The Woman In The Mirror. Rebecca James

So I escape into the night, their steps bleeding close on the wind like a dread gallop. Down the cliffs, low to the ground, the sky watches, patient and indifferent. Stars are frozen. Moon observes. I cannot turn back: my home is lost.

      At the end I will put myself there again, sitting by my hearth and staring at the painting on the wall. It is the painting I did for him but never gave him, a likeness of my house for he had admired it so; he had said what a perfect spot it held, high on the cliffs, a sweet little cottage circled by hay and firs. Oh, for those first days of innocence! For those days of blind hope, before he turned me away. On the night I planned to bestow the painting on him, he broke my heart. The gift I had meant for him remained with me, just as did every other part I imagined I would share.

      I never thought I would be a woman for love, or a woman to be loved.

      A woman should always trust herself.

      What will remain at my home, after I am gone? What will he keep and what will he burn? I fear for my looking glass, my beloved mirror. I pray that it survives, for I wonder if a piece of me, however small, might survive with it.

       Ivan. My love. How could you?

      I shall never know. I will never understand. What is the point, now, in any case? Ivan de Grey betrayed me. I believed that he worshipped me, I swallowed his deceits and oh, it hurts, it hurts, to think of his arms around me…

      Now they have built their case against me. They have shaped their fight and honed their resolve. There is nothing I can say or do; to protest confirms my fate.

      I spill down the cliff path. I know it well enough in the dark. Brambles tear my skin and eyes; blood tastes sour in my mouth. I stumble, holding mud and air. My head hits a rock, sharp, hard, and I fall until a pain pulls me back, my hair caught on a stalk. For a moment, I lie still. Thunder, thunder, thunder. I gaze up at the night, the cool white pearl of the moon. I wish I were an animal. I wish I were a wolf. I wish I would transform, and be waiting for them when they come over the edge. I would leap at them with my jaws thrown wide.

      But I am a woman. Not a wolf. Perhaps I am something in between.

       Run.

      I meet the sea, which has swallowed the sand completely. It foams around my ankles and I wade through it, salt burning the cuts on my legs. Ivan long ago decided I was marked. He saw the red on my body and the rest was easy. He told his friends and those friends told their enemies, and all are united in the crusade. Witch.

      All he had to do was to make her believe in his love.

       Love.

      Rotten, stinking, hated love. Love is for fools, bound for hell.

      I detest its creeping treacheries. I resent the shell it made of me. My weakness to be wanted, my pathetic, throbbing heart…

      There is comfort in knowing that while I die, my hatred lives on. My hatred remains here, on this coast, in this sea and under this sky. My hatred remains.

      I trust it with my vengeance, for vengeance I will take.

      The water pulls me to my knees, black and thrashing and soaking my dress.

      I turn to shore. High on the hill is a bright, living blaze. The men stride towards me, stride through the sea. I will not go with them. I will go on my own, willingly. I will swim to the deep and deeper still. I will picture my home as I drown.

      I crawl into the wild dark.

      A hand grabs my ankle and pulls me down.

Chapter 1

       London, 1947

      ‘Alice Miller – for heaven’s sake, wake up.’

      It might be Mrs Wilson’s uppity remark that jolts me out of my eleven o’clock reverie, or else it’s the warm muzzle of the Quakers Oatley & Sons’ resident Red Setter as it nudges hotly against my lap, for it’s hard to know which happens first.

      ‘I’m awake,’ I tell her, finding the dog’s warm ears under my desk and working them through my fingers; Jasper breathes contentedly through his nose and his tail bangs on the floor. ‘Can’t you see my eyes are open?’

      Mrs Wilson, the firm’s stuffy administrator, draws deeply on her cigarette, sucking in her cheeks. She dispels a plume of smoke before grinding the cigarette out in an ashtray. She pushes her glasses on to the bridge of her nose.

      ‘I wouldn’t suggest for a moment, Miss Miller, that your eyes being open has the slightest thing to do with it.’ Her fingers clack-clack on the typewriter. ‘It doesn’t take a fool to see that you’re miles away. As usual.’

      If I were able to dispute the accusation, I would. But she’s right. There is little about being a solicitor’s secretary that I find stimulating, and my memories too often call me back. This is not living, as I have known living. Haven’t we all known living – and dying – in ways impossible to articulate? But to look in Jean Wilson’s eyes, just two years after wartime, as flat and grey as the city streets seem to me now, it’s as if that world might never have existed; as if it had been just one of my daydreams. I wonder what Mrs Wilson lost during those years. It is easy for one to feel as though one’s own loss overtakes all others’ – but then one remembers: mine is a lone story, a single note in a piece of music that, if played back many years from now, would be obscured by the orchestra that surrounds it.

      Jasper pads out from under the desk and settles on a rug by the window. Through it, I hear the noisy brakes of a bus and a car tooting its horn.

      The telephone rings. ‘Good morning, Quakers Oatley?’

      We are expecting a call from an irksome client but to my surprise it is not he. For a moment, I hear the crackle of the line and the faint echo of another exchange, before a smart voice introduces itself. My grip tightens. I’m quiet for long enough that Mrs Wilson’s interest is aroused. She glances at me over the top of her spectacles.

      ‘Of course,’ I say, once I’ve taken in all that he’s said. ‘I’ll be with you right away.’

      I replace the telephone, retrieve my coat and open the door.

      ‘Where are you going?’

      ‘Goodbye, Mrs Wilson.’ I put on my coat. ‘Goodbye, Jasper.’

      It is the last time I will see either of them.

       *

      The Tube still smells as it did in the war – fusty, sour, hot with bodies. Next to me on the platform is a woman with her children; she smacks one of them on the hand and tells him off, then pulls both to her when the train comes in. I imagine her down here during the Blitz, when they were babies, holding them close while the sky fell down.

      I take the train to Marble Arch, repeating the address as I go. The building is closer than I think and I’m here early, so I step into a café next door and order a mug of tea. I drink it slowly, still wearing my hat. A man at the table next to me slices his fried egg on toast so that the yoke bursts over his plate and an orange bead lands on the greasy, chequered oilcloth. He dabs it with his finger.

      I’ve kept the advertisement in my handbag for a month. I didn’t think anything would come of it; the opportunity seemed too niche, too unlikely, too convenient. GOVERNESS REQUIRED, FAMILY HALL NR. POLCREATH, IMMEDIATE APPOINTMENT. I spied it during a sandwich break, in the back of the county paper Mrs Wilson brought home from a long weekend in the South West.

      I unfold it and read it again. There really isn’t any other information, nothing about the people I would be working for or for how long the position might be. I question if this isn’t what drew me towards the prospect in the first place. My life used to be full of uncertainties: each day was uncertain, each sunrise and sunset one that we didn’t expect to see; each night, while we waited for the bombs to drop and the gunfire to start, was extra time