Ingram
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An insightful study of how identity is mobilized in and for war in the face of homegrown terrorism. [b][/b]“You are either with us, or against us” is the refrain that captures the spirit of the global war on terror. Images of the “them” implied in this war cry—distinct foreign “others”—inundate Americans on hit television shows, Hollywood blockbusters, and nightly news. However, in this book, Piotr Szpunar tells the story of a fuzzier image: the homegrown terrorist, a foe that blends into the crowd, who Americans are told looks, talks, and acts “like us.” Homegrown delves into the dynamics of domestic counterterrorism, revealing the complications that arise when the terrorist threat involves Americans, both residents and citizens, who have taken up arms against their own country. Szpunar examines the ways in which identities are blurred in the war on terror, amid debates concerning who is “the real terrorist.” He considers cases ranging from the white supremacist Sikh Temple shooter,,to the Newburgh Four, ex-convicts caught up in an FBI informant-led plot to bomb synagogues, to ecoterrorists, to the Tsarnaev brothers responsible for the Boston Marathon bombing. Drawing on popular media coverage, court documents, as well as “terrorist”-produced media, Szpunar poses new questions about the strategic deployment of identity in times of conflict. The book argues that homegrown terrorism challenges our long held understandings of how identity and difference play out in war—beyond “us versus them”—and, more importantly, that the way in which it is conceptualized and combatted has real consequences for social, cultural, and political notions of citizenship and belonging. The first critical examination of homegrown terrorism, this book will make you question how we make sense of the actions of ourselves and others in global war, and the figures that fall in between.
Cecil Dreeme
An curious gem of 19th-century gothic fiction Cecil Dreeme is one of the queerest American novels of the 19th century. This edition, which includes a new introduction contextualizing the sexual history of the period and queer longings of the book, brings a rare, almost forgotten, sensational gothic novel set in New York’s West Village back to light. Published posthumously in 1861, the novel centers on Robert Byng, a young man who moves back to New York after traveling abroad and finds himself unmarried and underemployed, adrift in the heathenish dens of lower Manhattan. When he takes up rooms in “Chrysalis College”—a thinly veiled version of the 19th-century New York University building in Washington Square—he quickly finds himself infatuated with a young painter lodging there, named Cecil Dreeme. As their friendship grows and the novel unfolds against the backdrop of the bohemian West Village, Robert confesses that he “loves Cecil with a love passing the love of women.” Yet, there are dark forces at work in the form of the sinister and magnetic Densdeth, a charismatic figure of bad intention, who seeks to ensnare Robert for his own. Full of romantic entanglements, mistaken identity, blackmail, and the dramas of temptation and submission, Cecil Dreeme is a gothic novel at its finest. Poetically written—with flashes of Walt Whitman, Charles Dickens, and Oscar Wilde— Cecil Dreeme is an early example of that rare bird, a queer novel from the 19th century.
Unbecoming Blackness
In Unbecoming Blackness, Antonio López uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. López shows how Afro-Cuban writers and performers in theU.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O’Farrill, Eusebia Cosme, Rómulo Lachatañeré, and others, Afro-Cubanness articulates the African diasporic experience in ways that deprive negro and mulato configurations of an exclusive link with Cuban nationalism. Instead, what is invoked is an “unbecoming” relationship between Afro-Cubans in the U.S and their domestic black counterparts. The transformations in Cuban racial identity across the hemisphere, represented powerfully in the literary and performance cultures of Afro-Cubans in the U.S., provide the fullest account of a transnational Cuba, one in which the Cuban American emerges as Afro-Cuban-American, and the Latino as Afro-Latino.
Garland of the Buddha's Past Lives (Volume 2)
In this second volume of the Garland of Past Lives , Aryashura applies his elegant literary skill toward composing fourteen further stories that depict the Buddha’s quest for enlightenment in his former lives. Here the perfection of forbearance becomes the dominant theme, as the future Buddha suffers mutilations from the wicked and sacrifices himself for those he seeks to save. Friendship, too, takes on central significance, with greed leading to treachery and enemies transformed into friends through the transformative effect of the future Buddha’s miraculous virtue. The setting for many such moral feats is the forest. Portrayed as home for the future Buddha in his lives as an animal or ascetic, the peaceful harmony of this idyllic realm is often violently interrupted by intrusions from human society. Only the future Buddha can resolve the ensuing conflict, influencing even kings, in the stories but also throughout Asian history, to express wonder and devotion at the startling demonstrations of virtue they encounter.
Garland of the Buddha’s Past Lives (Volume 1)
The Garland of Past Lives is a collection of thirty four stories depicting the miraculous deeds performed by the Buddha in his previous rebirths. Composed in the fourth century C.E. by the Buddhist monk Aryashura, the text’s accomplished artistry led Indian aesthetic theorists to praise its elegant mixture of verse and prose. The twenty stories in this first volume deal primarily with the virtues of giving and morality. Ascetics sacrifice their lives for hungry tigers, kings open their veins for demons to drink their blood, helmsmen steer their crew through perilous seas, and quail chicks quench forest fires by proclaiming words of truth. The experience is intended to arouse astonishment in the audience, inspiring devotion, through the future Buddha’s transcendence of conventional norms in his quest to acquire enlightenment and save the world from suffering. The importance of such stories of past lives in traditional Buddhist culture, throughout Asia and up to today, cannot be overestimated.
