Зарубежная классика
Различные книги в жанре Зарубежная классикаGearz: Superficial #3
More robot action continues! Susie Saturn’s is on a mission to destroy the Gearz squad by bringing in some big guns. All of this and Karen gets pressure from her parents to ace her geometry midterm.
Nowhere Is a Place
“Nowhere Is a Place is a powerful portrait of family secrets, damage, and healing, probing deep below the surface of an African American family’s history to mend present day relationships . . . Ms. McFadden has a beautiful writing style that is simultaneously lyrical and transparent. In parts of the narrative, time seems to stand still as she describes an event in riveting minute to minute detail. Other times she employs a kind of poetic shorthand that condenses long periods of time, years even, into a few sentences.”–New York Journal of Books"An engrossing multigenerational saga . . . With her deep engagement in the material and her brisk but lyrical prose, McFadden creates a poignant epic of resiliency, bringing Sherry to a well-earned awareness of her place atop the shoulders of her ancestors, those who survived so that she might one day, too."–Publishers Weekly"Telling her story from two perspectives and on two levels–the mother-daughter relationship and Sherry's fictional account–McFadden brings added texture to this story of reconciliation."–Booklist“A poignant tale of self-discovery in the face of a complicated family history.”–Brooklyn Daily Eagle"Bernice L. McFadden’s Nowhere Is a Place is a hauntingly-disturbing and redemptive frame story of many generations of a Yamasee Native-American and African-American family from pre-slavery times until July 1995."–Bowling Green Daily News"With a good dose of poignancy about life and finding the wisdom of the world for ourselves, Nowhere is a Place is a fine addition to modern literary fiction collections."–The Midwest Book Review"Compelling, beautifully written, and profoundly human, McFadden has conjured a tale of a fractured family who journey across the country and back through history to unearth painful truths that unexpectedly reshape their relationships with each other."–Lynn Nottage, playwright, author of Intimate ApparelNothing can mend a broken heart quite like family. Sherry has struggled all her life to understand who she is, where she comes from, and, most important, why her mother slapped her cheek one summer afternoon. The incident has haunted Sherry, and it causes her to dig into her family's past. Like many family histories, it is fractured and stubbornly reluctant to reveal its secrets; but Sherry is determined to know the full story. In just a few days' time, her extended family will gather for a reunion, and Sherry sets off across the country with her mother, Dumpling, to join them. What Sherry and Dumpling find on their trip is far more important than scenic sites here and there–it is the assorted pieces of their family's past. Pulled together, they reveal a history of amazing survival and abundant joy.Bernice L. McFadden is the author of eight critically acclaimed novels including the classic Sugar, Gathering of Waters (a New York Times Editors' Choice), and Glorious, which was featured in O, The Oprah Magazine and was a finalist for the NAACP Image Award. She is a two-time Hurston/Wright Legacy Award finalist, as well as the recipient of two fiction honor awards from the BCALA. Her sophomore novel, The Warmest December, was praised by Nobel Prize-winning author Toni Morrison as «searing and expertly imagined.» McFadden lives in Brooklyn, New York.
The Dishwasher
A NEW YORK TIMES NEW & NOTEWORTHY BOOK A NOW MAGAZINE BEST BOOK TO READ FOR SUMMER 2019 It’s October in Montreal, 2002, and winter is coming on fast. Past due on his first freelance gig and ensnared in lies to his family and friends, a graphic design student with a gambling addiction goes after the first job that promises a paycheck: dishwasher at the sophisticated La Trattoria. Though he feels out of place in the posh dining room, warned by the manager not to enter through the front and coolly assessed by the waitstaff in their tailored shirts, nothing could have prepared him for the tension and noise of the kitchen, or the dishpit’s clamor and steam. Thrust on his first night into a roiling cast of characters all moving with the whirlwind speed of the evening rush, it’s not long before he finds himself in over his head once again. A vivid, magnificent debut, with a soundtrack by Iron Maiden, The Dishwasher plunges us into a world in which everyone depends on each other—for better and for worse.
Conquistador of the Useless
Joshua Isard’s debut novel is a hoot. Our hero Nathan Wavelsky moves into the burbs with his wife. Life is good. He’s a successful slacker. He doesn’t want to rock the boat. His definition of a good time is listening to his favorite bands on his iPod and staring at the grass and the poplar trees in his backyard. As a mid-level corporate manager, he does what his bosses tell him. If they want somebody fired, he fires them. No questions asked. But the boat does start to rock. He innocently gives a copy of Kurt Vonnegut’s Cat’s Cradle to a teenage girl and his neighbors are righteously appalled. His wife’s hormones start to tango and now she wants a baby. Sure, he enjoys sex, but that doesn’t mean he wants a baby in the house. Worse, his best friend wants him to climb Mount Everest. Nathan likes the solitude of camping and hiking, but climbing in the Himalayas? He could die, for God’s sake. He just wants to be left alone. But no chance. Shit begins to happen. Joshua Isard developed and is the director of Arcadia University’s low-residency MFA Creative Writing program. Since the program is high tech and has a study abroad component, it gives him a chance to enjoy two of his favorite things at work: travel and Apple products. His short stories have appeared in numerous magazines and in the anthologies The Lie of the Land and Outlandish Affairs. He lives outside Philadelphia with his wife and two cats.
