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Because the Sun
The author lives in Montreal, a hotbed for exciting, hip, young Canadian poetry. Because the Sun pairs two unexpected two classics, The Stranger by Albert Camus and Thelma and Louise, to consider violence under the sun. The author is well-connected and has been widely published in the United States and Canada. The author’s debut collection, Saint Twin, was well received and this follow-up is highly anticipated in the poetry community. Because the Sun presents pop culture through an intellectual gaze that would be appealing to a smart, young, educated audience. This would be a great fit next to popular American poets such as Jenny Zhang and Patricia Lockwood.
Exhibitionist
Smart, raunchy poems that are sorry-not-sorry. “Sticky, sad, and sultry, Exhibitionist is a merry-go-round circling back to the tender, awkward parts of ourselves. Molly Cross-Blanchard allows her poems to ask the reader out for ice cream, to fart at a dinner party, to sprawl out on a chaise lounge, stare through a dusty skylight and whisper that they think they may love you. And that love will be unmistakably mutual.” —Mallory Tater, author of The Birth Yard and This Will Be Good “Multiple orgasms appear in the first line of the first poem in Exhibitionist. Multiple orgasms, as a relative image or a practice, elicit everything from mystical worship to moral panic. Molly Cross-Blanchard understands this diametric power. She nods to this power with countless crisp and explicit images throughout her debut collection. Read her poems first to marvel at the well-crafted voicing of sexuality. Read a second time to appreciate Cross-Blanchard’s beautiful charge of juxtaposition. Again and again, she places the erotic beside mundane so that both are transformed – a dirty basement carpet becomes the backdrop of profound intimacy and gas station coffee acts as a symbol of self-discovery.” –Amber Dawn, author of My Art is Killing Me and Sodom Road Exit One minute she’s drying her underwear on the corner of your mirror, the next she’s asking the sky to swallow her up: the narrator of Exhibitionist oscillates between a complete rejection of shame and the consuming heaviness of it. Painfully funny, brutally honest, and alarmingly perceptive, Molly Cross-Blanchard’s poems use humour and pop culture as vehicles for empathy and sorry-not-sorry confessionalism. What this speaker wants more than anything is to be seen , to tell you the worst things about herself in hopes that you’ll still like her by the end.
Global Political Cities
Why cities often cope better than nations with today’s lightning-fast changes The British Empire declined decades ago, but London remains one of the world’s preeminent centers of finance, commerce, and political discourse. London is just one of the global cities assuming greater importance in the post-cold war world—even as many national governments struggle to meet the needs of their citizens. Global Political Cities shows how and why cities are re-asserting their historic role at the forefront of international economic and political life. The book focuses on fifteen major cities across Europe, Asia, and the United States, including New York, London, Tokyo, Brussels, Seoul, Geneva, and Hong Kong, not to mention Beijing and Washington, D.C. In addition to highlighting the achievements of high-profile mayors, the book chronicles the growing influence of think tanks, mass media, and other global agenda setters, in their local urban political settings. It also shows how these cities serve in the Internet age as the global stage for grassroots appeals and protests of international significance. Global Political Cities shows why cities cope much better than nations with many global problems—and how their strengths can help transform both nations and the broader world in future. The book offers important insights for students of both international and comparative political economy; diplomats and other government officials; executives of businesses with global reach; and general readers interested in how the world is changing around them.