Masquerade. Anne Mather

      Mills & Boon is proud to present a fabulous

      collection of fantastic novels by

      bestselling, much loved author

      ANNE MATHER

      Anne has a stellar record of achievement within the

      publishing industry, having written over one hundred

      and sixty books, with worldwide sales of more than

      forty-eight MILLION copies in multiple languages.

      This amazing collection of classic stories offers a chance

      for readers to recapture the pleasure Anne’s powerful,

      passionate writing has given.

      We are sure you will love them all!

      I’ve always wanted to write—which is not to say I’ve always wanted to be a professional writer. On the contrary, for years I only wrote for my own pleasure and it wasn’t until my husband suggested sending one of my stories to a publisher that we put several publishers’ names into a hat and pulled one out. The rest, as they say, is history. And now, one hundred and sixty-two books later, I’m literally—excuse the pun— staggered by what’s happened.

      I had written all through my infant and junior years and on into my teens, the stories changing from children’s adventures to torrid gypsy passions. My mother used to gather these manuscripts up from time to time, when my bedroom became too untidy, and dispose of them! In those days, I used not to finish any of the stories and Caroline, my first published novel, was the first I’d ever completed. I was newly married then and my daughter was just a baby, and it was quite a job juggling my household chores and scribbling away in exercise books every chance I got. Not very professional, as you can imagine, but that’s the way it was.

      These days, I have a bit more time to devote to my work, but that first love of writing has never changed. I can’t imagine not having a current book on the typewriter—yes, it’s my husband who transcribes everything on to the computer. He’s my partner in both life and work and I depend on his good sense more than I care to admit.

      We have two grown-up children, a son and a daughter, and two almost grown-up grandchildren, Abi and Ben. My e-mail address is [email protected] and I’d be happy to hear from any of my wonderful readers.

       Masquerade

      Anne Mather

       www.millsandboon.co.uk

      MILLS & BOON

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      Table of Contents

       Cover

       About the Author

       Title Page

CHAPTER ONE

       CHAPTER TWO

       CHAPTER THREE

       CHAPTER FOUR

       CHAPTER FIVE

       CHAPTER SIX

       CHAPTER SEVEN

       CHAPTER EIGHT

       Copyright

       CHAPTER I

      THE letter from England came only one month after the sudden death of her father. Samantha was still living in the shocked daze which had taken a hold on her when she had heard that her father’s car had crashed on the autostrada while she was driving from Milan to Bologna. A sudden puncture of a front tyre had caused the old saloon to skid dangerously, crossing the dividing lanes and colliding with a touring autobus coming from the opposite direction. The passengers on the bus had been shocked but unhurt. John Kingsley was dead.

      Samantha was desolate; she had lived here so long in the small Italian fishing village of Perruzio with her father, sharing the villa and sharing his life. They had been so close. Too close, for now he was dead she felt she had no one. Even old Matilde, who had been housekeeper at the villa for as long as she could remember, could not make up for the emptiness she felt inside. She thought she would never feel secure or happy again.

      John, she had always called him that, had been to Milan to open his first exhibition of sculptures. For years his talent had gone unrecognized, and then a visiting art enthusiast had been impressed and had arranged for John to have this exhibition in Milan. He had been there two weeks, writing home to tell Samantha of the sucess he was having; the commissions he was hoping to fill. He was driving home when the accident occurred, and Samantha reflected bitterly that it was ironic that he should be cut off from life just when all he had ever worked for was being realized.

      The funeral had taken place in Perruzio, with all the villagers turning out to the little church where the Catholic father had said the Requiem Mass. They were all so friendly, so sympathetic, and yet Samantha could hardly bear their kindness. She only wanted to be alone, to grieve in private.

      Her father’s affairs were in a sorry state. The villa was rented and although the exhibition was the beginning of his success, as yet there was little to show for all his years of work. He had had a small military pension, but that had died with him, and after the funeral was paid for there was very little left for Samantha. For the time being she was content to stay on at the villa, but she knew it could not last. Soon she would have to do something. Get a job, or alternatively accept the offer she had already been made. Her thoughts shied away from this inevitable conclusion. For, after all, what job was she equipped to perform? She knew some typing and could look after a small house, she could cook a little, but she did not think these attributes amounted to much in a modern world where every girl seemed to provide herself more than adequately to fit any position.