The year 1840 proved a momentous one for Robert Schumann: after an interval of twelve years, he resumed writing songs, producing some 150 vocal compositions within the year; and in September, after a long and stormy courtship, he married his beloved Clara Wieck. During this period, Schumann’s biographers represent him as being “caught in a tempest of song,” transfiguring the emotions aroused by his love for Clara into a splendid outpouring of sublime music for voice and piano.Much of that music is reproduced in this collection — comprising over 100 of Schumann’s greatest lieder. Selections include:Liederkreis (Heine), Op. 24Liederkreis (Eichendorff), Op. 39Myrthen, Op. 25Zwölf Gedichte von Justinus Kerner, Op. 35Sechs Gedichte von Reinick, Op. 36Frauenliebe und Leben, Op. 42Dichterliebe, Op. 48Individual Songs (17)In his work, Schumann embodied a tradition of German musical romanticism, emphasizing self-expression, lyricism, and extra-musical (e.g., literary) association. Thus we find here songs set to the poetry of Heine, Goethe, Burns, Byron, Moore, J. von Eichendorff, Adelbert von Chamisso, Emanuel Geibel, and others. Those who would know Schumann’s work most intimately will be especially interested in Myrthen, a 26-song cycle (liederkreis) dedicated “to his beloved bride.” Of these songs Schumann remarked, “… the Myrthen certainly allow a deeper insight into my inner musical workings.” Of the songs in general, Grove’s Dictionary offers this comment: “… the songs are not only piano pieces with another dimension, an additional tone-color; they are explicit, whereas the piano pieces are reserved. The lyrical element is set free and its emotional content made precise.”Complementing the music, this volume contains alphabetical listings of song titles, song openings and poets, and a glossary of German musical terms. New translations of the song texts have been specially prepared for this edition. The music has been reproduced directly from the authoritative Breitkopf and Härtel edition of 1882-87, edited by Clara Schumann.As a composer of art songs, Schumann ranks among the greatest masters; this inexpensive collection makes the songs widely available to students, singers, musicians — any admirer of romanticism made manifest in exquisite matchings of words and music.
This volume contains English translations of three important literary works by Austrian conductor Felix Weingartner (1863–1942). The title essay is a detailed account of specific performing difficulties and questions of interpretation in each of the nine symphonies, a comprehensive treatment that will be indispensable to music students. Additional features include «On Conducting» and «The Symphony Since Beethoven,» both of which attest to the author's belief that art is at its best when an «exceedingly delicate balance is attained between the feeling and the intellect.» Weingartner's wealth of observations on music and musicians will fascinate anyone interested in symphonic traditions.
The renowned Bach-Gesellschaft, founded in 1850 to collect, edit, and publish all the known works of J. S. Bach, devoted fifty years to its monumental task. It succeeded so well in tracking down Bach's heritage, establishing authenticity, and transcribing accurate texts that it still remains the primary source for Bach's music., Unfortunately, it has always been a fantastically expensive publication, accessible only in the largest libraries.This volume reprints in full, directly from the Bach-Gesellschaft volumes, important keyboard music. It contains the full texts of the Six English Suites, the Six French Suites, Six Partitas from the Clavierübung, the Goldberg Variations, and the Two- and Three-Part Inventions and Sinfonias,The music has been reproduced in large, clear type, directly from the original editions, for maximum clarity. Designed as a playing edition, it will be a necessary book to every performer on the harpsichord or piano, every music student and musicologist, as well as to serious music listeners.
As the «social anchor» in middle-class homes of the nineteenth century, the piano was simultaneously an elegant piece of drawing-room furniture, a sign of bourgeois prosperity, and a means of introducing the young to music. In this admirably balanced and leisurely account of the popular instrument, the late, internationally known concert pianist Arthur Loesser takes a «piano's-eye view» of the recent social history of Western Europe and the United States.Drawing on newspapers, music manuscripts, popular accounts, and other sources, Loesser traces the history of the piano from its predecessors, the clavichord and the harpsichord, to the modern spinet and concert grand. Chapter headings such as «Clavichords Make Weeping Easier,» «The Harpsichord Grows Feet,» «The More Pianos the Merrier,» and «The Keyboards Go West» suggest the author's lighthearted approach to topics ranging from the piano's European origins and its introduction in the United States to the decline of piano manufacturing in the early twentieth century and the «victory of airborne music» by mid-century. A preface by historian Jacques Barzun and a new foreword by music critic Edward Rothstein enhance a volume rich in wit and knowledge — one that will delight any reader with an interest in the piano and on Western cultural history.
