The fourth in a new series of classic detective stories from the vaults of HarperCollins involves a tragic accident during a shooting party. As the story switches between Paris and Hampshire, the possibility of it not being an accident seems to grow more likely.“The Detective Story Club”, launched by Collins in 1929, was a clearing house for the best and most ingenious crime stories of the age, chosen by a select committee of experts. Now, almost 90 years later, these books are the classics of the Golden Age, republished at last with the same popular cover designs that appealed to their original readers.The Mystery of the Skeleton Key, first published in 1919, has the distinction of being the first detective novel commissioned and published by Collins, though it was Bernard Capes’ only book in the genre, as he died shortly before it was published. This is how the Detective Club announced their edition ten years later:“Mr Arnold Bennett, in a recent article, criticised the ad hoc characterisation and human interest in the detective novels of to-day. “The Mystery of the Skeleton Key” contains, in addition to a clever crime problem and plenty of thrills, a sensible love story, humour, excellent characterisation and strong human interest. The scenes are laid in Paris and Hampshire. The story deals with a crime committed in the grounds of a country house and the subsequent efforts of a clever young detective the track down the perpetrator. The Selection Committee of “The Detective Story Club” have no hesitation in recommending this splendid thriller as one which will satisfy the most exacting reader of detective fiction.”This new edition comes with a brand new introduction by Capes expert and anthologist, Hugh Lamb.
Shortlisted for the CWA International DaggerThe second book in Dolores Redondo’s atmospheric Baztan trilogy, featuring Inspector Amaia Salazar. With masterful storytelling and a detective to rival Sarah Lund, this Spanish bestselling series has taken Europe by storm.IT TAKES JUST ONE WORD TO STIR THE GHOSTS OF THE PASTA year after arresting Jason Medina for the rape and murder of his step-daughter, Detective Inspector Amaia Salazar has one last duty to complete before starting her maternity leave – attending Medina’s trial.When the trial is suddenly called off, Amaia is appalled. But the judge had no choice. Jason Medina has committed suicide, leaving behind a cryptic note addressed to Amaia: the single word ‘Tarttalo’.To unravel the truth behind this obscure reference to Basque mythology, Amaia must return once again to the Baztan valley, her family home and the place where she feels most vulnerable. As the investigation becomes more complicated and more personal, those closest to Amaia will be placed in mortal danger…
The first in a new series of classic detective stories from the vaults of HarperCollins is the world’s first locked-room mystery, a seemingly impossible crime story as powerful as any that have copied the scenario since.“The Detective Story Club”, launched by Collins in 1929, was a clearing house for the best and most ingenious crime stories of the age, chosen by a select committee of experts. Now, almost 90 years later, these books are the classics of the Golden Age, republished at last with the same popular cover designs that appealed to their original readers.Originally published as The Big Bow Mystery in 1891, and re-published by the Detective Club to coincide with a new film version called ‘The Perfect Crime’, Israel Zangwill’s novel invented the concept of the ‘locked room mystery’ and influenced almost every crime writer thereafter.‘A man is murdered for no apparent reason. He has no enemies and there seemed to be no motive for anyone murdering him. No clues remained and the instrument with which the murder was committed could not be traced. The door of the room in which the body was discovered was locked and bolted on the inside, both windows were latched, and there was no trace of any intruder. The greatest detectives in the land were puzzled. Here indeed was the perfect crime, the work of a master mind. Can you solve the problem which baffled Scotland Yard for so long, until at last the missing link in the chain of evidence was revealed?’This new edition includes a brand new introduction by the Golden Age crime expert, Dr John Curran, author of ‘Agatha Christie’s Secret Notebooks’.
Driven to madness by the cruelty of a small group of people, a young novelist sets about taking murderous revenge.Simon Whalley is an unsuccessful novelist who is gradually going to pieces under the strain of successive setbacks. Brooding over his troubles, and driven to despair by the cruelty of his neighbours, he decides to take his revenge in the only way he knows how – by planning to murder them . . .Lynn Brock made his name in the 1920s and 30s with the popular ‘Colonel Gore’ mysteries, winning praise from fans and critics including Dorothy L. Sayers and T. S. Eliot. In 1932, however, Brock abandoned the formulaic Gore for a new kind of narrative, a ‘psychological thriller’ in the vein of Francis Iles’ recent sensation, Malice Aforethought. Advertised by Collins as ‘one of the most remarkable books that we have ever published’, the unconventional and doom-laden Nightmare provided readers with a disturbing portrayal of what it might take to turn an outwardly normal man into a cold-blooded murderer.This Detective Story Club Classic is introduced by Rob Reef, author of the ‘John Stableford’ Golden Age mysteries, who finds philosophy at the heart of Brock’s landmark crime novel.
