Sarah Ruhl
Список книг автора Sarah RuhlIn the Next Room (or the vibrator play)
– "Clean House and Other Plays" sold over 18,000 copies since Oct. 2006, now in its 6th printing. – «Dead Man's Cell Phone» sold 8,000 copies since publication in June 2008. Third printing is sceduled for September 2009. – Will release «Passion Play» on December 2009. -Most produced woman playwright in the U.S for the past three years.
Passion Play (TCG Edition)
Named one of the «Ten Best Plays of 2008» by The New Yorker “Sarah Ruhl’s bold, inventive, and ironic triptych [is] a meditation on devotion and its appropriation by the state. . . . Ruhl is an original; a storyteller with a fine mind evolving her own theatrical idiom.”—John Lahr, The New Yorker “It’s a different kind of morality play . . . an often wondrous work . . . with [Ruhl’s] own special lyrical blend of poetry, humor and grace.”—Frank Rizzo, Variety Passion Play is Sarah Ruhl’s “biggest, most ambitious effort yet” (The New York Times), a three-and-a-half hour intimate epic, plunging the depths of the timely intersection of politics and religion. Ruhl dramatizes a community of players rehearsing their annual staging of the Easter Passion in three different eras: 1575 northern England, just before Queen Elizabeth outlaws the ritual; 1934 Oberammergua, Bavaria, as Hitler is rising to power; and Spearfish, South Dakota, from the time of Vietnam through Reagan’s presidency. In each period, the players grapple in different ways with the transformative nature of art, and politics are never far in the background, as Queen Elizabeth, Hitler, and Reagan each appear, played by a single commanding actor. Sarah Ruhl’s plays include Dead Man’s Cell Phone, Eurydice, and The Clean House, which was nominated for the Pulitzer Prize. Her work has been widely produced both throughout the country and internationally, and she is the recipient of the MacArthur “Genius” Fellowship.
Dead Man's Cell Phone (TCG Edition)
“Satire is her oxygen. . . . In her new oddball comedy, Dead Man’s Cell Phone , Sarah Ruhl is forever vital in her lyrical and biting takes on how we behave.”— The Washington Post “Ruhl’s zany probe of the razor-thin line between life and death delivers a fresh and humorous look at the times we live in.”— Variety “Sarah Ruhl is deliriously imaginative and fearless in her choice of subject matter. She is an original.”—Molly Smith, artistic director, Arena Stage An incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man—with a lot of loose ends. So begins Dead Man’s Cell Phone , a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur “Genius” Grant and Pulitzer Prize finalist for her play The Clean House . A work about how we memorialize the dead—and how that remembering changes us—it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl ’s plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House , 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers’ Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.
The Clean House and Other Plays
“Passionate. Show-stopping. Daringly over-the-top and impressively consistent in its delirious excess. The Clean House shines.”— New Haven Advocate “ The Clean House is not, by any means, a traditional boy-meets-girl story. In fact disease, death, and dirt are among the subjects it addresses. This comedy is romantic, deeply so, but in the more arcane sense of the word: visionary, tinged with fantasy, extravagant in feeling, maybe a little nuts.”— The New York Times “Touching, inventive, invigoratingly compact, and luminously liquid, Eurydice reframes the ancient myth of ill-fated love to focus not on the bereaved musician but on his dead bride—and on her struggle with love beyond the grave.”— San Francisco Chronicle This volume is the first publication of Sarah Ruhl, “a playwright with a unique comic voice, perspective, and sense of theater” ( Variety ), who is fast leaving her mark on the American stage. In the award-winning Clean House —a play of uncommon romance and uncommon comedy—a maid who hates cleaning dreams about creating the perfect joke, while a doctor who treats cancer leaves his heart inside one of his patients. This volume also includes Eurydice , Ruhl’s reinvention of the tragic Greek tale of love and loss, together with a third play still to be named. Sarah Ruhl received the prestigious Susan Smith Blackburn Prize in 2004 for her play The Clean House , which has been produced at Yale Repertory Theatre in New Haven, Wilma Theatre in Philadelphia, South Coast Repertory Theatre in Costa Mesa, and Woolly Mammoth Theatre Company in Washington, DC. Her play Eurydice has been produced at Madison Repertory Theatre and Berkeley Repertory Theatre.
How to transcend a happy marriage (TCG Edition)
Premiered at the Lincoln Center Theater (Off-Broadway) in the winter of 2017<p><p>
Ruhl teaches playwriting at Yale School of Drama<p><p>
Sarah Ruhl's other plays include the Pulitzer Prize finalists <i>In the Next Room (or the vibrator play)</i> and <i>The Clean House</i><p><p> One of the top five most-produced playwrights from 2014 – 2016. <p><p> Ruhl is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur “Genius” Grant<p><p> Her plays have premiered on Broadway, Off-Broadway, and in many theatres around the world<p><p> 2017 recipient of Steinberg Distinguished Playwright Award<p><p> <i>Letters from Max</i>, her correspondence with Max Ritvo, will be published by Milkweed Editions<p><p> <i>100 Essays I Don’t Have Time to Write</i> was published by Farrar, Straus and Giroux and was selected as a Best Book of the Year by the <i>New York Times</i><p><p> Her plays have been translated into fifteen languages
For Peter Pan on her 70th birthday (TCG Edition)
After their father dies, five siblings find themselves around the kitchen table of their childhood, pouring whiskey and sharing memories. The eldest, Ann, reminisces about her days playing Peter Pan at the local children’s theater, and soon the five are transported back to Neverland. For Peter Pan on her 70th birthday is a fantastical exploration of the enduring bonds of family, the resistance to “growing up,” and the inevitability of growing old.
44 poems for you
Playwright Sarah Ruhl’s first book of poetry, <em>44 Poems for You</em>, offers poems that form a subtle, personal meditation on family, motherhood, and loss. With a finely tuned ear for language, Ruhl’s poetry sings with a humbling honesty about what it means to share our lives with others and with those who form our hollows: a miscarriage, a close friend lost to cancer, and the sublimity of nature. She delves into womanhood through the physical reality of the everyday, and shows us life through her hands—making terrariums or jam with her husband, holding a child, grasping the counter as she bleeds. Succinct and contemplative, generous and wise, Sarah Ruhl—one of the greatest contemporary playwrights working today—addresses these poems to you.
Letters from Max
Coauthor Sarah Ruhl is Pulitzer Prize finalist and Tony Award nominated playwright whose book 100 Essays I Don’t Have Time To Write was a New York Times Notable Book in 2014 Coauthor Max Ritvo’s Four Reincarnations was named a Best Book of 2016 by Lit Hub, Shelf Awareness , the Irish Times , and Adroit Journal ; it was reviewed by the New York Times Book Review , O, The Oprah Magazine , Publishers Weekly (starred), Booklist (starred), hailed as “one of the most original and ambitious first books“ by Louise Glück, and blurbed by Jean Valentine and the musician Tom Waits We expect strong blurbs, reviews, and ordering from the poetry community as a result of the author’s massive network of supporters Book’s focus on illness, spirituality, education, and friendship provides opportunities for wider coverage, crossover into larger markets