Настоящее издание – хорошее руководство по технике пейзажной фотографии для всех, кто увлекаются созданием «портретов природы». В этой книге автор раскрывает секреты мастерства, которыми овладел, занимаясь пейзажной фотографией в течение длительного времени. Он рассказывает о творческих приемах, используемых им при фотографировании всех типов пейзажей, о том, как избежать широко распространенных ошибок, так часто совершаемых начинающими фотографами. Много полезного читатели книги узнают об аппаратуре, применяемой в пейзажной фотографии, о необходимых камерах, объективах и фотоаксессуарах. Книга иллюстрирована большим количеством фотографий с пояснением техники получения качественных фотоснимков.
Lacan, the last owner of Courbet’s The Origin of the World, loved the painting so much that he couldn’t even bring himself to look at it. Instead, he hid it behind a “safer” painting. The Chinese called it the “valley of the roses” (watch out for the thorns!), the Persians, the “honey-pot” (watch out for the bees!), and the Greeks, “the mound of Venus” (mind the steep climb!); to each era its fantasies and its theories about the feminine mystique. Then there are the testimonies of poets, painters, and even of some famous psychiatrists. The Origin of the World is a work of art only suitable for lovers of intrigue.
From the time he set up his first studio at the tender age of sixteen, Sir Anthony Van Dyck (1599-1641) was a legend in the art world. Rubens, whom he studied with as a child, said that he was his most talented pupil, and he went on to spectacularly fulfill this promise with a career as a celebrated court painter in England and Spain. Historians, scholars, and art lovers alike continue to recognize the sophistication and timeless beauty of his works. In this fascinating compendium of Van Dyck’s decades-long career, Natalia Gritsai highlights the best of the artist’s many masterpieces.
Condemned by the Nazis as a degenerate artist, Franz Marc (1880-1916) was a German painter whose stark linearity and emotive use of color eloquently expressed the pain and trauma of war. In work such as his celebrated Fate of the Animals, Marc created a raw emotional expression of primitive violence which he called a premonition of the war which would eventually be the cause of his own untimely death at the age of 36.
If, as the famous saying goes, you really are what you eat, then Giuseppe Arcimboldo (1527-1593) was a consummate painter of the human soul. This artist was a master draftsman whose finely wrought canvases captured the imagination of his generation. In this fascinating book, Liana De Girolami Cheney takes a closer look at the critical history of Arcimboldo’s work, from his initial popularity and the tragic obscurity that followed his death, to the ventual triumphant revival of his work and vision by Surrealist admirers of the 1920s.
August Macke (1887-1914) was a master of German Expressionism, a movement which sprang up in the early 1900s with the intent to forego physical reality in search of its emotional counterpart, with a particular emphasis on expressing dark moods of tragedy and angst. Macke was a master of color and form, producing eye-catching canvases that evoke a strong sympathetic reaction in the viewer. He was equally at home portraying the sun drenched streets of Tunisia, the cloudy sky around the Bonn cathedral, and the faceless multitude of a crowded railway station. In this compelling text, Walter Cohen examines the brief life of an artist whose seemingly limitless potential was tragically cut short by his untimely death.
Inspired by Monet’s work at a young age, Paul Signac (1863-1935) was a friend and disciple of Georges Seurat who combined the scientific precision of pointillism with the vivid colors and emotional expressivity of Impressionism. A close personal friend of Vincent van Gogh, who was a great admirer of his techniques, Signac traveled the world in search of inspiration for his monumental canvases. This book examines the intricacies of Signac’s celebrated technique, as well as showcasing the details of some of his most celebrated works.
Universally celebrated for the intricacy of his pointillist canvases, Georges Seurat (1859-1891) was a painter whose stunning union of art and science produced uniquely compelling results. Seurat’s intricate paintings could take years to complete, with the magnificent results impressing the viewer with both their scientific complexity and visual impact. His Un Dimanche Après-Midi à l’Île de la Grande Jatte (Sunday Afternoon on the Island of Grand Jatte) has held its place among the most treasured and distinguished pieces of 20th-century art. Klaus H. Carl offers readers an intriguing glimpse into the detailed scientific technique behind Seurat’s pointillist masterpieces.
An emblematic figure of the early 20th century, Paul Klee participated in the expansive Avant-Garde movements in Germany and Switzerland. From the vibrant Blaue Reiter movement to Surrealism at the end of the 1930s and throughout his teaching years at the Bauhaus, he attempted to capture the organic and harmonic nature of painting by alluding to other artistic mediums such as poetry, literature, and, above all, music. While he collaborated with artists like August Macke and Alexej von Jawlensky, his most famous partnership was with the abstract expressionist, Wassily Kandinsky.