Философия
Различные книги в жанре ФилософияCritical Issues in Social Theory
Critical Issues in Social Theory is an analytical survey of persistent controversies that have shaped the field of sociology. It defines, clarifies, and proposes solutions to these "critical issues" through commentary on the writings of such influential social theorists as Hobbes, Marx, Durkheim, Weber, Mead, Merton, Parsons, and Schutz. Instead of being just another history, or another classification of theories, Rhoads's four-part model allows him to focus attention on issues that remain at the core of sociological theory today. First, Rhoads analyzes the controversy over positivism as the proper methodological model for the study of human society. Is there one science, of which sociology is a branch, or do the peculiarities of sociology's subject matter require a modification of the scientific method borrowed from the natural sciences? Rhoads next considers the relationship of individuals to society and its structures. Does society have a mode of existence distinct from its members, or is it merely an abstraction derived from the characteristics of individuals? Third, a discussion of social order raises the question of whether social order is the consequence of rules and their underlying moral values, or the product of continuous construction based on self-interest. Finally, the relative importance of consensus and conflict in social relationships is addressed. Is society better understood as a community united by beliefs, values, and rules, or is the social dynamic of continual conflict over beliefs, values, and rules more fundamental? In coming to grips with these issues, the author in some instances takes sides and in others arrives at a synthesis of diverse perspectives. In the final chapter he points to the limitations on the possibility of rational action that come to light in the clashes over these basic issues.
Plato and Heidegger
In a critique of Heidegger that respects his path of thinking, Francisco Gonzalez looks at the ways in which Heidegger engaged with Plato’s thought over the course of his career and concludes that, owing to intrinsic requirements of Heidegger’s own philosophy, he missed an opportunity to conduct a real dialogue with Plato that would have been philosophically fruitful for us all. Examining in detail early texts of Heidegger’s reading of Plato that have only recently come to light, Gonzalez, in parts 1 and 2, shows there to be certain affinities between Heidegger’s and Plato’s thought that were obscured in his 1942 essay “Plato’s Doctrine of Truth,” on which scholars have exclusively relied in interpreting what Heidegger had to say about Plato. This more nuanced reading, in turn, helps Gonzalez provide in part 3 an account of Heidegger’s later writings that highlights the ways in which Heidegger, in repudiating the kind of metaphysics he associated with Plato, took a direction away from dialectic and dialogue that left him unable to pursue those affinities that could have enriched Heidegger’s own philosophy as well as Plato’s. “A genuine dialogue with Plato,” Gonzalez argues, “would have forced [Heidegger] to go in certain directions where he did not want to go and could not go without his own thinking undergoing a radical transformation.”
Perception, Empathy, and Judgment
In Perception, Empathy, and Judgment Arne Johan Vetlesen focuses on the indispensable role of emotion, especially the faculty of empathy, in morality. He contends that moral conduct is severely threatened once empathy is prevented from taking part in an interplay with cognitive faculties (such as abstraction or imagination) in acts of moral perception and judgment. Drawing on developmental psychology, especially British "object relations" theory, to illuminate the nature and functioning of empathy, Vetlesen shows how moral performance is constituted by a sequence involving perception, judgment, and action, with an interplay between the agent's emotional (empathic) and cognitive faculties occurring at each stage. In the powerful tradition from Kant to present-day theorists such as Kohlberg, Rawls, and Habermas, reason is privileged over feeling and judgment over perception, in such a way that basic philosophical questions remain unasked. Vetlesen focuses our attention on these questions and challenges the long-standing assertion that emotions are damaging to moral response. In the final chapter he relates his argument to recent feminist critiques that have also castigated moral theorists in the Kantian tradition for their refusal to recognize a role for emotion in morality. While the book's argument is philosophical, its method and scope are interdisciplinary. In addition to critiques of such philosophers as Arendt, MacIntyre, and Habermas, it contains discussions of specific historical, ideological, and sociological factors that may cause "numbing"—selective or broad-ranging, pathological insensitivity—in humans. The Nazis' mass killing of Jews is studied to illuminate these and other relevant empirical aspects of large-scale immoral action.
