"A quietly devastating play… Both a perceptive drama depicting the sudden fraying of a young marriage and a nail-biting psychological thriller… Belleville is among the most suspenseful plays I've seen in years." – Charles Isherwood, New York Times"Masterly… Among the new crop of young American playwrights, Herzog is in a class by herself." – Richard Zoglin, TimeAbby and Zack, young American newlyweds, have abandoned a comfortable postgraduate life in the states for Belleville, a bustling, bohemian, multicultural Parisian neighborhood. But as secrets both minor and monumental are revealed, their fraught relationship begins to unravel. Belleville examines the limits of trust and dependency in a world where love can turn pathological and our most intimate relationships may not be what they seem.AMY HERZOG’s plays include 4,000 Miles (Pulitzer Prize finalist), After the Revolution and The Great God Pan. Ms. Herzog is the recipient of numerous awards, including the Whiting Writers’ Award, an Obie Award and the Helen Merrill Award for Aspiring Playwrights.
"The Great God Pan is a haunting, deeply affecting play about the interaction of identity, psychology and pathology. Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion." – New York Times"Whatever the ideal contemporary American drama is, it has to look a lot like The Great God Pan. It is provocative and subtle, slowly, carefully revelatory, sweetly moving, thought-provoking, funny and insightful." – New York Observer"An intelligent, delicately articulate writer." – Village Voice"A moving and unsettling look at the nature of identity and the vagaries of memory. With subtlety and compassion, Herzog contemplates how well we can really know ourselves." – BackstageJamie's life in Brooklyn seems just fine: a beautiful girlfriend, a burgeoning journalism career, and parents who live just far enough away. But when a possible childhood trauma comes to light, lives are thrown into a tailspin. Unsettling and deeply compassionate, The Great God Pan tells the intimate tale of what is lost and won when a hidden truth is suddenly revealed.Amy Herzog's plays include 4000 Miles (Pulitzer Prize finalist), After the Revolution and Belleville. Ms. Herzog is the recipient of numerous awards, including the Whiting Writers' Award, an Obie Award and the Helen Merrill Award for Aspiring Playwrights.
World premiere at Yale Repertory Theatre in New Haven, C.T. in the spring of 2017, which opened to critical acclaim from regional reviewers. Subsequent Off-Broadway premiere at New York Theatre Workshop in the fall of 2017 starring Carrie Coon. <p><p>
Early talk of Broadway transfer in spring 2018.<p><p>
Herzog’s work is a popular for drama courses; Also, with themes of motherhood and caregiving, could do well targeting audiences with those interests. <p><p>
Herzog was a finalist for the 2017 Susan Smith Blackburn Award for <i>Mary Jane. </i><p><p>
Herzog won the 2012 Obie Award in the category Best New American Play for <i>4000 Miles</i><p><p>
She was a finalist for the 2012-2013 Susan Smith Blackburn Award for <i>Belleville</i>.<p><p>
She won a 2011 Whiting Award and the Lilly Award in 2011 for playwriting. <p><p>
She received the 2008 Helen Merrill Award for Aspiring Playwrights.
It's the middle of the night when 21-year-old Leo arrives on the doorstep of the West Village apartment where his feisty 91-year-old grandmother Vera lives. She's an old Communist who lives alone, he's a latter-day hippie, recently returned from a cross-country bike trip which ended traumatically. Over the course of a single month, these unlikely roommates infuriate, bewilder, and ultimately connect. When Leo's old girlfriend shows up and he begins to reveal the mysterious events of his journey, Leo and Vera discover the narrow line between growing up and growing old.Peopled with nuanced, beautifully-drawn characters, Amy Herzog's award-winning play has established her as a remarkable new talent. 4000 Miles had its 2011 world première at New York's Lincoln Center Theater.
"After the Revolution is a smart, funny and provocative play. . . . Herzog deftly avoids simple-minded polemics in favor of richly detailed people who are as ready to examine their relationships as they are their consciences."—Variety «A funny, moving new play . . . 4,000 Miles is a quiet meditation on mortality. But it's hardly a downer: Ms. Herzog's altogether wonderful drama also illuminates how companionship can make life meaningful, moment by moment, in death's discomforting shadow.»—The New York Times Known for delicately detailed character studies that subtly balance humor and insight, Amy Herzog is swiftly emerging as a striking new voice in the American theater. After the Revolution, an astute and ironic drama about how society appropriates history for its own psychological needs, was heralded by The New York Times as one of the Ten Best New Plays of 2010. Herzog's other critical hit, 4,000 Miles, is a quiet rumination on mortality in which twenty-one-year-old Leo seeks solace from his feisty ninety-one-year-old grandmother Vera in her New York apartment. Amy Herzog received the 2011 Whiting Writers' Award and the 2008 Helen Merrill Award for Aspiring Playwrights. Her plays have been produced or developed at the Yale School of Drama, Ensemble Studio Theater, Arena Stage, Lincoln Center, The Actors Theatre of Louisville, New York Stage and Film, Provincetown Playhouse, and ACT in San Francisco. Her newest play, Belleville, premiered at Yale Rep in fall 2011.