Wicked Deeds. Heather Graham

the basement—the wine cellar here—and see that the shelves are locked for the night.” He pointed. “Master switch there. You can see that most of the shelves have cages. Some of these wines are worth thousands of dollars.”

      “And there’s no other way in than by the stairs? What about cameras?” Griffin asked.

      “None down here, but there are cameras at the front door and the back door, which is really more of a side door, by the gift shop.”

      “We were here last night,” Vickie said.

      “Oh?” Morris asked, a brow politely raised a half notch.

      “Yes, but we were early birds, comparatively. We were gone by eleven,” Griffin said. “Ironic—our waiter was wishing that Franklin Verne would pay a visit and endorse the restaurant.”

      “He’s endorsed it now, all right,” Hatfield said.

      “So tragically!” Vickie said.

      Morris grunted. “Yes, but people are ghouls. The place will be booked for years to come now—it’s where Franklin Verne mysteriously died!”

      None of them could argue that. “Detective, may I walk around?” Griffin asked.

      Detective Morris nodded. “I’ve been here almost two hours. Can’t figure it myself, but I don’t believe he vaporized or said, ‘Beam me up, Scotty!’ There’s something here. I’m mulling. You knock yourself out.”

      “We’re about to take the body,” Hatfield said quietly.

      “Thank you,” Griffin said. Vickie kept her distance. She was startled when she heard Griffin ask Hatfield, “I heard he was holding a raven?”

      “The kind they sell in the gift shop, right upstairs,” Hatfield said.

      “Bagged it as evidence,” Morris said. He pointed to the desk, where the raven lay in a clear plastic evidence bag.

      “Thanks,” Griffin said. He lifted the bag. He and Vickie both studied it.

      Vickie had noted other ravens just like it at the gift shop the night before; they were cheap plastic, cost no more than a cup of coffee—perfect little souvenirs that brought back a memory and made you smile.

      “There were three dead blackbirds by the body?” Griffin asked.

      Morris lowered his head in acknowledgment. “They’re in the evidence bags at the end of the desk. Take a look—knock yourself out. I guess what’s going to matter is how they died, and that falls in Dr. Hatfield’s territory.”

      “Actually, it’s a necropsy—but we have a fellow on staff who deals with all animals that aren’t of the human variety,” Hatfield said. “And we’ll keep you apprised every step of the way.”

      “Thanks,” Griffin said. “They are blackbirds, right? Not young crows or ravens?”

      “Blackbirds,” Hatfield agreed. “The size alone gives us that.”

      Vickie held where she was, watching Griffin’s broad back as he headed down the rows of carefully shelved wine.

      After all, he was an agent; she wasn’t sure what procedure would be. It was best in this situation to let Griffin move forward without her.

      And...

      For a moment, she felt dizzy, remembering her dream.

      Poe—Edgar Allan! She had met him at a tavern that wouldn’t have been far from here...the tavern he’d been found near, delirious and wearing clothing that wasn’t his.

      He’d been missing three days. Some said he’d been kidnapped for his vote—and thus the different clothing that he wore. Some said that it had been the drink, that he’d met up with friends and the alcohol had quickly cost him his life.

      Some said it had been a murder plot, perpetuated by relatives of the widow he’d planned to marry when his business was accomplished...

      But the author and poet had not died in a wine cellar. Rather, one of his immortal characters had done so!

      “Miss?”

      “Oh! I’m sorry!”

      Men from the medical examiner’s office were there to take the body. She quickly moved out of the way.

      Griffin came back from walking up and down the racks of wine.

      “I’ll know soon enough what I suspect, even if it takes a bit longer to be official,” said Dr. Hatfield. “Special Agent Pryce, you’re welcome to come by this afternoon with Carl. I’m afraid that this gentleman will be bringing me in to work all day on a Saturday.”

      Griffin shook hands all around and gave Detective Morris a card; Morris returned the courtesy. Then Griffin set an arm on Vickie’s shoulder and they started back up the steps to the restaurant.

      They walked outside.

      Vickie stopped dead.

      There were birds everywhere.

      “Ravens!” she gasped.

      “Blackbirds,” he said. “I had an uncle who loved birds. Crows, ravens, rooks and blackbirds—all confused for each other, but all different birds. Ravens belong to the crow—or corvids—family, but not all crows are ravens. Blackbirds belong to the thrush family. A raven, however, is about the size of a hawk and a crow is about the size of a pigeon. Those guys...”

      He was looking up; he suddenly stopped speaking.

      “How bizarre!” he said.

      “What?” she asked.

      He pointed high where a bird glided over the street, far above the little blackbirds that gathered on buildings and wires.

      “That one—that one is a raven,” he said.

      Vickie wasn’t at all sure why—the sun was brilliantly shining—but she shivered. She stared at the bird.

      It flew over the area, again and again, before lighting on the roof of a nearby building.

      Griffin looked at her. “Come on. Let’s go see Mrs. Verne. I’ll report to Jackson. Maybe we can still get in a trip out to Fort McHenry.”

      “Actually...”

      “What?”

      “I think we should visit Poe’s grave,” Vickie said.

      “Haven’t you been before?”

      “I have.”

      “It’s just... It’s a grave,” he reminded her.

      “Yes, but fitting today, don’t you think?” She shrugged. “It is one of those things you do in Baltimore, you know.”

      * * *

      The hardest part of the job wasn’t dealing with the dead.

      The dead didn’t weep like the living.

      Griffin hadn’t met Monica Verne before, but thanks to his conversation with Jackson, he knew that Adam Harrison was friends with her.

      Adam was careful about the friends he chose.

      Griffin and Vickie reached Monica Verne’s palatial home on the outskirts of the city right before noon.

      An attractive young woman wearing a black dress, functional pumps and a bleak expression opened the door.

      “Police?” she demanded. She had an accent. She was most probably from somewhere in Eastern Europe.

      “No, ma’am,” Griffin began.

      “You are despicable! You are horrible. Poor Mrs. Verne. She’s just learned about this unspeakable tragedy—from you people! And you are hounding her!”

      “Ma’am!” Griffin said. “We’re not