The Authority of Experience
Sensationism, a philosophy that gained momentum in the French Enlightenment as a response to Lockean empiricism, was acclaimed by Hippolyte Taine as "the doctrine of the most lucid, methodical, and French minds to have honored France." The first major general study in English of eighteenth-century French sensationism, The Authority of Experience presents the history of a complex set of ideas and explores their important ramifications for literature, education, and moral theory. The study begins by presenting the main ideas of sensationist philosophers Condillac, Bonnet, and Helvétius, who held that all of our ideas come to us through the senses. The experience of the body in seeing, hearing, smelling, tasting, and touching enabled individuals, as John C. O'Neal points out, to challenge the sometimes arbitrary authority of institutions and people in positions of power. After a general introduction to sensationism, the author develops a theory of sensationist aesthetics that not only reveals the interconnections of the period's philosophy and literature but also enhances our awareness of the forces at work in the French novel. He goes on to examine the relations between sensationism and eighteenth-century French educational theory, materialism, and idéologie . Ultimately, O'Neal opens a discussion of the implications of sensationist thought for issues of particular concern to society today.
Between Genealogy and Epistemology
Michel Foucault introduced a new form of political thinking and discourse. Rather than seeking to understand the grand unities of state, economy, or exploitation, he tried to discover the micropolitical workings of everyday life that have often founded the greater unities. He was particularly concerned with how we understand ourselves psychologically, and thus with how psychological knowledge developed and came to be accepted as true. In the course of his writings, he developed a genealogy of psychology, an account of psychology as a historically developed practice of power. The problem such an account raises for much of traditional philosophy is that Foucault's critique of psychological concepts is ultimately a critique of the idea of the mind as a politically neutral ontological concept. As such, it renders politically suspect all forms of subjective foundationalism, and the epistemological justification for Foucault's own writings is then called into question. Drawing on the writings of such Anglo-American philosophers as Wilfrid Sellars and Ludwig Wittgenstein, Todd May refutes the idea that Foucault's critiques of knowledge, and especially psychological knowledge, undermine themselves.
Language and Love
This is the first work to combine an introduction to Augustine's Confessions with a larger outline of his mature theology. Mallard provides guidance for reading the narrative Confessions (Books I–IX) and at the same time, by certain extensions and comments, reveals the three major topical divisions within Augustine's thought: creation, salvation, and the City of God. Mallard is able to do this because Augustine's affirmation of the good of Creation, his view of the human will and God's grace (and the nature of evil), his sense of a religious people's identity and their hope, and his view of faith and reason were all essentially in place at the time of the Confessions . Mallard argues that Augustine was not "in search of himself" in a modern sense but in search of a language of prayer, praise, and truth that would locate him within God's grace. That language turned out to be the language of Incarnation, which remains compelling and inviting today. As a classic work, the Confessions is a monument to its own time, but it has striking resonances for our own. Mallard's interpretation will challenge readers to begin working out their own. The Confessions endures because it is a story that illumines the stories of many, even to the present day. To analyze how it is like, and unlike, modern experiences is to exercise both mind and heart. In that respect, Language and Love is a kind of theological meditation on the Confessions testing out a horizon of belief. Mallard views Augustine as a master of the spoken word in an age of broken and abused language and the Confessions as a historic masterpiece of rhetoric. He contends that Augustine is the ancestor of many today who offer social and political hope through fresh rhetorical vitality.
