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Все книги издательства IngramLittle Boy Blues
In the third Camilla MacPhee Mystery, Camilla’s looking forward to cutting loose at Ottawa’s Bluesfest, the huge open-air extravaganza, and to seeing the tail end of her annoying office assistant, Alvin, who is finally quitting. Then the news comes from the East Coast. Alvin’s younger brother Jimmy has vanished from the midst of a Canada Day crowd in Sydney, Nova Scotia. Is he dead? Has he been abducted? Sleuthing irritably about Sydney on Alvin’s behalf, Camilla manages to make the usual quota of people froth at the mouth, including Jimmy’s frantic family, forlorn friends and puzzled teachers. She doesn’t spare the parish priest or even the guy at the chip stand. Before Camilla knows it, all roads lead back to Ottawa, where a killer with everything to lose waits to create havoc among the tents, guitar-pickers and happy, swaying crowds. If Camilla doesn’t sort out this whole mess, how many other people are going to die?
Do or Die
Ottawa Homicide Inspector Michael Green is absolutely obsessed with his job, a condition which has almost ruined his marriage several times. When the biggest case of his career comes up, his position, his relationships and several lives are put into grave danger. A young graduate student and scion of a rich family is found expertly stabbed in the stacks of a university library, but no one seems to have the slightest idea why. But as Green probes into the circumstances of the young man's life, a tangled web of jealousy and intrigue is revealed. Green finds himself in the middle of a rivalry in the delicate arena of university politics, where gigantic egos regularly collide. Was it the diligent but socially inept researcher, or the macho ladies-man golden boy of the laboratory? Or was it a crime of passion involving the over-protective family of his beautiful new girlfriend? When the murderer strikes again, Green realizes that he must waste no time in solving the case, no matter what the consequences may be.
Godblog
Circumstances force Dag, a young snowboarder, to give up his sport and to find another way to live. He embarks on two paths, the first a subsistence job as a barista in a coffee mega-chain, where he works hard to be a worker extraordinaire. He also invents an online alter ego who pronounces his own brand of wisdom and rant, expressing what Dag can’t in his role of coffee slave. Dag doesn’t know who he is any more. Crapped out of his sport. Can do no right by his best friend. Can do no wrong by his girl roommate. Pursued by the corporate paranoia of his coffee overlords. Baiting the world with his blog. Dag’s brewing a 21st century identity crisis that will scald everyone in his path.
Triumph at Kapyong
Afghanistan is not Canada’s first war in Asia. We’ve been there before, a half century ago … in Korea. And it was a meat grinder, scarcely remembered now … a war in which on one hilltop, on one April night, freshly-minted Canadians soldiers made a desperate stand that prevented catastrophe. In all, twenty-five thousand Canadians fought in Korea. By the time the shooting stopped, more than five hundred had been killed on lonely hilltops and in desolate ravines. Five hundred … in only two years. In Canada’s war in Korea, there were no Vimy Ridges or Normandys. In Korea, Canadians were shot down in their fours and fives mostly, on patrols and in ambushes. It was largely a war at night in small groups. But not always. There were sometimes terrifying battles where outposts were swamped by Chinese human wave attacks. This is the story of one such battle … Canada’s first in Korea, in April 1951, on a barren and rocky hill near a nothing village called Kapyong on the edge of nowhere. It’s the story of 700 men, all volunteers, in the 2nd Batallion of Princess Patricia’s Canadian Light Infantry. They’d signed up specifically to fight in Korea … and now on this April night, they found themselves surrounded by thousands of Chinese soldiers sweeping around their positions. In April 1951, the Chinese launched an offensive plunging straight for the South Korean capital, Seoul. Other allied positions collapsed around the Canadians. Only the lonely Patricias blocked the road. And now it was their turn for the Chinese treatment. The Patricias had the wrong weapons and were trained in the wrong tactics for this war. Most were utter amateurs. This was a true People’s Army – cab drivers, lumberjacks, farm boys and adventurers. They were up against a seasoned enemy, better armed and with immense battle savvy, fresh from their victories in the Chinese Civil War. And yet in a terrifying battle in the dark that had the feel of Thermopylae … with several hundred against several thousand, with hand-to-hand fighting with bayonet’s and shovels, with foxholes lost and retaken, with calling down artillery fire on their own positions, they held. The Patricia’s that night changed the course the war could have taken. Kapyong is about what did not happen. The Canadian positions did not collapse. Kapyong did not fall. Seoul was not captured. The Chinese breakthrough went nowhere. And so, the Korean War did not end abruptly in April 1951. For the Chinese, Kapyong had simply been too much. By dawn they had abandoned the field. Incredibly, the Patricia’s casualties were ten dead and 23 wounded. Chinese dead, although unknown, must have been in the many hundreds. At no point had there been talk among the Canadians of breaking out … they had simply decided to tough it out on their hilltop. The Kapyong story sparkles with qualities that Canadians believe make up their national character: sacrifice, courage, initiative, modesty and an uncomplicated rock-solid belief in themselves. It is the story of the Patricias’ cool and cranky commander, James Stone, a World War Two veteran of the Italian campaign who applied his mountain warfare savvy to the wilds of Korea. It’s the story of Ken Barwise, who single-handedly recaptured a lost machine gun from the Chinese. It’s the story of Smiley Douglas who reached for a live grenade which landed in the midst of his platoon. It exploded just as he tossed it free, blowing off his hand. It’s the story of Michael Levy, who had fought as a teenager against the Japanese in Malaya as a guerrilla. At Kapyong he was the heroic platoon commander who called in artillery on his own position. The Patricias survived because they believed they were the best soldiers on the hill that night. They bet their lives on it. They won the bet.
