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Все книги издательства IngramCool Tokyo Guide
**Independent Publisher Book Award (IPPY) Winner** Discover the city of temples, video games, manga, and cosplay with this graphic Tokyo travel guide! Tokyo is an astonishing world unto itself—a city for lovers of Japanese culture, fashion and great food that mixes the best of old and new. In Cool Tokyo Guide , Abby Denson, author of the popular Cool Japan Guide , turns her focus to Tokyo's exciting streets and a little bit beyond. Abby, her husband Matt, friend Yuuko and sidekick Kitty Sweet Tooth will introduce you to: A restaurant where clowns drive robots and mermaids ride on sharks Fantastic shops for lovers of everything from vintage manga to dollar-store treasures Great places to take kids—or be a kid, of any age—like the Ghibli Museum and Palette Town Famous sites both old and new, from Sensoji Temple to Tokyo Tower Major comic conventions in the anime, cosplay and manga capital of the world Must-visit spots like Ueno Park and even a few spots outside the cityThis practical and fun comic book guide also helps you navigate everyday life in Tokyo, such as train etiquette, trash disposal, tricky toilets, department store fitting rooms and the surgical mask phenomenon. There is also a special family travel section for those traveling with children, as well as information on ways to prepare ahead of time to make the most of your stay in Tokyo. Whether you're planning a trip to Japan or just taking an armchair sojourn, this book will prepare you to have a great time!
That Old Country Music
Since his landmark debut collection, There Are Little Kingdoms, and his award-winning second book, Dark Lies the Island, Kevin Barry has been acclaimed as one of the world’s most accomplished and gifted short story writers.
In this third collection, That Old Country Music, we encounter a ragbag of west of Ireland characters, many on the cusp between love and catastrophe, heartbreak and epiphany, resignation and hope. These stories show an Ireland in a condition of great flux but also as a place where older rhythms, and an older magic, somehow persist.
Barry’s lyric intensity, the vitality of his comedy, and the darkness of his vision recall the work of masters of the genre like Flannery O’Connor and William Trevor, but he has forged a style which is patently his own.
Religion Is Raced
Demonstrates how race and power help to explain American religion in the twenty-first century When White people of faith act in a particular way, their motivations are almost always attributed to their religious orientation. Yet when religious people of color act in a particular way, their motivations are usually attributed to their racial positioning. Religion Is Raced makes the case that religion in America has generally been understood in ways that center White Christian experiences of religion, and argues that all religion must be acknowledged as a raced phenomenon. When we overlook the role race plays in religious belief and action, and how religion in turn spurs public and political action, we lose sight of a key way in which race influences religiously-based claims-making in the public sphere.With contributions exploring a variety of religious traditions, from Buddhism and Islam to Judaism and Protestantism, as well as pieces on atheists and humanists, Religion Is Raced brings discussions about the racialized nature of religion from the margins of scholarly and religious debate to the center. The volume offers a new model for thinking about religion that emphasizes how racial dynamics interact with religious identity, and how we can in turn better understand the roles religion—and Whiteness—play in politics and public life, especially in the United States. It includes clear recommendations for researchers, including pollsters, on how to better recognize moving forward that religion is a raced phenomenon.
Whats Race Got To Do With It?
The first edition of What’s Race Got to Do With It (2015) addressed a moment when those working on the ground—activists, educators, young people, and families—were trying to understand and fight back against neoliberal education reforms (e.g., high stakes testing, school closings, and charter schools), while uncovering what race had to do with it all in the context of a supposedly post-racial United States. In the years since, the steady and grounded work of social movements has increased the visibility and critique of privatization, market-based reforms, and segregation; demonstrating the interlocking connections between racism and capitalism. In this period we have also seen an intensified attack on public education (alongside other public infrastructures) and a return to a more overt «racism as we knew it.» This new edition of What’s Race continues the examination of neoliberal education reforms as they are being rolled back (or reworked) to track the changes and continuities of recent years—revealing the ways in which market-driven education reforms work with and through race—and share grassroots stories of resistance to these reforms. It is hoped that this new edition will continue to sharpen readers’ analyses concerning what we are working to defend and what we are working to transform, and provides a guide to action that emboldens the collective struggle for justice.
Simply Sashiko
Sashiko : the needlework form of both decorative and functional embroidery developed in Japan many centuries ago. With just four key materials needed—needle, thread, thimble and fabric—Sashiko stitches have long been a favorite for quilting and embroidery. Today, the style is popular in the visible mending movement because of its simplicity, efficiency and aesthetic appeal. With Simply Sashiko , you can apply centuries-old Japanese techniques to your home, clothing and accessories in a fun, modern way.This book gives you simple but thorough lessons on the ins and outs (literally) of 36 different sashiko patterns, plus designs for stylish home and personal accessories so you can try them out, including:Decorative pouchesLittle pursesPlacemats and napkinsCovered brooches and buttonsAnd much more!Step-by-step instructions and detailed color photos show you everything from transferring patterns to perfecting your stitch technique. User-friendly templates help you keep your motifs balanced and even, while color combinations ranging from the traditional white and indigo to multicolored threads on primary colored backgrounds inspire you to get creative with these basic stitches.