With these easy-to-play renditions, beginning pianists of all ages can enjoy one of America's most celebrated art forms. Sixteen popular blues melodies include traditional songs such as «St. James Infirmary» and «Careless Love» as well as several numbers by blues giants Jelly Roll Morton and W. C. Handy, including «St. Louis Blues,» «Joe Turner Blues,» and «The Hesitating Blues.» Students, teachers, and other pianists will find these arrangements much simpler and more melodic than other versions. The selections include suggestions for fingering and are arranged in order of increasing difficulty. Introductory material by editor David Dutkanicz offers helpful explanations of the melodic and rhythmic theory behind the blues.
Suitable for beginning pianists of all ages, this volume features 26 simplified versions of longer pieces by the great Johannes Brahms arranged in order of increasing difficulty. Selections include the famous «Lullaby» as well as the theme from «Academic Festival Overture» and «Hungarian Dance No. 5.» Additional melodies include themes from the composer's quintet and concertos for piano, «Variations on a Theme by Haydn,» and other pieces.
This compilation of easy-to-play ragtime favorites features 24 rollicking melodies by «The Big Three» of ragtime — Scott Joplin, James Scott, and Joseph Lamb — plus pieces by Eubie Blake, Tom Turpin, and other artists. Popular tunes include «Maple Leaf Rag,» «The Entertainer,» and «Tiger Rag.» Novices of all ages will delight in these simplified arrangements of carefully selected pieces. The editor provides suggested fingerings and comments on each piece that include background on the composers and tips for performance.Along with the twenty-four piano arrangements, this collection includes a free MP3 download for every piece, which will help beginning pianists develop an ear for the melodies. The MP3s may be downloaded individually or collectively.
Specially arranged and simplified, these pieces offer beginners the pleasure and satisfaction of playing Beethoven. Students and teachers alike will delight in such popular melodies as «Für Elise,» «Ode to Joy,» and the haunting opening of the Moonlight Sonata.A First Book of Beethoven features 24 selections, including «Romance in F,» «Turkish March,» «Minuet in G,» and «Bagatelle in G Minor.» It includes excerpts from the sonatas — such as the opening of the 2nd movement of Sonata No. 14, the «Adagio» from Piano Sonata No. 5, and «Adagio Cantabile» from Sonata No. 8 — as well as highlights from the symphonies.Along with the twenty-four piano arrangements, this collection includes a free MP3 download for every piece, which will help beginning pianists develop an ear for the melodies. The MP3s may be downloaded individually or collectively.
Beginning pianists and their teachers will love this compilation of immortal music by Frédéric Chopin. Fun-to-play, pedagogically sound arrangements include the theme from the «Raindrop» Prelude, «Minute» Waltz, the charming Lullaby, and melodic highlights from the most familiar preludes, mazurkas, waltzes, impromptus, and etudes.<BR>Each piece is accompanied by informal notes that share insights into Chopin's life and the unique features of his music. From the lyrical Fantaisie-impromptu and «Butterfly» Etude to the brilliant strains of the «Military» Polonaise and «Heroic» Polonaise, these arrangements of 23 of the composer's best-loved pieces will prove welcome additions to any beginning pianist's repertoire. Plus, bonus MP3 downloads are included for each song to make practicing even easier!
This first comprehensive history of musical instruments, this book ranges from prehistoric times to the 20th century. It traverses five continents and every stage of evolution, from primitive rattles and bull-roarers to the electric organ. Author Curt Sachs, one of the world's most distinguished musicologists, combines rich scholarship with personal insight in a remarkable fusion of music, anthropology, and the fine arts.Beginning with the earliest manifestations of rhythm, Sachs explores the association of sound with primitive rites of fertility, life, death, and rebirth. He traces the evolution of folk and ritual instruments to tools of entertainment and art, the rise of a professional class of singers and musicians, and the musical revolution that flowered during the Renaissance. Sachs chronicles the foundation of the modern orchestra during the baroque period and its subsequent development, concluding with the modern-day rise of electric and jazz instruments.A pleasure to read as well as a valuable resource, this classic work is enhanced with 24 plates and 167 illustrations.