A Call to the Colours
Beginning in Canadas earliest days, our ancestors were required to perform some form of military service, often as militia. The discovery that an ancestor served during one of the major conflicts in our history is exciting. When you find a family name on a Loyalist muster roll, a Canada General Service Medal with an ancestors name engraved on it, a set of First World War attestation papers, or a box of Second World War medals, you realize that one of your ancestors faced challenging events beyond the scope of ordinary living. There are ways to trace their journeys and thus flesh out a more complete story of the history of your family. A Call to the Colours provides the archival, library, and computer resources that can be employed to explore your familys military history, using items such as old photographs, documents, uniforms, medals, and other militaria to guide the search. The book is generously illustrated with examples of the sorts of artifacts and documents you can find.
Unlikely Paradise
Winner of the 2010 Donald Grant Creighton Award Artist Frances Gage, born in 1924 in Windsor, experienced both artistic recognition and acute despair in her life, yet she flourished in her work and as part of the contemporary Toronto art scene. A friend of Frances Loring and Florence Wyle, she developed a greater connection with the Group of Seven, working closely with Frederick Varley and producing reliefs of both him and A.Y. Jackson while working in Tom Thomson’s shack Frances remained focused and positive and became a successful sculptor, creating more than five hundred works of art. Still, even though she achieved the dream she strove toward during all the years of struggle, she discovered that the Dante-like Paradise she had sought and gained was instead the poet’s Inferno in disguise. Her correspondence, as referenced in this remarkable biography, bears out this insight in a life often marked by unsatisfying triumph over tragedy. It presents a candid view of one of Canada’s most fascinating artists of the twentieth century.
Genealogical Standards of Evidence
Genealogical evidence is the information that allows us to identify an individual, an event in his or her life, or the relationship between individuals. In such a process, we often hear or use words such as evidence, proof, or documentation. Brenda Dougall Merriman takes readers through the genealogical process of research and identification, along the way examining how the genealogical community has developed standards of evidence and documentation, what those standards are, and how they can be applied. As a supplement to courses, workshops, and seminars, this book provides both an in-depth and inexpensive reference, perfect for compiling and checking research notes.
Let It Snow
Winter has shaped Canada’s image and has been embraced with hearty enthusiasm from snowshoeing hikers in the nineteenth century, to future hockey stars on backyard rinks, to the indoor spectacle of figure-skating carnivals and curling bonspiels. Much of our literature, our songs, and our memories of youth reflect the bracing tonic that winter brings even as we curse the ice-laden roads on morning commutes or during weekend ski trips. But alas, winter’s demise to a weak reminder of its former glory is a real possibility as climate change wreaks long-term havoc. This timely book takes a fond look at winter’s past, its place in Canada’s story, and how it has shaped our sports history. It also explores what climate change means for our sense of Canadian identity, for our winter sports heritage and its related industries, and for our ability to hold winter sporting events beyond the 2010 Winter Olympics in Vancouver.
Before You Say Yes ...
Doreen Pendgracs has sat on various boards of directors for the past twenty-five years. During that time, she has gleaned valuable information that she shares in an easy-to-understand, conversational style for novices and seasoned members alike. Whether you’re asked to sit on a trade union board, a non-profit board for a community group or church, a business-focused board of an association or chamber of commerce, or the board of a charitable organization, Before You Say Yes … gives you the inside scoop on what questions to ask and what you need to do before you take the plunge. Ms. Pendgracs leads the reader through the intricacies of management style, board etiquette and responsibilities, Robert’s Rules of Order, directors’ and officers’ insurance, and financial obligations and compensation. You’ll also discover what happens in the case of a lawsuit or how to implement a disaster plan, how to welcome new board members and deal with difficult people, and what benefits board membership can bring to your personal life and career.