Ghost Ups Her Game
New York Times bestselling author Carolyn Hart's warm-hearted sleuth returns in the ninth Bailey Ruth Ghost Novel, with a case that will test even her Heavenly powers After a busy morning dispatching emissaries from Heaven's Department of Good Intentions to those in need, Bailey Ruth Raeburn is feeling flush with success. So when an urgent call for help comes through from her old hometown, she can't resist taking on the mission herself. After all, what could go wrong? With the shouted warning of her boss, Wiggins – «Irregular! Problematic!» – ringing in her ears, she arrives to face a shocking scene: Professor Iris Gallagher leaning over the corpse of her colleague Matt Lambert, the murder weapon clutched in her hand. Bailey Ruth is only sent to help the innocent, but things are looking very black for Iris. With Wiggins breathing down her neck, and her old friend Police Chief Sam Cobb casting doubt on her every theory, Bailey Ruth must uncover the truth – or this could be the last trip to earth she's ever allowed to make.
Introduction to Python Programming for Business and Social Science Applications
Would you like to gather big datasets, analyze them, and visualize the results, all in one program? If this describes you, then Introduction to Python Programming for Business and Social Science Applications is the book for you. Authors Frederick Kaefer and Paul Kaefer walk you through each step of the Python package installation and analysis process, with frequent exercises throughout so you can immediately try out the functions you’ve learned. Written in straightforward language for those with no programming background, this book will teach you how to use Python for your research and data analysis. Instead of teaching you the principles and practices of programming as a whole, this application-oriented text focuses on only what you need to know to research and answer social science questions. The text features two types of examples, one set from the General Social Survey and one set from a large taxi trip dataset from a major metropolitan area, to help readers understand the possibilities of working with Python. Chapters on installing and working within a programming environment, basic skills, and necessary commands will get you up and running quickly, while chapters on programming logic, data input and output, and data frames help you establish the basic framework for conducting analyses. Further chapters on web scraping, statistical analysis, machine learning, and data visualization help you apply your skills to your research. More advanced information on developing graphical user interfaces (GUIs) help you create functional data products using Python to inform general users of data who don’t work within Python.
Blue Is the Warmest Color
A New York Times bestsellerThe original graphic novel adapted into the film Blue Is the Warmest Color, winner of the Palme d'Or at the 2013 Cannes Film FestivalIn this tender, bittersweet, full-color graphic novel, a young woman named Clementine discovers herself and the elusive magic of love when she meets a confident blue-haired girl named Emma: a lesbian love story for the ages that bristles with the energy of youth and rebellion and the eternal light of desire.First published in France by Glénat, the book has won several awards, including the Audience Prize at the Angoulême International Comics Festival, Europe's largest.The live-action, French-language film version of the book, entitled Blue Is the Warmest Color, won the Palme d'Or at the Cannes Film Festival in May 2013. Directed by director Abdellatif Kechiche and starring Lea Seydoux and Adele Exarchopoulos, the film generated both wide praise and controversy. It will be released in the US through Sundance Selects/IFC Films.Julie Maroh is an author and illustrator originally from northern France."Julie Maroh, who was just 19 when she started the comic, manages to convey the excitement, terror, and obsession of young love—and to show how wildly teenagers swing from one extreme emotion to the next … Ultimately, Blue Is the Warmest Color is a sad story about loss and heartbreak, but while Emma and Clementine’s love lasts, it’s exhilarating and sustaining." —Slate.com"A beautiful, moving graphic novel." —Wall Street Journal"Blue Is the Warmest Color captures the entire life of a relationship in affecting and honest style." —Comics Worth Reading"Delicate linework conveys wordless longing in this graphic novel about a lesbian relationship." —New York Times Book Review (Editor's Choice)"A tragic yet beautifully wrought graphic novel." —Salon.com"Love is a beautiful punishment in Maroh’s paean to confusion, passion, and discovery … An elegantly impassioned love story." —Publishers Weekly (STARRED REVIEW)"A lovely and wholehearted coming-out story … the illustrations are infused with genuine, raw feeling. Wide-eyed Clementine wears every emotion on her sleeve, and teens will understand her journey perfectly." —Kirkus Reviews «The electric emotions of falling in love and the difficult process of self-acceptance will resonate with all readers … Maroh’s use of color is deliberate enough to be eye-catching in a world of grey tones, with Emma’s bright blue hair capturing Clementine’s imagination, but is used sparingly enough that it supports and blends naturally with the story.» —Library Journal (STARRED REVIEW)"It's not just the French who have a better handle on sexy material than Americans – Canadians do, too … Who's publishing it? Not an American publishing house but by Arsenal Pulp Press, a Canadian independent." —Los Angeles Times
Deviant Opera
Imagine Armida, Handel’s Saracen sorceress, performing her breakneck coloraturas in a black figure-hugging rubber dress, beating her insubordinate furies into submission with a cane, suspending a captive Rinaldo in chains from the ceiling of her dungeon. Mozart’s peasant girl Zerlina, meanwhile, is tying up and blindfolding her fiancé to seduce him out of his jealousy of Don Giovanni. And how about Wagner’s wizard, Klingsor, ensnaring his choir of flower maidens in elaborate Japanese rope bondage?<BR />  <BR /> Opera, it would appear, has developed a taste for sadomasochism. For decades now, radical stage directors have repeatedly dressed canonical operas—from Handel and Mozart to Wagner and Puccini, and beyond—in whips, chains, leather, and other regalia of SM and fetishism. <I>Deviant Opera</I> seeks to understand this phenomenon, approaching the contemporary visual code of perversion as a lens through which opera focuses and scrutinizes its own configurations of sex, gender, power, and violence. The emerging image is that of an art form that habitually plays with an eroticization of cruelty and humiliation, inviting its devotees to take sensual pleasure in the suffering of others. Ultimately, <I>Deviant Opera</I> argues that this species of opera fantasizes about breaking the boundaries of its own role-playing, and pushing its erotic power exchanges from the enacted to the actual.