Roseanna is the first book in the hugely acclaimed Martin Beck series: the novels that shaped the future of Scandinavian crime fiction and influenced writers from Stieg Larrson to Jo Nesbo, Henning Mankell to Lars Kepplar.On a July afternoon, the body of a young woman is dredged from a lake in southern Sweden. Raped and murdered, she is naked, unmarked and carries no sign of her identity. As Detective Inspector Martin Beck slowly begins to make the connections that will bring her identity to light, he uncovers a series of crimes further reaching than he ever would have imagined and a killer far more dangerous. How much will Beck be prepared to risk to catch him?
In the third novel in the series, from No. 1 bestseller Val McDermid, Lindsay Gordon finds herself dragged into a sordid world of blackmail, prostitution, lies and murder.When Alison Maxwell, a well-known Glaswegian journalist with an irresistible sexual attraction to both sexes, is found murdered the police look no further than the owner of the scarf used to strangle her. Lindsay Gordon, however, has other ideas. Maxwell was a serial seductress who kept a secret record of her encounters – including one with Lindsay herself. Recalling the threats that followed the end of the relationship, Lindsay knows all too well the feelings of rage, fear and passion that Alison Maxwell could invoke.Soon Lindsay is embroiled in an investigation involving blackmail, stolen government documents and the vested interests of a group of people determined to keep her from finding the truth.Final Edition is the third novel in the Lindsay Gordon series from number one bestseller Val McDermid.
The second novel in the Lindsay Gordon series – a gripping psychological thriller – from No.1 bestseller Val McDermid. When her former lover is accused of murder in a women’s peace camp, Lindsay must bring all of her expertise as an investigative reporter into play.A protest group hits the headlines when unrest at a women's peace camp explodes into murder. Already on the scene, journalist Lindsay Gordon desperately tries to strike a balance between personal and professional responsibilities. As she peels back the layers of deception surrounding the protest and its opponents, she finds that no one – ratepayer or reporter, policeman or peace woman – seems wholly above suspicion. Then Lindsay uncovers a truth that even she can scarcely believe.Common Murder is the gripping second novel in Val McDermid’s Lindsay Gordon series.
As inventive as Agatha Christie, as hilarious as P.G. Wodehouse – discover the delightful detective stories of Edmund Crispin. Crime fiction at its quirkiest and best.When an opera company gathers in Oxford for the first post-war production of Wagner's Die Meistersinger its happiness is soon soured by the discovery that the unpleasant Edwin Shorthouse will be singing a leading role. Nearly everyone involved has reason to loathe Shorthouse but who amongst them has the fiendish ingenuity to kill him in his own locked dressing room?In the course of this entertaining adventure, eccentric Oxford don and amateur sleuth Gervase Fen has to unravel two murders, cope with the unpredictability of the artistic temperament, and attempt to encourage the course of true love.
The ultimate murder mystery – can you find the murderer before the detective?Maxwell Brunton was found dead in his study – murdered beyond doubt. There were ten people in the house on the night of the murder, and at least seven of them had an adequate motive for murdering him. But Anthony Gethryn has only the evidence given at the Coroner’s inquest to work with. In other words YOU, the reader, and HE, the detective, are upon equal footing. HE solves the mystery. Can YOU?The Maze, first published in 1932, is Philip MacDonald’s contribution to the conception of the totally logical puzzle – an exercise in ratiocination, as Poe called it – which so preoccupied detective story writers in the ‘Golden Age’ of the 1920s and ’30s. Written in the form of a court transcript, it is the ultimate puzzle novel, an absolutely fair test of the reader’s ability as a detective . . . an enthralling story – one of Philip MacDonald’s best.This Detective Story Club classic includes an introduction by Julian Symons, who selected The Maze for the Crime Club’s 1980 Jubilee reprint series, celebrating the best of 50 golden years of crime publishing.
Already an international hit, a sly, sizzling mystery set in the Italian Alps, the first in a sensational crime series.The dark flanks of the Alps tower over everything. Wind whistles through the fir trees. An expanse of ice and snow with no end in sight. A growing stain. A mess of flesh and blood. A corpse buried six inches under the snow.Enter Rocco Schiavone, Deputy Police Chief and a man who has more beautiful women in his bed than sensible shoes under it. He’s stuck in this backwards Alpine town after getting on the wrong side of the wrong people and longs for the fritto misto, cobbled streets and lucky breaks of his beloved Rome. He hates this place and the provincial locals almost as much as his superiors for their petty rules and for exiling him here. On top of that, he’s got a body to deal with and this mangled corpse is “a pain in the ass, number 10 on the scale, summa cum laude”…There is blood on the black run and nothing to identify the victim but a tattoo of Luisa Pec, owner of a bar popular with the locals and a pair of blue eyes popular with Rocco. Was it a crime of passion? Or of jealousy? And how are the mafia involved? Rocco Schivone is on the case, the first in a sensational new crime series.