Зарубежная драматургия
Различные книги в жанре Зарубежная драматургияMary Stuart
Schiller's play of 1800 pits Mary Queen of Scots against her rival Elizabeth of England. The meeting never happened, but Goethe claimed 'It will be good to see those whores alongside each other.' Schiller's Mary redeems her youthful crimes through an ordeal that lifts her into the realms of spiritual serenity, while Elizabeth descends deeper into rage, revenge and deception.Peter Oswald's version, mixing poetry and prose, opened at the Donmar Warehouse in London’s West End in July 2005.
Apples
Adapted for stage, Apples is set on a Middlesbrough council estate, this astonishing piece of writing by 23 year old Richard Milward, is an electrifying collision of Irvine Welsh and Virginia Woolf. Streams of poetic, impassioned and often hilarious words pour from five fifteen year olds as they negotiate a world where the adults are absent, drugs are everywhere, sex is desperate and life is both terrifying and thrilling. A dazzling, tragicomic love story of adolescence based on the astonishing debut novel by Richard Milward. Shameless, ruthless and intensely poetic, Apples articulates what it is like to be young. Apples was the winner of the coveted Bank of Scotland Herald Angel Award at the 2010 Edinburgh Fringe Festival. The prize is awarded for excellence in the Edinburgh Festival.
Kiss Me Like You Mean It
Three A.M. on a hot midsummer’s night in Manchester. A party taking place in a shabby Victorian terrace house. In the back garden Tony and Ruth meet, thanks to a stolen can of beer. On the floor above, Don and Edie are having a party of their own. As the night progresses, love is definitely in the air – but then so is the smell of cheap lager. And even cheaper aftershave. Kiss Me Like You Mean It was shortlisted for the Meyer-Whitworth Award, and has subsequently been produced in various venues around the world, including a successful three month run in Paris in 2004.
The Jungle Book
Mowgli was still a toddler when he was lost in the jungle – his parentsfleeing the tiger, Shere Khan. There, Mowgli was brought up bywolves, and educated by the bear Baloo and the panther Bagheera.He was happy while growing up and learning the ways of the jungle –and his name was soon known amongst all the animals. But Mowgli’sgrowing fame provoked resentment and envy, and his life was soonthreatened from all sides…First published in the late 1890s, Rudyard Kipling’s two Jungle Books have enchanted generations of children and adults. Often describedas an allegory for the society and politics of the time, The JungleBook has now been adapted by critically-acclaimed South Africanplaywright, Craig Higginson. The play asks: Who is your family?Those who look the same as you or those who love and nurtureyou? Here, the tales become a powerful examination of an emergingdemocracy, and the forces that threaten it.Based on a version by the celebrated director Tim Supple, thisadaptation was first staged at Johannesburg’s Market Theatre in2008. This powerful and magical version of a much-loved classic isas resonant now as it was when it first appeared – both within SouthAfrica and beyond its borders.
Fatherland
Together we have something and share a passion that other people will never understand ' Mark and Angela are a father and daughter grappling with a painful past and fragile future. Tonight, an innocent evening of ice cream and DVDs derails quickly into dangerous territory in this chilling new story about a father who loved too deeply.
Many Moons
Juniper is looking for love, Robert is trying to avoid it, Ollie doesn’t know what it is and Meg has resigned herself to never having it. As these four people move through a July day in London, they orbit each other, unaware that they are hurtling towards one moment that could devastate them all.
Scenes from an Execution
Commissioned to paint a vast canvas celebrating the triumphant Battle of Lepanto, the free-spirited Galactia creates instead a breathtaking scene of war-torn carnage. In her fierce determination to stay true to herself, she alienates the authorities and faces incarceration. Her younger lover Carpeta is approached to take over and seizes the assignment for himself.Howard Barker's Scenes from an Execution makes sixteenth-century Venice the setting for a fearless exploration of sexual politics and the timeless tension between personal ambition and moral responsibility, between the patron’s demands and the artist’s autonomy.Art is opinion, and opinion is the source of all authority.This edition includes a new essay by Howard Barker, entitled The Sunless Garden of the Unconsolled: Some Destinations Beyond Catastrophe .
