Философия
Различные книги в жанре ФилософияReading Negri
Antonio Negri is the most important Marxist theorist working today. His writings include novel readings of classical philosophers such as Machiavelli, Descartes, and Spinoza, revolutionary reinterpretations of the central texts of Marx, and works of contemporary political analysis. Negri is known in the English-speaking world primarily through Empire, a work he co-authored with Michael Hardt in 2000 that became a surprise academic best-seller. His other writings, which have great depth and breadth, are equally deserving of attention. While most critical accounts of Negri focus only on Empire, this collection of essays presents readers with a fuller picture of Negri’s thought, one that does justice to his ability to use the great texts of the philosophical tradition to illuminate the present. The collection contains essays from scholars representing a broad spectrum of disciplines and interests, and it offers both criticism of and positive commentary on Negri’s work.
The Private Life
With social networking and reality television, self-help columns and daytime talk shows, there’s an infinite array of platforms to both expose our deepest thoughts and examine the thoughts of others. In this age of non-stop communication, one’s privacy is subject to unrelenting examination, intrusion, and attack from the media, the government, friends, family, and complete strangers.So what are we trying to hide? And what are we trying to find out about others? Practicing psychoanalyst and professor of literature Josh Cohen tackles those questions in his study of privacy and personality, the “most vulnerable and indestructible region of your self.” Using Sigmund Freud’s theories on identity and the ego as a foundation, Cohen weaves through time and place to study an extensive variety of people who unearthed and revealed the rawest form of their selves. From Adam and Eve to the ballerinas in the hit 2010 film Black Swan, from Hester Prynne to British celebrity Katie Price, Cohen finds Freud’s ideas in both fiction and reality alike.Yet even with all the times that we’ve exposed the inner workings of our psyches, Cohen is sure to emphasize that some part of every individual will always remain hidden. Like Freud once wrote, “The ego is not master in its own house.” In a culture that floods our lives with light, how is it that we remain so helplessly in the dark?
The Guy Davenport Reader
“The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all else a difference of imagination.The imagination is like the drunk man who has lost his watch, and must get drunk again to find it. It is as intimate as speech and custom, and to trace its ways we need to re-educate our eyes.”—Guy DavenportModernism spawned the greatest explosion of art, architecture, literature, painting, music, and dance of any era since the Renaissance. In its long unfolding, from Yeats, Pound and Eliot to Picasso and Matisse, from Diaghilev and Balanchine to Cunningham and Stravinsky and Cage, the work of Modernism has provided the cultural vocabulary of our time. One of the last pure Modernists, Guy Davenport was perhaps the finest stylist and most protean craftsman of his generation. Publishing more than two dozen books of fiction, essays, poetry and translations over a career of more than forty years, he was awarded a MacArthur Fellowship in 1990. In poetry and prose, Davenport drew upon the most archaic and the most modern of influences to create what he called “assemblages”—lush experiments that often defy classification. Woven throughout is a radical and coherent philosophy of desire, design and human happiness. But never before has Davenport’s fiction, nonfiction, poetry and translations been collected together in one compendium. Eight years after his death, The Guy Davenport Reader offers the first true introduction to the far-ranging work of this neglected genius.
Sophist
The «Sophist» is a Platonic dialogue from the philosopher's late period, most likely written in 360 BC. Its main theme is to identify what a sophist is and how a sophist differs from a philosopher and statesman. Because each seems distinguished by a particular form of knowledge, the dialogue continues some of the lines of inquiry pursued in the epistemological dialogue, Theaetetus, which is said to have taken place the day before. Because the Sophist treats these matters, it is often taken to shed light on Plato's Theory of Forms and is compared with the Parmenides, which criticized what is often taken to be the theory of forms.
Meno
Meno is a Socratic dialogue written by Plato. It appears to attempt to determine the definition of virtue, or arete, meaning virtue in general, rather than particular virtues, such as justice or temperance. The first part of the work is written in the Socratic dialectical style and Meno is reduced to confusion or aporia. In response to Meno's paradox (or the learner's paradox), however, Socrates introduces positive ideas: the immortality of the soul, the theory of knowledge as recollection (anamnesis), which Socrates demonstrates by posing a mathematical puzzle to one of Meno's slaves, the method of hypothesis, and, in the final lines, the distinction between knowledge and true belief.
Laws
The «Laws» is Plato's last and longest dialogue. The conversation depicted in the work's twelve books begins with the question of who is given the credit for establishing a civilization's laws. Its musings on the ethics of government and law have established it as a classic of political philosophy alongside Plato's more widely read Republic.
Ion
In Plato's «Ion,» Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato's dialogues.
Protagoras
Protagoras is a dialogue by Plato. The traditional subtitle (which may or may not be Plato's) is «or the Sophists». The main argument is between the elderly Protagoras, a celebrated Sophist, and Socrates. The discussion takes place at the home of Callias, who is host to Protagoras while he is in town, and concerns the nature of Sophists, the unity and the teachability of virtue. A total of twenty-one people are named as present.
Gorgias
Gorgias is a Socratic dialogue written by Plato around 380 BC. The dialogue depicts a conversation between Socrates and a small group of sophists (and other guests) at a dinner gathering. Socrates debates with the sophist seeking the true definition of rhetoric, attempting to pinpoint the essence of rhetoric and unveil the flaws of the sophistic oratory popular in Athens at the time.
