Ingram
Все книги издательства IngramSeptember Remember
An alcoholic on awakening is much like a newborn baby—fragile and without any defense against a very sober world. September Remember begins with a terrifying—and darkly funny blackout—the sort of a blackout that pulls you right into the mind of a drunk on the loose. Reading it, I was reminded of my AA friend picking me up in his truck, the uncertainty of that boozy hazy evening. The blackout is not the story of September Remember, but it’s that darkness that will suck you into this story.When published, September Remember was a best seller, and the first known novel that put AA into literary consciousness. It’s been out of print now for over 60 years.The book is full of language and prejudices that are reflective of its time. That was the time of America between the two world wars: more than twenty years before Martin Luther King’s “I Have a Dream” speech, years before women made it out of the kitchen into the living room, and years before new immigrants were only recognizable by the derogatory terms used to describe them. In that way, September Remember can be treated as a historical document that mentions Alcoholics Anonymous, but it is much more than that: its mythology is essentially AA’s, a story of rebirth and redemption.
I am Sophie Tucker
Features more than 90 beautiful color and 120 black and white period illustrations.Part fairy tale, part crime novel, part rags to riches Hollywood myth, I Am Sophie Tucker tells the outrageous story of one of showbiz’s biggest personalities.From 1906 through the beginning of television, Sophie Tucker and her bawdy, brash, and risqué songs paved the way for performers such as West, Monroe, Midler, Cher, Madonna, and Gaga.“Sophie was like the Forrest Gump of the first half of the 1900s,” says co-author Susan Ecker. “She was close friends with seven presidents, King George VI, young Queen Elizabeth, Chaplin, J. Edgar, Capone, Garland, Jerry Lewis, Sinatra and every other notable of her era.”Tucker tried to get her story published for nine years, without success. Undaunted, Sophie hired half a dozen ghostwriters, but she still had no takers for her no holds barred autobiography. Eventually, Doubleday published a sanitized version in 1945.“After immersing ourselves in Sophie’s papers and surviving friends,” says co-author Lloyd Ecker, “this initial volume is what should have been the actual autobiography of Tucker.”Though she obsessively documented her life, Sophie loved to exaggerate for dramatic effect. Over the years, she told multiple versions of each important event. At the end, not even Sophie knew the difference between truth and tall tale.“This volume is 85% fact,” Lloyd explains. “The other 15% …who knows?”I Am Sophie Tucker puts back all of the delicious bits nixed by Doubleday’s lawyers and throws in other Tucker show business dirt, intrigue, arrests, romance, murder, gangsters, and scandals. Now you can read it for yourself.
L'Americain
Before television, the great picture magazines captured world events for millions of readers. They sent correspondents and photojournalists to the ends of the earth to record history in the making. Among this elite was the photographer, John Launois. During the 1960s and 1970s, the final decades of the “golden age of photojournalism,” John Launois blossomed as one of the most resourceful, inventive, prolific, highly paid, and widely traveled photojournalists at work during that period.Launois made himself the master of the deeply researched photo essay, and his published work appeared in Life, The Saturday Evening Post, National Geographic, Fortune, Time, Newsweek, Look, Rolling Stone, Paris Match, London’s Sunday Times, and many other American, European, and Asian publications.This is his story told in his own words: from his youth amid the poverty and terror of German-occupied France during World War II when he dreamed of coming to America, to his lean “noodle years” in the Far East as he struggled to master his craft, to his years in America as a successful photographer and globetrotting adventurer. It was during this time that he recorded some of the most iconic images of the period—presidents, the Beatles, Malcolm X, wars, riots, and natural disasters. He also writes very candidly of the terrible toll the demands of his work imposed on his family, his loves, and himself. Through it all, he mingled with the rich, powerful, and downtrodden alike, always marveling that he had come so far.
Stranger at the Gates
During the summer of 1964, over one thousand people, including many college students went to Mississippi as part of a state wide effort to register African-American voters and to establish teaching centers that became known as «Freedom Schools.»Participants began their training at a college campus in Ohio. Motivated by a strong sense of social justice, Tracy Sugarman, an artist and commercial illustrator from Westport, Connecticut, joined the volunteers in Ohio and set out to document the people and events of what turned out to be an historic period. Sugarman joined the freedom riders, and while somewhat older and more experienced than most of them, was an active participant throughout.Sugarman traveled to Mississippi and shared all the experiences of the workers as well as their fears and anxiety as they were greeted by anger and violence by many white Mississippians. Sugarman describes and beautifully illustrates the living conditions, day-to-day activities, and the interpersonal relationships that developed between the host families and the visitors.The author introduces us and vividly portrays many of the important people in the movement, including Bob Moses and many others, but he also focuses on the ordinary citizens and hosts.Other works have set forth the significant events that occurred during that summer, including especially the Goodman/Schwerner/Chaney murders that took place in Neshoba County and startled the American public. This first hand account focuses more on the human experiences and its meaning for participants. It is an essential source of information about what Freedom Summer did for those who took part in it and now, with the 50th anniversary of Freedom Summer, Stranger at the Gates will bring to life this momentous period for modern readers.Most of the wonderful illustrations created for the 1966 edition of Stranger at the Gates have been reproduced here, and as a special bonus, 26 illustrations that were not included in the original book are included in a gallery of Freedom Summer in brilliant drawings that bring to life, in Tracy Sugarman's powerful reportorial style, the people and places of 1964 Mississippi.