Maxwell: Plays for Young People
This collection of energetic, fun and emotionally honest, tragi-comic plays explore the turbulent journey from childhood through adolescence towards eventual adulthood.DECKY DOES A BRONCO‘One of the finest plays to emerge from a Scottish working-class story in the last ten years…the sheer force and depth of Maxwell’s study of an end of childhood and an abrupt loss of innocence brings tears to the eyes.' The Scotsman'A good deed in a naughty world… Ten years on, Decky Does A Bronco has lost none of its ability to excite the senses and stop the heart.' Sunday HeraldHELMET‘Douglas Maxwell’s impeccably observed little script transcends the everyday to tap into what moves the young and the troubled. The Glasgow Herald‘This extraordinary chronicler of youth.’ Scottish Daily MailMANCUB‘A near perfect encapsulation of the world of a troubled teen.' The Glasgow Herald'A corker of a show that I’d urge everyone to see as soon as they can.' The Mail On Sunday'Amazingly engaging…a must see’ The ListTHE MOTHER SHIPWinner of the Brian Way Award 2009 for Best Play for a Younger Audience.TOO FASTPerformed by 25 Youth Theatres in 2011 as part of the National Theatre’s NT Connections Project.
Queer Voices
Although his mainstream career has recently included major work for the RSC and the National, the five new pieces collected here show just how close playwright and director Neil Bartlett has stayed to the radical queer cultural roots that first brought him to prominence in the early 1980s. Commissioned to be performed in spaces as various as South London’s notorious Vauxhall Tavern, Brighton’s Theatre Royal and the pulpit of Westminster Abbey, these hit-and-run dramatic monologues bring all of his trademark wit and passion to bear on the issues that run throughout his work – the power of love, and the necessity for anger. Together, they make up a trenchantly personal take on what it feels like to have spent nearly thirty years standing up and speaking one’s mind.The collection also includes his 2011 adaptation of Oscar Wilde’s The Remarkable Rocket , which uses the diamond-sharp text of one of Wilde’s children’s stories as the springboard for a haunting meditation on the enduring power of Wilde to inspire, dazzle and move. A follow on from his earlier collection Solo Voices, this new collection is vivid, fierce and tender, with five provocative and highly actable new works from one of British theatre’s most idiosyncratic voices.www.neil-bartlett.com
The Author
Winner of the 2010 Whiting Award for best new play.Winner of the 2010 Total Theatre Award for Innovation.Nominated in the Evening Standard Theatre Awards 2010.Settle back into the warmth of the theatre. Relax as the story unfolds. For you. With you. Of you. A story of hope, violence and exploitation. Laugh with the actors, tap your feet to the music, turn to your neighbour. You’re here. The Author tells the story of another play: a violent, shocking and abusive play written by a playwright called Tim Crouch and performed at the Royal Court Theatre. It charts the effect that play had on the two actors who acted in it and an audience member who watched it. The Author explores our responsibilities to what we choose to look at in the world and how we choose to act accordingly. Performed within its audience, it is a brilliantly inventive and theatrical study of what we deem acceptable in the name of Art.‘A bold, brave, playful piece, a devastating riff on ways of seeing and turning a blind eye to our own moral choices 4 stars… a dazzling theatrical experience that lets nobody off the hook’ – Lyn Gardner, The Guardian ‘At once sharply satirical and coolly thought-provoking. 4 stars’ – Dominic Cavendish, The Telegraph ‘The Author is by turns funny, twee, exciting, unnerving and dull, and I don’t think I’ll ever forget it.’ The Times ‘The writing is subtly brilliant, the sense of moral responsibility and exploration even greater. And because of its unusual form, it doesn’t let the audience off the hook either.’ The Scotsman