Reckoning with Race confronts America's most intractable problem—race. The book outlines in a provocative, novel manner American racial issues from the beginning of the nineteenth century to the present. It explodes myths about the South as America's exclusive racial scapegoat. The book moves to the Great Migration north and the urban ghettos which still plague America. Importantly, the evergreen topics of identity, assimilation, and separation come to the fore in a balanced, uncompromising, and unflinching narrative. People, cities, and regions are profiled. Despite civil rights legislation, the racial divide between the races remains a chasm. A plethora of reports, commissions, conferences, and other highly visible gestures, purporting to do something have generated publicity, but little else. There remain no adequate structures—family, community or church—to provide leadership. Destructive cultural traits cannot be explained solely by poverty. The book asks and answers many questions. After emancipation, how were blacks historically segregated from the rest of American society? Why is self-segregation still a feature of black society? Why do large numbers of blacks resist assimilation and the acceptance of middle class norms of behavior? Why has there been so little black penetration in the private sector? Why did the removal of overt legal segregation and civil rights legislation in the 1960s not settle the racial conundrum? What are the differences and similarities between the leaders of the civil rights movement in the 1960s and today? Why do we still have the problems enumerated in the Kerner Commission report (1968) after trillions of dollars have been spent promote black progress? What, if anything, should be done, to eliminate the racial divide?
In Lawless, George Mason University law professor David E. Bernstein provides a lively, scholarly account of how the Obama administration has undermined the Constitution and the rule of law. Lawless documents how President Barack Obama has presided over one constitutional debacle after another—Obamacare; unauthorized wars in the Middle East; attempts to strip property owners, college students, religious groups, and conservative political activists of their rights; and many more.Violating his own promises to respect the Constitution’s separation of powers, Obama brazenly ignores Congress when it won’t rubber-stamp his initiatives. “We can’t wait,” he intones when amending Obamacare on the fly or signing a memo legalizing millions of illegal immigrants, as if Congress doing its job as a coequal branch of government somehow permits the president to rule like a dictator, free from the Constitution’s checks and balances.President Obama has also presided over the bold and rampant lawlessness of his underlings. Harry Truman famously said, “The buck stops here.” When confronted with allegations that his administration’s actions are illegal, Obama responds, “So sue me.” Lawless shows how President Obama has betrayed not only the Constitution but also his own stated principles. In the process, he has done serious and potentially permanent damage to our constitutional system. As America swings into election season, it will have to grapple with finding a president who can repair Obama’s lawless legacy.
In this revealing broadside, Victor Davis Hanson explains how President Obama has imprinted his domestic ideology of victimhood onto a therapeutic, Carter-inspired foreign policy. In Obama’s vision, the United State renounces its role as a defender of the postwar order and instead becomes an agent of global change – one that questions our existing system of defense, values, alliances, interests, and commerce.In tactical terms, Obama believes that his 'hope-and-change' rhetoric and non-traditional background give him a moral authority abroad that will trump any inconsistency in U.S. foreign policy. But, as Hanson explains, at some future date, regional hegemons like Iran, Russia and China will demand even more acquiescence on the theory that the present government of the United States either will not object, or will do nothing concrete to stop them.
In The Long March, Roger Kimball, the author of Tenured Radicals, shows how the «cultural revolution» of the 1960s and '70s took hold in America, lodging in our hearts and minds, and affecting our innermost assumptions about what counts as the good life. Kimball believes that the counterculture transformed high culture as well as our everyday life in terms of attitudes toward self and country, sex and drugs, and manners and morality. Believing that this dramatic change «cannot be understood apart from the seductive personalities who articulated its goals,» he intersperses his argument with incisive portraits of the life and thought of Allen Ginsberg, Norman Mailer, Timothy Leary, Susan Sontag, Eldridge Cleaver and other «cultural revolutionaries» who made their mark. For all that has been written about the counterculture, until now there has not been a chronicle of how this revolutionary movement succeeded and how its ideas helped provoke today's «culture wars.» The Long March fills this gap with a compelling and well-informed narrative that is sure to provoke discussion and debate.
