Зарубежные стихи
Различные книги в жанре Зарубежные стихиAnimal Purpose
In Animal Purpose, Michelle Y. Burke explores the lives of men and women as they stand poised between the desire to love and the compulsion to harm. In one poem, a woman teaches a farmhand the proper way to slaughter a truckload of chickens. In another, a couple confronts the recent loss of a loved one when a stranger makes an unexpected confession in a crowded restaurant. Set in both rural and urban spaces, these poems challenge received ideas about work, gender, and place. Danger blurs into beauty and back again. Burke scours the hard edges of the world to find “fleeting softness,” which she wishes “into the world like pollen that covers everything.”
Compass and Clock
The poems of Compass and Clock take their inspiration from the intersection of the natural world and the human, exploring the landscapes in which those intersections occur. Those landscapes range from David Sanders’s native midwestern countryside to the caves of Lascaux and an enchanted lake where relics of lost lives are washed ashore. Yet, the true source of the poems’ vitality is Sanders’s attention to the missed or misread moments, those times when the act fails, and the perceived clashes with the actual. Here, the satisfying pairing of elegance and vulnerability invites the reader to tour those uncanny landscapes from which one returns irrevocably changed—refreshed, but wistful. In a review of his earlier limited-edition work, Time in Transit, the Hudson Review called David Sanders “a poet to watch.” With the Swallow Press publication of Compass and Clock, we have the realization of that promise.
Ghazal Games
As an Iranian American poet, Roger Sedarat fuses Western and Eastern traditions to reinvent the classicalPersian form of the ghazal. For its humor as well as its spirituality, the poems in this collection can perhapsbest be described as “Wallace Stevens meets Rumi.” Perhaps most striking is the poet’s use of the ancient ghazal form in the tradition of the classical masters like Hafez and Rumi to politically challenge the Islamic Republic of Iran’s continual crackdown on protesters. Not since the late Agha Shahid Ali has a poet translated the letter as well as the spirit of this form into English, using musicality and inventive rhyme to extend the reach of the ghazal in a new language and tradition.
Devils & Islands
As he approaches eighty, Turner Cassity may finally be out of control. His hatchet has never fallen more lethally, meaning if you have the stomach for him he is more enjoyable than ever. Under the blade come Martha Graham, Johann Sebastian Bach, musicologists, tree huggers, Frank Gehry, folk music, folk art of all times and all places, folk… . There are, however, his unpredictable sympathies: Edith Wilson, skyscrapers, Pontius Pilate, Pilate’s legionnaires. He obviously has a soft spot for Pop Culture, although he cannot avoid seeingit de haut en bas . As usual, he is all over the place geographically. One feels he would slash his wrists before he would write a poem about any city on the traditional Grand Tour. Manaus, Campeche, Trieste, Budapest (as destroyed by Godzilla)—these are his places. He has a disturbing willingness to write on both sides of an issue, resembling in this Bernard Shaw. You have to read very carefully to see whether he tips his hand. One looks forward to Mr. Cassity’s posthumous poems, when he is beyond the reach of libel. For now, at least, we have Devils & Islands .
Penumbra
Penumbra —Michael Shewmaker’s debut collection—explores the half-shadows of a world torn between faith and doubt. From intricate descriptions of the rooms in a dollhouse, to the stark depiction of a chapel made of bones, from pre-elegies for a ghostly father, to his compelling treatment of his obsessed, human characters (a pastor, a tattoo artist, a sleepwalker, to name only a few), these are poems that wrestle with what it means to believe in something beyond one’s own mortality. Learned and formally adept, these poems consist of equal parts praise and despair. They announce Shewmaker as an important new voice in American poetry.
Treasure of the Mind
In the late summer months of 2000, on a cool dark night in the foothills of Boulder, Colorado, a seventeen year old boy was murdered by a young man he once considered his best friend. The calamity nearly crippled the boy's parents, especially the father who struggled mightily with grief, anger, and guilt. With the help of a very special elderly sage, the father of the boy struggled to survive the tragedy and recover from the heartbreaking ordeal. The story begins with the funeral of Michael's son, reveals the pain of a grief-stricken father on the verge of self-destruction, and ends with his redemption and return to a meaningful life. Michael is referred by a close friend to an elderly gentleman named Solomon. Solomon is a wise, irreverent, white-haired seer living in the small coastal village of Carlsbad, California where he teaches his own very special brand of spiritual therapy for lost souls. His office is a coffee shop and the beach where he and Michael meet and together try to find a way to recover Michael's lost life after his son's death. The relationship that develops between Michael and Solomon reaches a depth rarely found between two men.
Barely There
The flashy poets and the poets with a schtick get the big audience, but it is the quiet poets whose individual poems more often linger with me. I'd trade all of Ginsberg, say, for William Bronk's six-line poem «After Bach,» which derives from the cello suites the lesson that sadness «can be in part /to accept the absence of One to say it to.» And it is Bronk whose work is called to mind for me by Yahia Lababidi's Barely There, in which «in embracing, we let go.»' – H. L. Hix, Author of First Fire, Then Birds
Intrusive Beauty
Joseph J. Capista’s Intrusive Beauty reckons with reluctant ecstasy and the improbable forms that beauty assumes. In this powerful debut, Capista traverses earth and ether to yield poems that elucidate the space between one’s life and one’s livelihood. While its landscapes range from back-alley Baltimore to the Bitterroot Valley, this book remains close to unbidden beauty and its capacity to sway one’s vision of the world. Whether a young father who won’t lower the volume on the radio or a Victorian farm boy tasked with scaring birds from seed-sown furrows, the inhabitants of Intrusive Beauty are witness to the startling ease with which one’s assorted lives come in time to comprise a singular life. Mortality, love, duty, desire, an acute longing for transcendence: here, old themes resound anew as they’re uttered in a multiplicity of forms and means, holding fast always to the heart.