The Killing of Wolf Number Ten
A killer. A manhunt. The triumph of justice and of the wolf.The greatest event in Yellowstone history.Greater Yellowstone was the last great truly intact ecosystem in the temperate zones of the earth—until, in the 1920s, U.S. government agents exterminated its top predator, the gray wolf. With traps and rifles, even torching pups in their dens, the killing campaign was entirely successful. The howl of the “evil” wolf was heard no more. The “good” animals—elk, deer, bison—proliferated, until they too had to be “managed.”Two decades later, recognizing that ecosystems lacking their keystone predators tend to unravel, the visionary naturalist Aldo Leopold called for the return of the wolf to Yellowstone. It would take another fifty years for his vision to come true.In the early 1990s, as the movement for Yellowstone wolf restoration gained momentum, rage against it grew apace. When at last, in February 1995, fifteen wolves were trapped in Alberta and brought to acclimation pens in Yellowstone, even then legal and political challenges continued. There was also a lot of talk in the bars about “shoot, shovel, and shut up.”While the wolves’ enemies worked to return them to Canada, the biologists in charge of the project feared that the wolves might well return on their own. Once they were released, two packs remained in the national park, but one bore only one pup and the other none. The other, comprising Wolves Nine and Ten and Nine’s yearling daughter, disappeared.They were in fact heading home. As they emerged from protected federal land, an unemployed ne’er-do-well from Red Lodge, Montana, trained a high-powered rifle on Wolf Number Ten and shot him through the chest.Number Nine dug a den next to the body of her mate, and gave birth to eight pups. The story of their rescue and the manhunt for the killer is the heart of The Killing of Wolf Number Ten.+Read this book, and if you are ever fortunate enough to hear the howling of Yellowstone wolves, you will always think of Wolves Nine and Ten. If you ever see a Yellowstone wolf, chance are it will be carrying their DNA.The restoration of the wolf to Yellowstone is now recognized as one of conservation’s greatest achievements, and Wolves Nine and Ten will always be known as its emblematic heroes.
The Paris Herald
Any American traveling in the world today will come across the Paris Herald somewhere, though it now goes under the name the International New York Times. Never mind, at heart it is still the Paris Herald and traces its roots to Paris at the beginning of the 20th Century when it was as familiar in the kiosks of the Left Bank and the Champs Elysées as the latest article in l’Aurore by Zola or newest installment by Proust in his never ending search for lost time.The Paris Herald, narrative historical fiction, tells the story of the world’s most famous newspaper, focusing on the key years of the 1960s, when the fates of the newspaper and of the regime of Charles de Gaulle became curiously intertwined.The story centers on intrigue and rivalry among the New York Herald Tribune, New York Times and Washington Post. When the Herald Tribune ceased operations in New York in 1966, the Times, which had started its own European Edition in 1960, expected the Paris Herald to close, too, giving the Times victory in Paris as well as New York. But Herald Tribuneowner Jock Whitney wouldn’t sell to the Times, preferring to join with Katharine Graham, who’d taken charge at the Post after her husband’s death.Within months, the Times came, hat-in-hand, offering to close its European edition and asking to buy into the new Herald/Post partnership. The Times neither forgave nor forgot its humiliation.The Paris Herald is the story of many people: of Frank Draper, who fought in the Lincoln Brigade; Byron Hallsberg, who joined the Hungarian uprising; Dennis Klein, researching the Nazi occupation of Paris; Suzy de Granville, searching for family roots; Wayne Murray, escaping homophobia; of Steve and Molly Fleming, living the high life; Sonny Stein and Al Lodge and Connie Marshall and Ben Swart and Eddie Jones, paperboy, all finding themselves at the Paris Herald for their own reasons and ending up in the fight to keep the newspaper alive.The 1960s was a tumultuous decade. The conflict in America over race and the Vietnam War spread to Europe, setting off terrorism, riots and revolt across the continent and threatening already shaky regimes. Nowhere was the risk of collapse greater than in France, where the revolt of 1968 nearly toppled the government and led to the resignation of President Charles de Gaulle the following year. Throughout those difficult times, the Paris Herald was at the center of eventsSince being founded in 1887 by James Gordon Bennett, Jr., the Paris Herald has been essential to American expatriate life in Europe. In France, many Americans put down roots, married into French families and became permanent expatriates, in some cases exiles, like Bennett himself. The tense events of the 1960s touched the lives of every American in Paris, including many well-known artistic exiles: James Baldwin, Art Buchwald, William Saroyan, James Jones, Bud Powell, Dexter Gordon, Kenny Clarke, Joe Turner, Memphis Slim.As the crisis deepened, one shadowy man became the link between de Gaulle and the troika of newspaper owners, Whitney, Graham and Arthur Ochs Sulzberger. This man, Henri de Saint-Gaudens, a high French official in the Elysée Palace, understood the Herald’s historical importance to Paris.The Paris Herald, a novel, is riveting historical drama, as relevant today as yesterday. It is a story never before told.