A Civil Tongue
This book is about a widely shared desire: the desire among citizens for a vibrant and effective social discourse of legitimation. It therefore begins with the conviction that what political philosophy can provide citizens is not further theories of the good life but instead directions for talking about how to justify the choices they make—or, in brief, "just talking." As part of the general trend away from the aridity of Kantian universalism in political philosophy, thinkers as diverse as Bruce Ackerman, Jürgen Habermas, Alasdair MacIntyre, and Richard Rorty have taken a "dialogic turn" that seeks to understand the determination of principles of justice as a cooperative task, achieved in some kind of social dialogue among real citizens. In one way or another, however, each of these different variations on the dialogic model fail to provide fully satisfactory answers, Mark Kingwell shows. Drawing on their strengths, he presents another model he calls "justice as civility," which makes original use of the popular literature on etiquette and work in sociolinguistics to develop a more adequate theory of dialogic justice.
Reading the Written Image
Reading the Written Image is a study of the imagination as it is prompted by the verbal cues of literature. Since every literary image is also a mental image, a representation of an absent entity, Collins contends that imagination is a poiesis, a making-up, an act of play for both author and reader. The "willing suspension of disbelief," which Coleridge said "constitutes poetic faith," therefore empowers and directs the reader to construct an imagined world in which particular hypotheses are proposed and demonstrated. Although the imagination as a central concept in poetics emerges into critical debate only in the eighteenth century, it has been a crucial issue for over two millennia in religious, philosophical, and political discourse. The two recognized alternative methodologies in the study of literature, the poetic and the hermeneutic, are opposed on the issue of the written image: poets and readers feel free to imagine, while hermeneuts feel obliged to specify the meanings of images and, failing that, to minimize the importance of imagery. Recognizing this problem, Collins proposes that reading written texts be regarded as a performance, a unique kind of play that transposes what had once been an oral-dramatic situation onto an inner, imaginary stage. He applies models drawn from the psychology of play to support his theory that reader response is essentially a poietic response to a rule-governed set of ludic cues.
Paradoxes of Emotion and Fiction
How can we experience real emotions when viewing a movie or reading a novel or watching a play when we know the characters whose actions have this effect on us do not exist? This is a conundrum that has puzzled philosophers for a long time, and in this book Robert Yanal both canvasses previously proposed solutions to it and offers one of his own. First formulated by Samuel Johnson, the paradox received its most famous answer from Samuel Taylor Coleridge, who advised his readers to engage in a "willing suspension of disbelief." More recently, philosophers have argued that we are irrational in emoting toward fiction, or that we do not emote toward fiction but rather toward factual counterparts, or that we do not have real but only quasi-emotion toward fiction, generated by our playing games of make-believe. All of these proposed solutions are critically reviewed. Finding these answers unsatisfactory, Yanal offers an alternative, providing a new version of what has been dubbed "thought theory." On this theory, mere thoughts not believed true are seen as the functional equivalent of belief at least insofar as stimulating emotion is concerned. The emoter's disbelief in the actuality of components of the thoughts must be rendered relatively inactive. Such emotion is real and typically has the character of being richly generated yet unconsummated. The book extends this theory also to resolving other paradoxes arising from emotional response to fiction: how we feel suspense over what comes next in a story even when we are re-reading it for a second or third time; and how we take pleasure in narratives, such as tragedy, that excite unpleasant emotions such as fear, pity, or horror.
Intimations of Mortality
Heidegger’s thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. “The theme of mortality—finite human existence—pervades Heidegger’s thought,” in the author’s words, “before, during, and after his magnum opus, Being and Times , published in 1927.” This theme is manifested in Heidegger’s work not “as funereal melodramatics or as despair and destructive nihilism” but rather “ as a thinking within anxiety .” 	Four major subthemes in Heidegger’s thinking are explored in the book’s four parts: the fundamental ontology developed in Being and Time ; the “lighting and clearing” of Being, understood as “unconcealment”; the history of philosophy—with emphasis on Heraclitus, Hegel, and Nietzsche—interpreted as the “destiny” of Being; and the poetics of Being, explicated as the “fundamental experience” of mortality. 	Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger’s books, lectures, and articles—including extensive material not yet translated into English—informed by the author’s conversations with Heidegger in 1974 – 76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger’s thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems.