Every Last Lie. Mary Kubica

old pro. And yet I’ve never been a widow before. This is wherein the fault lies, the reason why Felix is not eating well, why he is losing weight. Widowhood is all new to me, and it’s here that I struggle, though I don’t tell the doctor this, but I don’t need to because everyone in the whole entire world now knows that I am a widow, that my husband is the one who took the turn out on Harvey Road too fast, that he crashed the car into a tree, that he did it with our four-year-old daughter in the back seat, that he’s dead.

      “Some weight loss after birth is normal,” she tells me, “but Felix has continued to lose weight since we visited him in the hospital. He’s lost over fourteen ounces since he was born. This is of concern,” she says, though her eyes lack judgment. I’m not being criticized. Dr. Paul is simply concerned. She lays a hand on my arm and asks again, “How has the nursing been going?” and this time I tell her.

      * * *

      I’m decidedly opposed to roadside memorials. It seems a silly way to honor a beloved family member who’s now dead. And yet I find myself purchasing a white wooden cross at the local craft store, and a spray of flowers, burgundy and pink, because it’s premade and on display at the florist shop. I don’t have time to special order; I want it now. The cross itself seems glib. It’s not as if we go to church, not often, though we had Maisie baptized because Nick’s mother said Maisie was bound for perdition if we didn’t. The only times we’ve been to church since are when Mrs. Solberg is in town, when we dress up in our Sunday best and slide into the spartan pew, pretending this is something we do.

      But still, I buy the cross to go along with the floral bouquet. It seems the thing to do.

      I drive to the scene of the accident, where a red-winged blackbird sits on a thin telephone wire watching me, like a tightrope walker, its gnarled black claws clinging tightly to the cord. Its black feathers shimmer in the late-morning sun, a single patch of red and yellow blazoned upon its side. It sings a brassy, emphatic song, and from somewhere in the distance, perched in the cattails of a roadside ditch, a female returns its call, quieter and less emphatic than the male. They parley back and forth, back and forth again, making plans to meet, and as I stand there on the side of the road, the sun bearing down on me and making me sweat, the car parked less than ten feet away, Felix inside with the window rolled down, the male red-winged blackbird leaves his perch and swoops down into the cattails to find his mate.

      The houses in the area reside in one of those green housing developments with their energy-efficient designs, a neighborhood composting program, a community garden. The homes are all faux farmhouses, too clean and modern to be real farmhouses. There are horses in their enormous backyards, beautiful light bay and dapple gray horses enclosed in pointed picket fences, their snouts rising from the grass to see what it is that I’m doing as I return to the car and retrieve a small treasure from the trunk: the spray of funeral flowers, the white wooden cross.

      I’m opposed to roadside memorials, but without it, I’d have no reason to be here, to see if what Maisie says is true, that there was another car on the road with her and Nick, one that made them crash.

      I lay the flowers on the roadside; I dig away at the earth to make room for the cross. Cars pass by and wonder what it is that I’m doing, but then they see the cross, the flowers, and they know. They drive slower, more thoughtfully. They take the turn with deliberation. They stay in their lane, never allowing their cars’ tires to crisscross the double yellow line and into mine. This roadside memorial serves as a reminder and also a warning: this is what happens if you don’t slow down. You die like Nick has died, losing control of the car along that hairpin curve and slamming into the tree at breakneck speed.

      But what if this is not the way it happened? What if what Maisie says is true, that there was another car on the road that fateful afternoon? Everyone loved Nick. He had no enemies, none at all. Whatever transpired on this street had to be the worst kind of luck, a simple act of being at the wrong place at the wrong time. A case of road rage, a drunken driver.

      There’s no way that someone set out to intentionally harm Nick.

      The tree itself shows signs of abuse. I kneel before the tree, pressing the pointed edge of the white wooden cross into the ground. This isn’t an easy thing to do. The earth is arid and shows no signs of giving in. It’s stubborn like me, as I step on the crossbar with the sole of a shoe and force it into the ground. Another car comes soaring down the road too quickly, sees me, and steps on the brakes so that tiny pebbles come skittering across the street toward my feet.

      It’s a tall tree, a firm tree, one with much girth. But still, there is a wound. Bits of bark hang loosely from the tree trunk, the innards of the tree exposed. I run my hands along the rugged bark, feeling suddenly sorry for the tree. Will the tree die?

      Behind the tree there is nothing, only cattails and open fields and grass. Wildflowers line the gravel of the street. There is only one tree and the absence of a guardrail where a guardrail should be. The only thing around for Nick to hit was the tree. What are the odds of this?

      The homes with their horses stand over a hundred feet away or more, their inhabitants likely not seeing a thing until the ambulance arrived, and then the fire trucks and police cruisers to lug Nick and Maisie from the shattered car. It was only then that the noise and the chaos lured them from their homes to see what the fuss was about. The police didn’t bother speaking to the residents because there were no open-ended questions that needed clarification. Nick was speeding; he took the turn too quickly and died.

      But what if that’s not the way it happened? What if Nick was killed?

      It’s deserted around here, and though there are homes nearby, I feel strangely alone. Or not alone, but rather like I’m being watched. I turn quickly, but there is no one there. Not that I can see. My eyes rove the surroundings on the other side of Harvey Road, the haggard trees, the mounds of grass. But I see nothing. And yet I can’t shake the feeling, as if I’m the target on the other end of a sniper scope.

      Is somebody here?

      Was someone here, watching Nick as he crashed?

      A slow trepidation creeps under my skin, and suddenly I’m scared. I move quicker now through my tasks. Like an archaeologist searching for artifacts in sand, I examine the concrete of Harvey Road for signs: tire prints in the dirt; black skid marks along the surface of the road; remnants of broken car parts. Something to tell me that what Maisie says is true, that there was another car on this road with her and Nick that made them crash. But there are none. The evidence has been washed away by the daily flow of traffic up and down Harvey Road.

      But this I know for sure: the mangled car that was removed from the tree only showed damage at the site it impacted the tree, on the driver’s side. If the car had collided with another car, there would have been evidence of this on the car and on Maisie. Maisie would have sustained much more than a small laceration that has already healed. But Maisie was fine, as was the passenger’s side of the car.

      I decide: Maisie must be wrong. I push aside those thoughts of being watched. I’m being silly; I’m not thinking clearly. I’ve let my imagination get the best of me.

      Nick was driving too fast. He took the turn too quickly.

      It’s Nick’s fault that he’s dead.

      * * *

      On the way home, my cell phone rings. “Hello?” I ask, pressing the device to my ear as I drive down the highway in an older, run-down part of town, past the cheap motels and adult stores, where I know that one day soon ever-inquisitive Maisie will point to them and ask what they are and what they sell.

      “Is this Clara Solberg?” asks the silvery voice on the other end of the line, and I say that it is. “Mrs. Solberg, I’m calling from Dr. Barros’s office, your mother’s internist. You’re listed as an emergency contact,” she says, and at once my breath leaves me, and I ask, “Is everything all right?” envisioning my mother and father with Maisie at the office of Dr. Barros. My mother has fallen again and hurt herself, maybe, or she’s mixed up her pills and has taken too many of the wrong ones.

      “Everything’s fine,” the woman