor, Ohad Naharin, Tiler Peck, and many more. Here, words and images explore creativity, art making, the communicative power of the human body, the challenges of balancing everyday life with the physical and practical demands of the dancer's art, and more. In these intimate portraits, Eichenbaum reveals and celebrates the world of the dancer. Sensual and mesmerizing, these images will entrance dancer and non-dancer alike—as well as anyone who loves fine photography—with their powerful depiction of the human body.</P>
Let’s Not Live on Earth
<P>Sarah Blake follows up her previous book of poetry, Mr. West, with a stunning second collection about anxieties and injury. Blake uses self-consciousness as a tool for transformation, looking so closely at herself that she moves right through the looking glass and into the larger world. Fear becomes palpable through the classification of monsters and through violences made real. When the poems find themselves in the domestic realm, something is always under threat. The body is never safe, nor are the ghosts of the dead. But these poems are not about cowering. By detailing the dangers we face as humans, as Americans, and especially as women, these poems suggest we might find a way through them. The final section of the book is a feminist, science fiction epic poem, «The Starship,» which explores the interplay of perception and experience as it follows the story of a woman who must constantly ask herself what she wants as her world shifts around her.</P><P><B>Hardcover is un-jacketed.</B></P>
Class Warrior—Taoist Style
<P>Abdelk&#233;bir Khatibi (1938–;2009) is one of the most important writers and thinkers to emerge from North Africa in the second half of the twentieth century. Though not widely known beyond the Francophone world, Khatibi's critical and creative works speak to the central concerns of postcolonial and postmodern life. Offered here in English for the first time, his long poem from 1976, Le lutteur de classe &#224; la mani&#232;re tao&#239;ste is a wildly inventive, transgressive, and important text. Class Warrior delivers a kind of free-verse Marxist handbook, written with the energy, movement, and style of a highly idiosyncratic Taoism. Matt Reeck's compelling translation captures the stylistic and thematic beats of Khatibi's verse, rendering the deceptively simple language of the original without losing its extraordinary layers and complexities. The introduction provides biographical context and an overview of Khatibi's poetics of the orphan, a subject position that seeks to avoid authenticating notions of origins and that is also constantly restless and forever questing. This is a rich text for contemporary readers of poetry, as well as scholars of postcolonial theory.</P><P><B>Hardcover is un-jacketed.</B></P>
Under the Dark Sky
<P>Pulitzer Prize-winning photographer Steven G. Smith showcases the picturesque Thames River basin, which extends from southern Massachusetts through Connecticut to the Long Island Sound. The river and its watershed help define the borders of a valley that is unique among its East Coast neighbors, considered to be the last place where dark night sky can be viewed between Washington, D.C. and the Boston metro area. Locals like to call the area the «Quiet Corner» or the «Last Green Valley.» In 1994, the U.S. Congress designated parts of the area as a Natural Heritage Corridor because it is one of the last remaining stretches of green in the area and boasts some of the largest unbroken forests in southern New England. This full-color documentary photo essay explores this Atlantic gem, through the faces of the people and the landscapes. An excellent gift and an educational resource, the book includes a foreword by noted outdoor writer Steve Grant.</P>
bury it
<P>sam sax's bury it, winner of the 2017 James Laughlin Award from the Academy of American Poets, begins with poems written in response to the spate of highly publicized young gay suicides in the summer of 2010. What follows are raw and expertly crafted meditations on death, rituals of passage, translation, desire, diaspora, and personhood. What's at stake is survival itself and the archiving of a lived and lyric history. Laughlin Award judge Tyehimba Jess says «bury it is lit with imagery and purpose that surprises and jolts at every turn. Exuberant, wild, tightly knotted mesmerisms of discovery inhabit each poem in this seethe of hunger and sacred toll of toil. A vitalizing and necessary book of poems that dig hard and lift luminously.» In this phenomenal second collection of poems, Sam Sax invites the reader to join him in his interrogation of the bridges we cross, the bridges we burn, and bridges we must leap from.</P>
The Robbers Cave Experiment
<P>Originally issued in 1954 and updated in 1961 and 1987, this pioneering study of «small group» conflict and cooperation has long been out-of-print. It is now available, in cloth and paper, with a new introduction by Donald Campbell, and a new postscript by O.J. Harvey.</P><P>In this famous experiment, one of the earliest in inter-group relationships, two dozen twelve-year-old boys in summer camp were formed into two groups, the Rattlers and the Eagles, and induced first to become militantly ethnocentric, then intensely cooperative. Friction and stereotyping were stimulated by a tug-of-war, by frustrations perceived to be caused by the «out» group, and by separation from the others. Harmony was stimulated by close contact between previously hostile groups and by the introduction of goals that neither group could meet alone. The experiment demonstrated that conflict and enmity between groups can be transformed into cooperation and vice versa and that circumstances, goals, and external manipulation can alter behavior.</P><P>Some have seen the findings of the experiment as having implications for reduction of hostility among racial and ethnic groups and among nations, while recognizing the difficulty of control of larger groups.</P>
Westover
<P>Westover, a girls' school in Middlebury, Connecticut, was founded in 1909 by emancipated «New Women,» educator Mary Hillard and architect Theodate Pope Riddle. Landscape designer Beatrix Farrand did the plantings. It has evolved from a finishing school for the Protestant elite, including F. Scott Fitzgerald's first love, to a meritocracy for pupils of many religions and races from all over the world. The fascinating account of the ups and downs of this female community is the subject of Laurie Lisle's lively and well-researched book. The author describes the innovations of the idealistic minister's daughter who founded the school in 1909, her intellectual successor who turned it into a college preparatory school in the 1930s, the quiet headmaster who managed to keep it open during the turbulent 1970s, and the prize-winning mathematics teacher, wife, and mother who leads the high school today. This beautifully illustrated book tells an important story about female education during decades of dramatic change in America.</P>
Common Sense
<P>First published in 1979, Common Sense evinces a spare street-wise style rooted in the vernacular of the city. Now something of a cult classic, the book is recognized as an understated masterpiece, pushing at the edges of spoken word. This is the language of everyday, brought onto the page in such a way that we never lose the flow of speech and at the same time we become attuned to its many registers—musical, emotional, ironic. Ted Greenwald's work has been associated with several major veins of American poetry, including the Language movement and the New York School, but it remains unclassifiable. An online reader's companion will be available at tedgreenwald.site.wesleyan.edu.</P>
