Followers. Megan Angelo

come true in the same time, same place. It’s not enough to be talented. It’s not enough to work hard. You need to be disciplined, and you need to be ruthless. You have to do anything, everything, and you need to forget about doing the right thing.” She released Orla with a little shove and put her hands on her hips. “Leave that shit to people in the Midwest.”

      They were quiet as the atmosphere sucked up her monologue. Orla steadied herself and looked Floss over. She would never make it as an actress, she thought. She went a little too big, wanted a little too hard. But Floss, it seemed, didn’t want to be an actress. She wanted to be what she already was, even if nobody knew it yet: a celebrity. A person, exaggerated. And her point—the cold slap of the eight million dreams around them—unhooked something in Orla.

      “I don’t know,” she said, shakily, finally. “That kind of sounds like bullshit to me.” She tried to hold back a burp and found that it wasn’t a burp at all. She leaned over and threw up on the deck. The whiskey burned twice as hot coming back up. Orla kicked her purse toward Floss. “Can you get me a tissue?” she gasped.

      Floss dug through Orla’s bag. “Ohhhh,” she breathed after a moment, tugging something out. “This looks familiar.”

      Panting, hands on her knees, Orla squinted up and saw Floss holding, between two egg-shaped nails, Marie Jacinto’s cheap business card. The one Orla had found by the elevator. Orla would never forget that: Floss standing there, grinning at her, flicking the card. She would think of it on that awful last day, as blood bloomed through her shirt and Floss said in a low voice, for once trying not to be heard, that this was the deal, and you know it.

      And they did have a deal by then, with lawyers and seals and duplicates, but Orla never felt that the scrawls she made numbly on those documents were as binding as her failure to argue with what Floss said next. Floss put the card back in Orla’s bag carefully, like she wanted it to be safe. She pushed the kiddie car away from the puddle of vomit and walked Orla off of the roof, leaving the mess untouched and the gate wide open behind them. Inside, as they waited for the elevator, Floss grinned and put her face in Orla’s hair. “I don’t think it does sound like bullshit to you,” she said into Orla’s ear. “I think you are like me.”

       CHAPTER FOUR

      Marlow

      Constellation, California2051

      When Jacqueline’s event had wrapped, Marlow told her car to take the long way home, hoping she could put off arriving until Ellis had gone to bed. The car obliged and turned onto Clooney Street, which wound lazily through Constellation. Marlow reclined her seat and lay on her side, watching her hometown float by. She was mistily struck, after two cocktails and a glimpse of how stupid-old she looked in a hair bow, by how different Constellation had seemed to her when she was young, when she didn’t know what so much of it was. As a kid, she had seen trees draped with ruby-red leaves in the fall and pure white blooms in the spring. She had seen gentle green hills loping along the back of the town, jutting up into pale coral sunsets that were always on time and spectacular. But the sunsets, she later learned, were staged—lit, from below, by colossal rose-colored lamps in the ground, because the network liked continuity and could not rely on the weather. The hills she had sprawled on as a teenager, bikini’d, enjoying being the only kid in town whose mother let her tan—those were actually fortified shelters, for hiding talent in case of an attack. As for the trees: they turned out to be fake, and fireproof, their mineral wool trunks wrapped in vinyl laminate bark. (Constellation had been built, after all, on top of the scorched wreckage of a county-leveling wildfire.) The leaves and flowers Marlow so loved, she found out, would never have coexisted in one natural species, especially not in California. Their foliage was laser-cut from modacrylics and melamines. When they flooded with color, they did so at the push of a button, at the whim of the network.

      But even with all that was choreographed for the cameras, Constellation still had more realness to it than its fans believed. Though Marlow knew people thought the opposite, her life wasn’t technically scripted. There were writers, of course—they lived in the gray-block high-rises on the edge of town, buildings so ugly they seemed designed to remind the writers who they weren’t—but they didn’t decide what came out of Marlow’s mouth. The writers were more like overbearing aunts, giving Marlow broad pep talks on how to be, weeding out her wardrobe. The network execs were both more mysterious and more direct. They lived among the talent, rotating and functioning as watchful extras—not long ago, Marlow had been startled to find the Head of Storyline himself behind the juice bar’s counter, handing her her usual smoothie. They never spoke to the talent out loud, not with the audience watching, but they were constantly in Marlow’s head, bossing her through her device. They let her choose things for herself, but they also closed off plenty of options. It was a little like being a mouse in a maze. She could run as fast as she wanted, but she wasn’t picking the turns.

      It took Marlow a long time to see that this was how she had come to marry Ellis. The network had nudged him into the path they knew she’d have to take, a lonely corridor she had been racing down since freshman year of high school, when Hysteryl started sponsoring her and the network began forcing kids to sit with her at lunch. Marlow knew her classmates’ parents had threatened and cajoled them—be nice to her or we’ll get a fine, next semester you’ll be back with your real friends—and the kids always listened. They were always kind. But she could feel the resentment over their assigned seats rising like heat from their skin. No one had sat with her just because they wanted to since Grace. No one had been her friend out of choice since the night she became, as the network put it, “a good fit” for the Hysteryl campaign.

      After graduation, everyone else in Marlow’s class was issued their vocational arcs—outdoorsy chef, promiscuous nurse—and sent off for their year of training. But all Marlow got was a memo, telling her she was free to spend her days in any way that kept her happy. So she trailed her mother to the spa. She rearranged the furniture in her room and pretended that it meant she had a flair for interior design. She kept going to ballet class, even though every year the girls got younger and younger than her. Marlow never liked the actual dancing but loved posing in formation with the others. She loved the tiny heh of the shared breath they took just before they started moving, the synchronized thunk of their pointe shoes as they finished a combination. She would let herself imagine that these girls were really her friends, standing close to her on purpose. After class, she would pay attention as the other dancers rolled their tights up to their knees and talked about their classmates. Over time, she learned all the names, all the stories, every corner of an ecosystem she was not a part of. Sometimes, when she was out, she would recognize someone from the ballerinas’ gossip, someone she had never met but felt like she knew so well, it was hard not to say hello. It was the first time she understood the way her followers must feel about her, and the line that came into her mind, as she gazed at these strangers, was always the same: Oh, it’s one of you. From my collection.

      Finally, Marlow turned twenty-one and was eligible for real romance. Twenty-one was the age at which the young talent’s random dalliances with each other were replaced with dates staged by the network: amber-lit restaurant dinners of vibrant food that sat untouched, lest the sounds of chewing muddy the audio of the two stars at the table. The network sent Marlow matches each Friday morning, the smirk of a straight, single, network-approved man appearing in her thoughts over breakfast. Would I like to meet him? her device would prompt, and Marlow always said yes. Even though she never ate, Marlow always ordered dessert, just to prolong the experience of being in a place full of happy-looking couples her age. It felt nearly like having friends.

      She met Ellis on one of those bad dates. Marlow couldn’t remember, now, the face of the boy she had come to the bar with—this was fourteen years ago—but she remembered that her followers were not enthused by the way he blabbered on about his family’s vineyard. She remembered that, when she let her mind wander and checked her dashboard, 61 percent of her audience thought that she should ditch him immediately.