Voyageur Classics
Скачать книги из серии Voyageur ClassicsCombat Journal for Place d'Armes
Originally published in 1967, Combat Journal for Place d’Armes , set in Montreal, was initially met with shock and anger by most reviewers. As D.H. Lawrence’s Lady Chatterley’s Lover once had, it challenged the attitudes and morals held by most people in its time regarding life and literature. Despite this initial reaction, the novel earned author Scott Symons the Beta Sigma Phi Best First Canadian Novel Award and went on to be regarded as one of the «most important statements about Canadian imaginative life in the 1960s.» Both a study of the emergence of a character’s true self through his homosexual experiences and his critical examination of Canadian, and especially French-Canadian, culture and traditions, Place d’Armes was named one of the top hundred most important books in Canadian history. Peter Buitenhuis, the late autho ran dformer head of Simon Fraser University’s English department, has written that Symon’s novel is «a defiant assault on the Canadian Bourgeois mentality» that «celebrates human sexuality and spirtuality with all the gusto that language can command.»
Pilgrims of the Wild
First published in 1935, Pilgrims of the Wild is Grey Owl’s autobiographical account of his transition from successful trapper to preservationist. With his Iroquois wife, Anahereo, Grey Owl set out to protect the environment and the endangered beaver. Powerful in its simplicity, Pilgrims of the Wild tells the story of Grey Owl’s life of happy cohabitation with the wild creatures of nature and the healing powers of what he referred to as «the great Northland» of «Over the Hills and Far Away.» A bestseller at the time, Pilgrims of the Wild helped establish Grey Owl’s international reputation as a conservationist. His legacy of warnings against the degradations of nature and the dangers of industry live on, despite the posthumous revelation that he wasn’t, in fact, the First Nations man he claimed to be.
Storm Below
Originally published in 1949, Storm Below tells the story of a fictional Royal Canadian Navy ship and its crew. The adventure unfolds over six days of an escort run across the Atlantic Ocean to Newfoundland during the Second World War. The ship, the HMCS Riverford , is a composite of the vessels, mostly corvettes, that author Hugh Garner served on during his time in the Canadian navy, and the Canadian sailors whose experiences he relates are masterfully drawn from the crewmen he knew during his months at sea. In his preface to Storm Below , his first novel, Garner says: «It takes all kinds to make a world, and it also takes all kinds to make a war – or fight one after some of the others make it…. They [his characters] are not even ’typical’ sailors, if such exist. All I can say to justify them is that they are drawn in the image of hundreds who made up the Royal Canadian Navy. They do not need an apology – they were out there, and we won.»
The Blue Castle
Valancy lives a drab life with her overbearing mother and prying aunt. Then a shocking diagnosis from Dr. Trent prompts her to make a fresh start. For the first time, she does and says exactly what she feels. As she expands her limited horizons, Valancy undergoes a transformation, discovering a new world of love and happiness. One of Lucy Maud Montgomery’s only novels intended for an adult audience, The Blue Castle is filled with humour and romance.
The Silence on the Shore
Originally published in 1962, The Silence on the Shore is considered by many critics to be Hugh Garner’s best, most ambitious novel. Truly, in the person of Grace Hill, the landlady of the Toronto rooming house where most of the book’s events take place, Garner has created a fictional character never to be forgotten. Grace is a middle-aged snoop and an overweight nudist whose sexual release comes from watching wrestling matches at a hockey arena that is a thinly disguised Maple Leaf Gardens. Around Grace orbit her various boarders: alcoholic Gordon Lightfoot; Walter Fowler, an aspiring writer whose marriage has just broken up; Aline Garfield, a fundamentalist Christian grappling with various urges and torments; a Polish refugee woman; and a colourful cast of others whose lives intersect in drama that arises from arbitrary or coincidental encounters. According to scholar John Moss, the book is “the best realistic novel of Canadian city life yet to be written.”
The Men of the Last Frontier
In 1931 Grey Owl published his first book, The Men of the Last Frontier , a work that is part memoir, part history of the vanishing wilderness in Canada, and part compendium of animal and First Nations tales and lore. A passionate, compelling appeal for the protection and preservation of the natural environment pervades Grey Owls words and makes his literary debut still ring with great relevance in the 21st century. By the 1920s, Canadas outposts of adventure had been thrust farther and farther north to the remote margins of the country. Lumbermen, miners, and trappers invaded the primeval forests, seizing on natures wealth with soulless efficiency. Grey Owl himself fled before the assault as he witnessed his valleys polluted with sawmills, his hills dug up for hidden treasure, and wildlife, particularly his beloved beavers, exterminated for quick fortunes.
The Yellow Briar
Folktale, memoir, fiction, literary hoax, The Yellow Briar is all of these. Ostensibly the charming remembrance of an Irish orphan who escapes the Great Famine of 1840s Ireland and comes to the New World to seek a fresh start on the streets of Toronto and in the pioneer hinterland of Canada West (Ontario), the book was actually a fictional humbug perpetrated by John Mitchell, a Toronto lawyer, who first published the tale in 1933. Patrick Slater, the protagonist of the «memoir,» is said to have died in 1924 but not before setting his saga down on paper. And what an account it is! The Globe and Mail felt that the book «gives a picture of Ontario to be found in no other work of fiction we know and has won for itself a permanent place in Canadian literature.» If nothing else, Slater/Mitchell captures perfectly the lilt of the Irish and the wry wisdom of an old soul to paint an affecting portrait of trials and tribulations in a long-ago time.