Forgotten Trials of the Holocaust
In the wake of the Second World War, how were the Allies torespond to the enormous crime of the Holocaust? Even in an ideal world, itwould have been impossible to bring all the perpetrators to trial.Nevertheless, an attempt was made to prosecute some. This book uncovers ten “forgotten trials” of the Holocaust,selected from the many Nazi trials that have taken place over the course of thelast seven decades. It showcases how perpetrators of the Holocaust were dealtwith in courtrooms around the world, revealing how differentlegal systems responded to the horrors of the Holocaust. The book provides agraphic picture of the genocidal campaign against the Jews through eyewitnesstestimony and incriminating documents and traces how the public memory of theHolocaust was formed over time.
Bonds of Citizenship
In this study of literature and law from the Constitutional founding through the Civil War, Hoang Gia Phan demonstrates how American citizenship and civic culture were profoundly transformed by the racialized material histories of free, enslaved, and indentured labor. Bonds of Citizenship illuminates the historical tensions between the legal paradigms of citizenship and contract, and in the emergence of free labor ideology in American culture. Phan argues that in the age of Emancipation the cultural attributes of free personhood became identified with the legal rights and privileges of the citizen, and that individual freedom thus became identified with the nation-state. He situates the emergence of American citizenship and the American novel within the context of Atlantic slavery and Anglo-American legal culture, placing early American texts by Hector St. John de Crèvecœur, Benjamin Franklin, and Charles Brockden Brown alongside Black Atlantic texts by Ottobah Cugoano and Olaudah Equiano. Beginning with a revisionary reading of the Constitution’s “slavery clauses,” Phan recovers indentured servitude as a transitional form of labor bondage that helped define the key terms of modern U.S. citizenship: mobility, volition, and contract. Bonds of Citizenship demonstrates how citizenship and civic culture were transformed by antebellum debates over slavery, free labor, and national Union, while analyzing the writings of Frederick Douglass and Herman Melville alongside a wide-ranging archive of lesser-known antebellum legal and literary texts in the context of changing conceptions of constitutionalism, property, and contract. Situated at the nexus of literary criticism, legal studies, and labor history, Bonds of Citizenship challenges the founding fiction of a pro-slavery Constitution central to American letters and legal culture.
The Lady of the Jewel Necklace & The Lady who Shows her Love
King Harsha, who reigned over the kingdom of Kanauj from 606 to 647 CE, composed two Sanskrit plays about the mythical figures of King Udayana, his queen, Vásava·datta, and two of his co-wives. The plays abound in mistaken identities, both political and erotic. The characters masquerade as one another and, occasionally, as themselves, and each play refers simultaneously to itself and to the other.Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Exham-on-Sea Murder Mysteries 4-6
Exham-on-Seas Murder Mysteries 4-6 Murder at the Cathedral Could your best friend be a killer? When a body is discovered in Wells Cathedral Library, Libby Forest’s best friend Angela Miles becomes the prime suspect.The last thing Libby needs is another investigation. but with the help of Bear, the beloved Carpathian Sheepdog, and her partner, Max Ramshore, Libby’s determined to uncover the murderer and clear her friend’s name. Murder at the Bridge A summer wedding, a stolen heirloom, an eccentric aunt. What could possibly go wrong? When a suspicious death follows a country wedding, Libby Forest’s instincts tell her there's something deeply amiss in the picturesque villages of Exmoor. Alongside her on-off partner Max Ramshore, Libby delves deeper into the mysterious goings-on at Upper Compton as a sinister new acquaintance casts a foreboding shadow over Libby’s investigations. As people begin to disappear, it’s a race against time to uncover the Exmoor secrets before it’s too late. Murder at the Castle Libby Forest is hot on the trail of the killer when disaster strikes closer to home. The sudden death of an elderly volunteer at Dunster Castle rocks the Castle’s ancient calm to its core leaving members of the local History Society devastated. When the finger is pointed at a fellow volunteer, his wife Margery fears her husband of forty years may be the killer.Libby Forest, in partnership with Max Ramshore and their two much-loved dogs, Bear and Shipley are determined to find the castle killer – no matter who it may be.
Exham-on-Sea Murder Mysteries 1-3
Exham-on-Seas Murder Mysteries 1-3 Murder At the Lighthouse Have you ever found a body on the beach? Recently widowed Libby Forest arrives in the small coastal town of Exham-on-Sea, keen to start a new life baking cakes and designing chocolates.Walking on the beach one stormy autumn day, Libby and excitable Springer Spaniel ‘Shipley’ discover a dead body under the lighthouse. Convinced the death was no accident, Libby teams up with Max Ramshore, an attractive local resident, and Bear, a huge sheepdog, to confront indifference from the community and unmask the killer. Murder at the Lighthouse is the first in a series of Exham-on-Sea Murder Mysteries set at the small English seaside town full of quirky characters, sea air and gossip. Murder on the Levels Libby's chocolates sell like hot cakes… until people begin to die. When a group of cyclists, all customers at the bakery in small town Exham-on-Sea, are poisoned, suspicion falls on the shop itself, and Libby’s food.In partnership with attractive, blue-eyed Max Ramshore and his huge sheepdog, Bear, Libby Forest sets out to uncover the poisoner and save the bakery.But who can she trust when even her deceased husband wasn’t all he seemed?f you love murder mysteries, clever animals, cake and chocolate, take a trip to leafy Somerset in the second story in the Exham-on-Sea murder mystery series, as Libby digs deeper into the lives of the close-knit seaside community, with Bear at her side Murder on the Tor A ruthless killer. An ancient curse. A secret past. When Libby Forest finds a body early one morning in mist surrounding Glastonbury Tor, she will need all her ingenuity to unscramble the threads of past myths and present secrets to discover the truth.Meanwhile, with the help of the enigmatic Max Ramshore, can Libby uncover the whole truth of her husband's death and find peace in her new life?