So they say everybody at some point and time wants to go to Hollywood. Give it a chance to see what they are made of. Strategize a method in order to stay on point and be ready when the time comes to meet and greet celebrities & have nerves of steel in order to network in your own style. Better yet to take the all or nothing route hop right on the Greyhound bus by far the cheapest way known to mankind to get there and do it right. In a place called Hollywood-Hollyweird: How people survive and make it! Case closed…
In the early 2020, the world experienced a pandemic from a novel coronavirus (COVID-19) believed to have emanated from a province in the Peoples' Republic of China, that as of this book's publishing has infected more than 37 million people worldwide, killing over 1 million; more than 210,000 in the US.
In March 2020, the United States took an unprecedented step of quarantining the entire country, shuttering schools, businesses and religious institutions, in fact closing nearly all facets of daily life except for the most basic and essential needs. This meant that with doors closes, the worshiping faithful would turn to virtual church services in the form of the Holy Sacrifice of Mass via live streamed telecasts. While those who tuned in could watch and follow along with the readings of the day, hearing the Word of God and seeing the Body and Blood of Christ, they could not receive Him.
During this time of isolation, I recalled the many times that I had the honor and privilege as an Extraordinary Minister of Holy Communion, to take the Blessed Sacrament to sick and homebound. The pandemic and the inability to do the normal activities of life gave me time gather these few stories of «Bringing Him and Finding Him There.» In the recent words of Cardinal Robert Sarah, prefect of the Congregation for Divine Worship in a letter to bishops around the world, urging a return to Mass, with proper safety protocols observed amid the coronavirus pandemic. "we must return to the Eucharist with a purified heart, with a renewed amazement, with an increased desire to meet the Lord, to be with him, to receive him and to bring him to our brothers and sisters with the witness of a life full of faith, love and hope.
My hope is that in reading these instances of grace filled experiences I had in some of my Communion Calls, you will find a renewed amazement, with an increased desire to meet the Lord, to be with him, to receive him.
I was inspired to write Fully Persuaded Faith as I watched God repeatedly deliver prayer requests for my family, for my friends and for me. I wanted to encourage others by documenting His great faithfulness. By reading the testimonies of this book, be propelled to receive the answers to your prayers. There are many examples of God's deliverance in different ways and surely there is a situation that closely reflectsanything you are currently encountering. Use prayer jewels as guideposts for your manifestation.
We often end up living an «unexpected» life. Yet through it, glimmers of hope, faith, love and peace find their way through. After being married for forty years and serving the Catholic Church as a deacon for the last five years, leaving the diaconate was the last thing on my mind. Life was good – wife, home, children, grandchildren, health, retirement and an amazing ministry. Never did I expect to be a suicide survivor. Grieving the loss of my wife was difficult enough, but with suicide, the grieving process was much more intense. Being a deacon in the Catholic Church intensified that process even more. The Catholic Church made it clear. I could not stay a deacon and pursue another loving relationship that could lead to marriage. I was aware of the rule, but after two years of discernment, I couldn't seem to make a decision. This battle put me into the hospital for open-heart surgery. Finally, with God's help, I made my decision. Rick, a local reporter, wanted to interview me with regard to my diaconate experience and how I came to that decision. Rick turned out to be more than a reporter. This is my story. Through it, I hope glimmers of hope, faith, love and peace find their way through your clouds as well. Proceeds go to Suicide Awareness.
Like the author herself, my yt mama is hybrid: part memoir, part history, part discourse analysis, part love letter to her mother, a poetic investigation of racism and colonialism in Canada, weaponizing the language of the nation-state against itself in the service of social justice.
Peg is struggling for survival at her boarding school. Three über-cool “it” girls take aim at Peg and make her life utterly miserable. When her beloved grandmother dies she just wants to disappear. Then an unexpected gift arrives; inside it, Peg finds three cast-iron Canadian soldiers. In despair, she throws them against the floor. How can they help her? They are so small, and the girls’ shadow is so big. But, miraculously, the toys come to life as Indigenous snipers from World War I, just in time to wage an epic battle against the girls.
