Dancing at the crossroads used to be young people's opportunity to meet and enjoy themselves on mild summer evenings in the countryside in Ireland until this practice was banned by law, the Public Dance Halls Act in 1935. Now a key metaphor in Irish cultural and political life, «dancing at the crossroads» also crystallizes the argument of this book: Irish dance, from Riverdance (the commercial show) and competitive dancing to dance theatre, conveys that Ireland is to be found in a crossroads situation with a firm base in a distinctly Irish tradition which is also becoming a prominent part of European modernity.
In many parts of post-socialist Europe the tumultuous political and economic developments have generated strong emotions, ranging from hope and euphoria to disappointment, envy, disillusionment, sorrow, loneliness, and hatred. Yet these aspects have been largely neglected in analyses of the profound transformations that have taken place in Central and Eastern Europe since 1990. Based on a wide variety of ethnographic case studies focusing on Russian, Siberian, Romanian, Bulgarian, Slovenian, Croatian, Czech, and Polish communities, this volume proves the significance of emotions to post-socialist political processes as an inherent part of the transformations and sheds new light on the impact of local, national, and transnational political forces that have given rise to the resurgence of nationalist sentiments, increasing poverty and marginalization, conflicts arising from the restitution of state property, constitutional changes, and economic deprivation.
In response to the attacks of September 11, 2001 and war in Afghanistan, the Fulbright New Century Scholars program brought together social scientists from around the world to study sectarian, ethnic, and cultural conflict within and across national borders. As one result of their year of intense discussion, this book examines the roots of collective violence – and the measures taken to avoid it – in Burma (Myanmar), China, Germany, Pakistan, Senegal, Singapore, Thailand, Tibet, Ukraine, Southeast Asia, and Western Europe. Case studies and theoretical essays introduce the basic principles necessary to identify and explain the symbols and practices each unique human group holds sacred or inalienable. The authors apply the methods of political science, social psychology, anthropology, journalism, and educational research. They build on the insights of Gordon Allport, Charles Taylor, and Max Weber to describe and analyze the patterns of behavior that social groups worldwide use to maintain their identities. Written to inform the general reader and communicate across disciplinary boundaries, this important and timely volume demonstrates ways of understanding, predicting and coping with ethnic and sectarian violence. Contributors: Badeng Nima, David Brown, Kwanchewan Buadaeng, Patrick B. Inman, Karina V. Korostelina, James L. Peacock, Thomas F. Pettigrew, Wee Teng Soh, Hamadou Tidiane Sy, Patricia M. Thornton, Mohammad Waseem.
Anthropologists know that conservation often disempowers already under-privileged groups, and that it also fails to protect environments. Through a series of ethnographic studies, this book argues that the real problem is not the disappearance of «pristine nature» or even the land-use practices of uneducated people. Rather, what we know about culturally determined patterns of consumption, production and unequal distribution, suggests that critical attention would be better turned on discourses of «primitiveness» and «pristine nature» so prevalent within conservation ideology, and on the historically formed power and exchange relationships that they help perpetuate.
The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self ( The African Queen , 1951; The Snows of Kilimanjaro , 1952), military odds ( Zulu , 1964; Khartoum , 1966) and nature ( Mogambo , 1953; Hatari!, 1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption ( The Constant Gardener , 2005), genocide ( Hotel Rwanda , 2004; Shooting Dogs , 2006), ‘failed states’ ( Black Hawk Down , 2001), illicit transnational commerce ( Blood Diamond , 2006) and the unfulfilled promises of decolonization ( The Last King of Scotland , 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa ( Cry Freedom , 1987; A Dry White Season , 1989), South Africa now serves as a redeemed contrast to the rest of the continent ( Red Dust , 2004; Invictus , 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.
Through the sharing of food, people feel entitled to inquire into one another’s lives and ponder one another’s states in relation to their foodways. This in-depth study focuses on the Bosmun of Daiden, a Ramu River people in an under-represented area in the ethnography of Papua New Guinea, uncovering the conceptual convergence of local notions of relatedness, foodways, and empathy. In weaving together discussions about paramount values as passed on through myth, the expression of feelings in daily life, and the bodily experience of social and physical environs, a life-world unfolds in which moral, emotional, and embodied foodways contribute notably to the creation of relationships. Concerned with unique processes of “making kin,” the book adds a distinct case to recent debates about relatedness and empathy and sheds new light onto the conventional anthropological themes of food production, sharing, and exchange.
Until recently the subject of suffering and evil was neglected in the sociological world and was almost absent in Durkheimian studies as well. This book aims to fill the gap, with particular reference to the Durkheimian tradition, by exploring the different meanings that the concepts of evil and suffering have in Durkheim's works, together with the general role they play in his sociology. It also examines the meanings and roles of these concepts in relation to suffering and evil in the work of other authors within the group of the Année sociologique up until the beginning of World War II. Finally, the Durkheimian legacy in its wider aspects is assessed, with particular reference to the importance of the Durkheimian categories in understanding and conceptualizing contemporary forms of evil and suffering.
Everyday, millions of people eat earth, clay, nasal mucus, and similar substances. Yet food practices like these are strikingly understudied in a sustained, interdisciplinary manner. This book aims to correct this neglect. Contributors, utilizing anthropological, nutritional, biochemical, psychological and health-related perspectives, examine in a rigorously comparative manner the consumption of foods conventionally regarded as inedible by most Westerners. This book is both timely and significant because nutritionists and health care professionals are seldom aware of anthropological information on these food practices, and vice versa. Ranging across diversity of disciplines Consuming the Inedible surveys scientific and local views about the consequences – biological, mineral, social or spiritual – of these food practices, and probes to what extent we can generalize about them.
Most studies on transnational migration either stress assimilation, circulatory migration, or the negative impact of migration. This remarkable study, which covers migrants from one Jordanian village to 17 different countries in Europe, Asia, and North America, emphasizes the resiliency of transnational migrants after long periods of absence, social encapsulation, and stress, and their ability to construct social networks and reinterpret traditions in such a way as to mix the old and the new in a scenario that incorporates both worlds. Focusing on the humanistic aspects of the migration experience, this book examines questions such as birth control, women’s work, retention of tribal law, and the changing attitudes of migrants towards themselves, their families, their home communities, and their nation. It ends with placing transnational migration from Jordan in a cross-cultural perspective by comparing it with similar processes elsewhere, and critically reviews a number of theoretical perspectives that have been used to explain migration.
With the end of the Cold War and the proliferation of civil wars and «regime changes,» the question of nation building has acquired great practical and theoretical urgency. From Eastern Europe to East Timor, Afghanistan and recently Iraq, the United States and its allies have often been accused of shirking their nation-building responsibilities as their attention – and that of the media – turned to yet another regional crisis. While much has been written about the growing influence of television and the Internet on modern warfare, little is known about the relationship between media and nation building. This book explores, for the first time, this relationship by means of a paradigmatic case of successful nation building: Malaysia. Based on extended fieldwork and historical research, the author follows the diffusion, adoption, and social uses of media among the Iban of Sarawak, in Malaysian Borneo and demonstrates the wide-ranging process of nation building that has accompanied the Iban adoption of radio, clocks, print media, and television. In less than four decades, Iban longhouses ('villages under one roof') have become media organizations shaped by the official ideology of Malaysia, a country hastily formed in 1963 by conjoining four disparate territories.