Vixen In Velvet. Loretta Chase

card, and gave it to him. It was a beautiful card, as of course it must be, hers being the foremost establishment of its kind in London. The size of a lady’s calling card and elegantly engraved and colored, it was nonetheless a trade card for Maison Noirot, Dressmakers to Ladies of Fashion, No. 56 St. James’s Street.

      He studied it for a time.

      “I’m one of the proprietresses,” she said.

      He looked up from the card to meet her gaze. “You’re not the one married to my cousin Longmore?”

      She couldn’t be surprised he was a cousin of her newest brother-in-law. All the Great World seemed to be related to one another, and the Fairfax family, to which the Earl of Longmore belonged, was large in its main branch and prolific in its associated twigs and vines.

      “That’s my sister Sophy,” she said. “For future reference, she’s the blonde one.” That was the way Society thought of the three proprietresses of Maison Noirot, she knew: the Three Sisters—sometimes the Three Witches or French Tarts—the brunette, the blonde, and the redhead.

      “Right. And one of you is married to the Duke of Clevedon.”

      “My sister Marcelline. She’s the brunette.”

      “How good of your parents to make you easy to tell apart,” he said. “And how kind of you to explain. Were I to mistake, say, the Countess of Longmore for you, and make a stab at flirtation, her brute of a spouse would try to do me a violence, to the detriment of my neckcloth. I spent fully half an hour arranging it.”

      Leonie was an experienced businesswoman of one and twenty, not a sheltered young lady. She examined the neckcloth in a businesslike manner—or tried to. This proved a great deal more difficult than it ought to be.

      Below the finely chiseled angle of his jaw, his neckcloth was not only immaculate but so flawlessly folded and creased that it might have been carved of marble.

      The rest of his dress was inhumanly perfect, too. So were his face and physique.

      The inner woman felt light-headed, and thought this would be a good time to swoon. The dressmaker regarded the neckcloth with a critical eye. “You employed your time to excellent effect,” she said.

      “Not that it makes the least difference,” he said. “No one looks at the other fellows when he’s about.”

      “He,” she said.

      “My poetical cousin. I’m overburdened with cousins. Oh, there they are now, blast it.”

      She became aware of voices coming from the central staircase.

      She turned that way as hats and heads rose into view. Torsos soon followed. After a moment’s apparent confusion about which way to go, the group, mainly young women, surged toward the archway of the gallery in which she stood. There they came to a halt, with only a moderate degree of unladylike pushing and elbowing. The clump of women opened up to make way for a tall, slender, ethereal-looking gentleman. He wore his flaxen hair overlong and his clothing with theatrical flair.

      “Him,” Lord Lisburne said.

      “Lord Swanton,” she said.

      “Who else could it be, with two dozen girls looking up at him, every one of them wearing the same besotted expression.”

      Leonie’s gaze took in the women, all about her age or younger, except for a handful of mamas or aunts obliged to chaperon. Near the outer edge of Lord Swanton’s worshippers and their reluctant attendants she spied Sophy’s new sister-in-law, Lady Clara Fairfax, looking bored. Her ladyship stood with a plain young woman who was dressed stupendously wrong.

      Leonie’s spirits soared. She’d come intending to add to her clientele. This was more than she’d dared to hope for.

      For a moment she almost forgot ye god Mars and even the painting. Almost. She beat down her excitement and turned her attention back to Lord Lisburne.

      “Thank you, my lord, for stopping me from toppling like the unfortunate artist’s easel,” she said. “Thank you for choosing that particular painting to lend to the exhibition. I don’t care for scenes of violence, which seem to be so popular. And saintly beings are so trying. But this experience was sublime.”

      “Which experience, exactly?” he said. “Our acquaintance has been short but eventful.”

      She was tempted to linger and continue flirting. He was so good at it. Moreover, in addition to being beautiful he was a nobleman who owned a painting that, popular or not, was probably priceless. Beyond a doubt he owned several hundred other priceless or at least stunningly costly objects, along with two or three immense houses set upon large expanses of Great Britain. If—or more likely, when—he took a wife and/or set up a mistress, he’d pay for her housing, servants, carriage, horses, etc. etc.—and, most important of et ceteras, her clothing.

      But the girl, Clara’s friend, looked out of sorts and seemed ready to bolt. A prize like that didn’t turn up every day. Leonie had already obtained Lord Lisburne’s attention, in any event. He’d saunter into the shop one of these days, if she was any judge of men.

      “It has, indeed,” Leonie said. “However, I came on business.”

      “Business,” he said.

      “Ladies,” she said. “Dresses.” She made a brisk gesture, indicating her ensemble, which she’d spent well more than half an hour arranging for this event. “Advertising.”

      Then she made a quick curtsey and started toward Lord Swanton and his acolytes. She heard a muffled sound behind her, but she couldn’t take the time to look back. The ill-dressed girl was tugging on Lady Clara’s arm.

      Leonie walked more quickly.

      Eyes on Lady Clara’s companion, she didn’t see the canvas cloth in her way.

      The toe of her brodequin caught on it and she pitched forward.

      She was aware of a collective gasp, interspersed with titters, as she went down, arms flailing ungracefully.

      Lisburne hadn’t noticed the artist’s cloth, either.

      He was too busy taking in the rear view of Miss Noirot, though he’d already fully employed the opportunity to study that at length—at a distance as well as at improperly close quarters—while she stood before the Botticelli, oblivious to him and everybody and everything else. When she’d turned to look up at him, he’d nearly staggered, thinking Botticelli’s Venus had come to life: the same—or very like—heart-shaped face and alluringly imperfect nose … the ripe mouth with its hint of a smile or deep thought or troublesome recollection … the surprisingly determined chin.

      His mind might have wandered into indecorous fantasies but his reflexes were in sharp working order. He moved forward, caught her, and swept her up into his arms in one smooth movement.

      Ladies’ dress had only grown more extravagantly fanciful since he was last in England, nearly six years ago. It was hard to tell which parts of a girl were real and which were created for artistic effect. While he appreciated artistic effect, he was happy to discover that what seemed to be a gloriously shapely form was artificial only in the most superficial way. Judging by the warm parts with which he was in contact, her body was as lavishly rounded as he’d supposed. She smelled good, too.

      He saw her eyes widen—eyes of a vivid blue that put sapphires and Tuscan skies to shame—and her plump mouth fall open slightly.

      “Now you’ve done it,” he said under his breath. “Everybody’s staring.”

      No exaggeration. Everybody in view had stopped whatever they were doing or saying to gape. Who could blame them? Gorgeous redheads didn’t drop into a fellow’s arms every day.

      The commotion was drawing in people from the other rooms.

      This day was turning out infinitely less boring than he’d expected.

      “Miss