Ethel Merman, Mother Teresa...and Me
How many people can count among their closest friends Ethel Merman (the Queen ofBroadway), Mother Teresa (beatified by the Vatican in October, 2003), Lee Lehman, (wife of Robert Lehman, head of Lehman Brothers), Pierre Cardin (legendary couturier and major show-business force in Europe), and many others?Well, Tony Cointreau, a scion of the French liqueur family, can. After a successful international singing career, and several years on the Cointreau board of directors, he felt a need for something more meaningful in his life. His voice had taken him to the stage, and his heart took him to Calcutta. Tony’s childhood experiences with an emotionally remote mother, an angry bullying brother, a cold and unprotective Swiss nurse, and a sexually predatory schoolteacher left him convinced that the only way to be loved is to be perfect. This led him on a lifelong quest for love and for a mother figure.His first “other mother” was the internationally acclaimed beauty Lee Lehman. Then, after Tony met the iconic Broadway diva Ethel Merman, she became his mentor and second “other mother.” His memoir describes in detail his intimate family relationships with both women, as well as his years of work and friendship with Mother Teresa, his last “other mother.”Tony’s memoir voices his opinion that he had no special gifts or talents to bring to Mother Teresa’s work and that if he could do it, then anyone could do it. In the end, all that really matters is a willingness to share even a small part of oneself with others.
Hello There, We've Been Waiting for You!
When Madison McGee is orphaned and forced to live with her wacky grandmother in boring old Truth or Consequences, New Mexico, she’s pretty sure nothing will ever be right again. Her grandmother is addicted to TV shopping shows. Her only neighbors are a crazy lady and a vicious junkyard mutt. And she misses her old life something fierce. Could it get any worse?A jeans and T-shirt kind of girl, Madison refuses to be seen in the “cupcake dresses” her grandmother tries to get her to wear. Everything changes when a MegaPix 6000 TV mysteriously shows up on her doorstep. With the accidental push of a button on the remote control, Madison teleports into a dizzying world of lights, cameras, action, and peril. But with the help of a little magic, she discovers that things aren’t always what they appear to be, and that life can actually get better in a brand new way.
The Art of Waging Peace
Over two thousand years ago, Sun Tzu wrote The Art of War. In today’s struggle to stop war, terrorism, and other global problems, West Point graduate Paul K. Chappell offers new and practical solutions in his pioneering book, The Art of Waging Peace. By sharing his own personal struggles with childhood trauma, racism, and berserker rage, Chappell explores the anatomy of war and peace, giving strategies, tactics, and leadership principles to resolve inner and outer conflict. Chappell explains from a military perspective how Gandhi and Martin Luther King Jr. were strategic geniuses, more brilliant and innovative than any general in military history, courageous warriors who advanced a more effective method than waging war for providing national and global security. This pragmatic and richly instructive book shows how we can become active citizens with the skills and strength to defeat injustice and end all war.
Identifying Critical Content: Classroom Techniques to Help Students Know What is Important
Academic standards call for increased rigor, but simply raising complexity is not enough. Students must also take responsibility for their own learning. They need to be able to determine which content is critical, why it is important, how it connects to their existing knowledge, and when it will inform their future learning. <P> <I>Identifying Critical Content: Classroom Techniques to Help Students Know What is Important<I> explores explicit techniques for mastering a crucial strategy of instructional practice: teaching students the skill of identifying critical content. It includes:<BR>• Explicit steps for implementation<BR>• Recommendations for monitoring if students are able to identify critical content<BR>• Adaptations for students who struggle, have special needs, or excel in learning<BR>• Examples and nonexamples from classroom practice<BR>• Common mistakes and ways to avoid them<P>The Essentials for Achieving Rigor series of instructional guides helps educators become highly skilled at implementing, monitoring, and adapting instruction. Put it to practical use immediately, adopting day-to-day examples as models for application in your own classroom.