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    Higher Education in Post-Communist States

    David Morgan

    How far have universities in post-Communist states adopted the practices and habits of their branded and consumer-oriented equivalents in the English-speaking world? While not assuming that university education in those states reflects in any mechanistic way the regulated, business-led system long established in places like the US, and now being dramatically realized in countries like Britain, this edited collection identifies some marked shifts in the direction of what might best be described as ‘neoliberalisation’, examining its particularities in local situations where establishment ideologies were, until the early 1990s, deeply alien to all kinds of commercially driven entities. Many of the authors are concerned not only with the linked issues of commercialism, instrumentalism, bureaucracy, and managerialism, framed locally and nationally, but also with the meaning and purpose of universities outside or against their status as efficient gatherers of income. The collection makes specific reference to Lithuania, Hungary, Azerbaijan, Ukraine, Georgia, and Russia, and comprises theoretical as well as empirical studies of diverse but connected subjects, including the marketization of the academy, regional reactions to globalization as expressed in the representational rhetoric of specific curricula, the role and place of civic education, comparisons between educational settings, pedagogies for a critical and ethical consciousness, corporate and state demands and their effects on academic freedom, and the positive potential of new communication technologies. In all these cases, the system of neoliberalism, or rather an uneven process of neoliberalisation, forms a backdrop to the particular issues discussed.

    Digital Orthodoxy in the Post-Soviet World

    Отсутствует

    This volume explores the relationship between new media and religion, focusing on the WWW’s impact on the Russian Orthodox Church.
    Eastern Christianity has travelled a long way through the centuries, amassing the intellectual riches of many generations of theologians and shaping the cultures as well as histories of many countries, Russia included, before the arrival of the digital era. New media pose questions that, when answered, fundamentally change various aspects of religious practice and thinking as well as challenge numerous traditional dogmata of Orthodox theology. For example, an Orthodox believer may now enter a virtual chapel, light a candle by drag-and-drop operations, send an online prayer request, or worship virtual icons and relics. In recent years, however, Church leaders and public figures have become increasingly skeptical about new media. The internet, some of them argue, breaches Russia’s 'spiritual sovereignty' and implants values and ideas alien to the Russian culture.
    This collection addresses such questions as: How is the Orthodox ecclesiology influenced by its new digital environment? What is the role of clerics in the Russian WWW? How is the specifically Orthodox notion of sobornost’ (catholicity) being transformed here? Can Orthodox activity in the internet be counted as authentic religious practice? How does the virtual religious life intersect with religious experience in the 'real' church?

    Beckett, Lacan and the Voice

    Llewellyn Brown

    The voice traverses Beckett's work in its entirety, defining its space and its structure. Emanating from an indeterminate source situated outside the narrators and characters, while permeating the very words they utter, it proves to be incessant. It can alternatively be violently intrusive, or embody a calming presence. Literary creation will be charged with transforming the mortification it inflicts into a vivifying relationship to language.
    In the exploration undertaken here, Lacanian psychoanalysis offers the means to approach the voice's multiple and fundamentally paradoxical facets with regards to language that founds the subject's vital relation to existence. Far from seeking to impose a rigid and purely abstract framework, this study aims to highlight the singularity and complexity of Beckett's work, and to outline a potentially vast field of investigation.

    Harlem Nocturne

    Earle Hagen

    Die Originalversion von «Harlem Nocturne» wurde 1948 veröffentlicht und gehört heutzutage zum Jazz Standard. In den letzten Jahrzehnten wurden zahlreiche Bearbeitungen des Songs angefertigt. Es bestehen Versionen von The Glenn Miller Orchestra, The Lounge Lizards, Duke Ellington etc. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.

    Guitar Boogie

    Arthur D. Howden Smith

    Die Originalversion von «Guitar Boogie» wurde 1948 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.

    Down Home Rag (Deeten Datten Dooten)

    Lew Brown

    Die Originalversion von «Down Home Rag (Deeten Datten Dooten)» wurde 1911 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. Mittlerweile gehört der Song zum Popular-Standard-Repertoire. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.

    Down By The Winegar Woiks

    Don Bestor

    Die Originalversion von «Down by the Winegar Woiks» wurde 1925 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. Mittlerweile gehört der Song zum Popular-Standard-Repertoire. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.

    Die Reise nach Batumi

    Mulo Francel

    This song is a travelling song written under the impression of several tours through South and East Europe, the Balkans and around the Black Sea. Dedicated to Jason, the hero of the Greek mythology, it has to be played in a hymnic manner. Here available is the sheet music for F-instruments.

    Die Reise nach Batumi

    Mulo Francel

    This song is a travelling song written under the impression of several tours through South and East Europe, the Balkans and around the Black Sea. Dedicated to Jason, the hero of the Greek mythology, it has to be played in a hymnic manner. Here available is the sheet music for Eb-instruments.

    How the Social Sciences Think about the World's Social

    Michael Kuhn

    At the beginning of the new millennium, the social sciences discover an epochal “turn” making it necessary to revolutionize their theory-building: As a response to what they call the globalization of the social, they find the need to globalize their theorizing as well.
    It is odd to discover after two centuries of colonialism and imperialism, after two world wars and several economic world crises that there is a world beyond the national socials; it is even more strange that the social sciences globalize their theorizing by comparing theories about nationally confined socials and by creating all sorts of, preferably, “local theories”, just as if any national social was a secluded social biotope. Discussing how to globalize the social sciences, they argue that globalizing social science theorizing means finding a way of theorizing that must, above all, be liberated from “scientism” in order to allow a “provincialization” of thinking. Not surprisingly, the globalizing social sciences also rediscover mythological and moral thinking as a means for a “true scientific universalism”.
    Michael Kuhn’s new book presents many thought-provoking arguments on the oddities of the globalizing social sciences and on how these oddities are not accidents, but a consequence of the nature of how the social sciences theorize about the social.