Sister Carrie
The Sister Carrie edition that was published in 1900, long regarded as a watershed work in American fiction, was actually a censored misrepresentation of Drieser's original story. When, 80 years later, the Pennsylvania Edition first appeared, replete with scholarly apparatus, it was hailed from coast to coast as a literary event of major importance. The Pennsylvania Edition restored the 36,000 words that had been excised at the insistence of the author's wife, his publisher, and a friend. This edition contains the complete, unexpurgated text, without the scholarly apparatus, plus a new introductory essay by Thomas P. Riggio.
"The Morgesons" and Other Writings, Published and Unpublished
"Stoddard was, next to Melville and Hawthorne, the most strikingly original voice in the mid-nineteenth-century American novel, a voice . . . that ought to gain a more sympathetic and perceptive hearing in our time than in her own."—from the Introduction The centerpiece of this volume is The Morgesons (1862), one of the few outstanding feminist bildungsromanae of that century. Additional selections include arresting short stories and provocative journalistic essays/reviews, plus a number of letters and manuscript journals that have never before been published. The texts are fully edited and documented.
Benchere in Wonderland
What is the role of art in the world? And what is the responsibility of the artist? After the death of his wife, Michael Benchere, a well-respected sculptor and once-famous architect, looks for ways to redefine the meaning of his life through the purpose of his art. Determined to create a sculpture that celebrates nothing more than the pure beauty of art, Benchere heads into the Kalahari desert where he is followed quite unexpectedly by a ragtag mix of people. Over the course of his months in the desert, Benchere must address not only the relationship of his art to the world at large, but his own relationship to the world and how our responsibilities, our loves and dreams don’t ever fade in time but, in effect, become evermore defined.
The Diamond Lane
Reluctantly back home in L.A. after 16 years in Africa, documentary filmmaker Mouse FitzHenry longs for the harsh, teeming jungle life her lens took in so lovingly. Wrenched Stateside by a family emergency, with her longtime boyfriend/collaborator in tow, Mouse is instantly beleaguered by a past she’d leapt continents to escape. In this rollicking novel, Karbo explores familiar subjects — the phony glitz of Hollywood, the fairy tale lure of love and marriage — with precision, compassion, and humor. Mouse’s paramour, Tony, a Brit who calls her “poppet,” adores L.A. and all that it can do for him and his screenplay. Mouse, meanwhile, caving in to maternal pressure, agrees to marry Tony and then proceeds, with the help of an old flame, to film around her unwitting fiancé a documentary on the entire process of their betrothal called Wedding March. A flawless, page-turning story emerges as Mouse and Tony manage — often with hilarious subterfuge — to keep their projects secret from one another. With its laugh-aloud moments and a cast of brilliantly drawn characters, this is a tale to treasure.
I Loved You More
Tom Spanbauer’s first novel in seven years is a love story triangle akin to The Marriage Plot and Freedom, only with a gay main character who charms gays and straights alike. I Loved You More is a rich, expansive tale of love, sex, and heartbreak, covering twenty-five years in the life of a striving, emotionally wounded writer. In New York, Ben forms a bond of love with his macho friend and foil, Hank. Years later in Portland, a now ill Ben falls for Ruth, who provides the care and devotion he needs, though they cannot find true happiness together. Then Hank reappears and meets Ruth, and real trouble starts. Set against a world of struggling artists, the underground sex scene of New York in the 1980s, the drab, confining Idaho of Ben’s youth, and many places in between, I Loved You More is the author’s most complex and wise novel to date.
Dora: A Headcase
Dora: A Headcase is a contemporary coming-of-age story based on Freud’s famous case study—retold and revamped through Dora's point of view, with shotgun blasts of dark humor and sexual play.Ida needs a shrink . . . or so her philandering father thinks, and he sends her to a Seattle psychiatrist. Immediately wise to the head games of her new shrink, whom she nicknames Siggy, Ida begins a coming-of-age journey. At the beginning of her therapy, Ida, whose alter ego is Dora, and her small posse of pals engage in «art attacks.» Ida’s in love with her friend Obsidian, but when she gets close to intimacy, she faints or loses her voice. Ida and her friends hatch a plan to secretly film Siggy and make an experimental art film. But something goes wrong at a crucial moment—at a nearby hospital Ida finds her father suffering a heart attack. While Ida loses her voice, a rough cut of her experimental film has gone viral, and unethical media agents are hunting her down. A chase ensues in which everyone wants what Ida has.