A powerful play that will appeal to audiences both young and old, Iron Peggy uses a creative and ever-surprising blend of voices and sceneries to tell this moving story.
With 2018 marking the 100th-year anniversary of WWI, Iron Peggy is an excellent introduction to its history and a touching testimony that not only celebrates the First Nation participation in the war effort but also a young girl’s personal victory.
Iron Peggy, by award-winning, international Métis performer and playwright Marie Clements, was commissioned by the Vancouver International Children’s Festival and premiered at Vancouver’s Waterfront Theatre in 2019. (Adapted from Vancouver International Children’s Festival online presentation.)
Within the contours of TENDER lie field notes from a life lived across multiple affinities, kinship, and desires. Equally visual and textual, TENDER is a beautifully complex collection of experiences and reflections spanning thirty years of curious inquiry into our shared human-animal condition. Laiwan's book traverses diverse terrains – the body, land, language. It is rooted in her courageous and uncompromising history of activism and in experiences of building community across and beyond difference. TENDER offers a radical and decolonizing cleansing of all that oppresses and alienates.
The words and images of this collection reveal the heroic struggles of gendered, raced, and sexual differences from a place of incredible tenderness and vulnerability. Laiwan’s words imprint in us the need to breathe our animal skins back to life after the scarring of dehumanized, fearful states of abandonment and betrayal. Read as a retrospective and as a continued call for a passionate caring for one another, TENDER offers us freedom in the face of limitation: a working at setting free. Each section of the book captures a moment in time and feeling. Haunting, political, and defiantly sexy, Laiwan’s voice is a guiding force. Ghostly images are choreographed to leave us alerted to longing and hope, absence and presence. It is as if the entire collection were a garden at different stages of growth, with the inevitable decay and renewal that each season brings.
In Laiwan’s imaginings readers retreat and renew our courage to speak – and breathe – anew.
A tender look at the underside of our cities, and the people that get left behind.
A playful and macabre narrative tour de force, structured like a matryoshka doll, Impurity weaves a complex web of interlocking narratives in multiple voices and a variety of forms. The bestselling author Alice Livingston is dead, leaving her philosopher husband, Antoine, dealing with a legacy towards which he has felt increasingly estranged. Confronted with his wife’s much reported disappearance, Antoine revisits their past relationship: open and liberated on the outside, but constrained and even deviant on the inside. The news of the day (the death of JFK Junior, the self-immolation of a Buddhist monk, etc.) announced by the television running in the novel’s background gradually becomes significant in the lives of the protagonists – as revealed in Alice’s last book. As narrators of the novel become less and less reliable, good intentions become corrupted, appearances prove to be deceiving, and Impurity’s multiple plots come to a gripping, asphyxiating conclusion.
People Live Here is a collection of three exciting new plays by George F. Walker, Canada’s king of black comedy and a winner of two Governor General’s Literary Awards for Drama.
The Chance is a funny, quirky, and suspenseful play portraying three aspiring but economically deprived women living in a working-class neighbourhood of Toronto. The serendipitous discovery of a $300,000 cheque left behind by one of Jo’s one-night stands sends Jo’s mother Marcie, optimistic but exhausted, and stripper Amie, Jo’s friend and colleague, into a furious conjectures on how to use the money (if at all).
Her Inside Life is a heartwarming story introducing Violet, an unbalanced widow under house arrest for committing a serious crime and looking to regain the respect of her daughter and her social worker, who visit regularly. The reappearance of Leo – a man Violet thought she had killed – offers an odd opportunity for the main character to show she doesn’t belong in the madhouse.
Kill the Poor, this collection’s last chapter, is an intense comedy portraying a couple struggling for money and recuperating from a serious car accident. But what if the expected settlement changes the couple’s life for the better? A hired detective and the building’s custodian provide help, but the mysterious driver of the other car makes a comeback … for the worse.
Altogether, George F. Walker’s People Live Here complete the Parkdale Palace trilogy of plays dealing with issues of social justice and allying heart, humour, and a contemporary reflection on human inequalities.