We are surrounded by medical miracles: polio has been eradicated; childhood leukemia is now treatable; death by cardiovascular disease has declined by two-thirds in the last fifty years. Yet while American medicine has never been better, angst over American health care has never been greater. Why is American health care such a mess? In this path-breaking book–Nobel laureate Milton Friedman calls it «fascinating and thorough»–Dr. David Gratzer goes to the heart of the problem, showing that the crisis in American health care stems largely from its addiction to outmoded and discredited economic ideas. What needs to be done? Dr. Gratzer mounts a bold and provocative argument, rejecting the conventional wisdom that socialized health care is compassionate and that top-down government agencies like the FDA actually save lives. Instead, he prescribes a strong dose of capitalism. The Cure offers a detailed overview of American health care, from economics and politics to medical science. Weighing in on the most controversial topics in health care, Dr. Gratzer makes the case that it's possible to reduce health expenses, insure millions more, and improve quality of care while not growing government or raising taxes. An award-winning author and essayist, he is a master storyteller, enlivening his book with anecdotes, interviews, and stories drawn from his own extensive clinical experience. He details the cardiac woes of Robert E. Lee and Dick Cheney, describes a chat over coffee with Canada's foremost private medical entrepreneur (an acquaintance of Fidel Castro, as it happens), and explains the evolution of his own thinking, from advocating HillaryCare as a medical student to promoting individual choice and competition today. The patient is in critical condition; Dr. Gratzer diagnoses the disease and prescribes the cure.
Today, the word prejudice has come to seem synonymous with bigotry; therefore the only way a person can establish freedom from bigotry is by claiming to have wiped his mind free from prejudice. English psychiatrist and writer Theodore Dalrymple shows that freeing the mind from prejudice is not only impossible, but entails intellectual, moral and emotional dishonesty. The attempt to eradicate prejudice has several dire consequences for the individual and society as a whole.
Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this witty and provocative book, the student is less likely to learn about the aesthetics of masterworks than to be told, for instance, that Peter Paul Rubens' great painting Drunken Silenus is an allegory about anal rape. Or that Courbet's famous hunting pictures are psychodramas about «castration anxiety.» Or that Gauguin's Manao tupapau is an example of the way repression is «written on the bodies of women.» Or that Jan van Eyck's masterful Arnolfini Portrait is about «middle-class deceptions … and the treatment of women.» Or that Mark Rothko's abstract White Band (Number 27) «parallels the pictorial structure of a pieta.» Or that Winslow Homer's The Gulf Stream is «a visual encoding of racism.» In «The Rape of the Masters: How Political Correctness Sabotages Art,» Kimball, a noted art critic himself, shows how academic art history is increasingly held hostage to radical cultural politics–feminism, cultural studies, postcolonial studies, the whole armory of academic antihumanism. To make his point, he describes how eight famous works of art (reprinted here as illustrations) have been made over to fit a radical ideological fantasy. Kimball then performs a series of intellectual rescue operations, explaining how these great works should be understood through a series of illuminating readings in which art, not politics, guides the discussion.
After the Constitutional Convention, Benjamin Franklin was asked, “Well, Doctor, what have we got—a Republic or a Monarchy?” Franklin’s response: “A Republic—if you can keep it.”This book argues: we couldn’t keep it.A true republic privileges the common interest above the special interests. To do this, our Constitution established an elaborate system of checks and balances that disperses power among the branches of government, which it places in conflict with one another. The Framers believed that this would keep grasping, covetous factions from acquiring enough power to dominate government. Instead, only the people would rule.Proper institutional design is essential to this system. Each branch must manage responsibly the powers it is granted, as well as rebuke the other branches when they go astray. This is where subsequent generations have run into trouble: we have overloaded our government with more power than it can handle. The Constitution’s checks and balances have broken down because the institutions created in 1787 cannot exercise responsibly the powers of our sprawling, immense twenty-first-century government.The result is the triumph of special interests over the common interest. James Madison called this factionalism. We know it as political corruption.Corruption today is so widespread that our government is not really a republic, but rather a special interest democracy. Everybody may participate, yes, but the contours of public policy depend not so much on the common good, as on the push-and-pull of the various interest groups encamped in Washington, DC.