The Return from Troy. Lindsay Clarke

again. I wouldn’t put it past him. Perhaps he’s taken the Black Sea passage like Jason before him and come up against the Clashing Rocks, or got himself enchanted by the Sirens’ song, or hasn’t yet found the narrow way between Scylla and Charybdis. He always loved those old stories. He loved them just as much as you do. Perhaps he’s gone to find out if there’s any truth to them, and when he comes home he’ll bring back something magical and splendid like the Golden Fleece. That’s just the kind of thing Odysseus would do if he took a mind to it.’

      I don’t know what effect this fanciful gesture of consolation had on the mind of Telemachus but Eurycleia’s words ignited my own imagination. I began to see how my Lay of Lord Odysseus might be embellished by motifs from those stories. I imagined his ship picking its way through the blue ice floes that came drifting across its bows out of the freezing fog of the Black Sea. I knew that if there was any chance of hearing the Sirens’ song, then Odysseus would want to hear it. Like Jason, he would have himself strapped to the mast with cables while his crew rowed past the enchanted island with their ears stopped up with wax. With my mind already racing, I persuaded myself that if anyone could steer a ship between the many-headed monster Scylla, keeping watch from her cave on the cliff, and the fearful whirlpool of Charybdis, then Odysseus certainly could. So I hurried away down the passage with the song of the Sirens thrilling through my mind, and when I went to bed I lay there yearning for the day when my lay was done and I would be crowned with laurels as the greatest of all bards.

      Then, in the small hours, I was jolted back to my senses by the miserable thought that all those songs had already been written. Everybody knew them. Those marvellous adventures belonged to the story of Jason: anywhere outside Ithaca, I would be laughed out of court if I tried to claim them for Odysseus.

      Yet my mind would not rest and, before dawn broke, another thought struck me. There was a story belonging to our island that might still be turned into a noble song. It was a crude enough tale of the encounter between our ancient folk hero Oulixos and a one-eyed cannibal giant that devoured some of his men when they landed on his island. Trapped in the giant’s cave, Oulixos and his men blinded the Cyclops and made their escape. But wasn’t it possible that on his voyage home Odysseus had chanced on that same island? With all his resourcefulness, surely he would think up some ingenious way of outwitting that dull monster?

      And so it was that, because I heard an old nurse comforting my friend with stories, I conceived the first lines of a song that would not be completed till after Odysseus’ return and is sung across Argos by bards who claim it for their own. As is well-known, the song tells how Odysseus and his men escaped from the island of the Cyclopes by fooling Polyphemus into the belief that a man called ‘Nobody’ had put out his eye. But with Odysseus now long dead, I feel free to tell how there was once a time when his strong sense of identity was so reduced by his ordeals that Odysseus truly believed that he had become Nobody indeed.