H. P. Lovecraft's Tales in the Cthulhu Mythos - A Collection of Short Stories (Fantasy and Horror Classics). George Henry Weiss

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      H. P.

      LOVECRAFT'S

      TALES IN THE

      CTHULHU MYTHOS

      A COLLECTION

      OF SHORT STORIES

       Fantasy & Horror Classics

       By

      H. P. LOVECRAFT

      WITH A

      DEDICATION BY

      GEORGE HENRY WEISS

      Copyright © 2020 Fantasy and Horror Classics

      This edition is published by Fantasy and Horror Classics,

      an imprint of Read & Co.

      This book is copyright and may not be reproduced or copied in any

      way without the express permission of the publisher in writing.

      British Library Cataloguing-in-Publication Data

      A catalogue record for this book is available

      from the British Library.

      Read & Co. is part of Read Books Ltd.

      For more information visit www.readandcobooks.co.uk

      To

      Howard Phillips Lovecraft

      Essayist, Poet &

      Master-writer of the Weird

      1890-1937

      He lived—and now is dead beyond all knowing

      Of life and death: the vast and formless scheme

      Behind the face of nature ever showing

      Has swallowed up the dreamer and the dream.

      But brief the hour he had upon the stream

      Of timeless time from past to future flowing

      To lift his sail and catch the luminous gleam

      Of stars that marked his coming and his going

      Before he vanished: yet the brilliant wake

      His passing left is vivid on the tide

      And for the countless centuries will abide:

      The genius that no death can ever take

      Crowns him immortal, though a man has died.

      Francis Flagg

      (George Henry Weiss)

      Contents

       H. P. Lovecraft

       THE NAMELESS CITY

       THE UNNAMABLE

THE CALL OF CTHULHU

      H. P. Lovecraft

      Howard Phillips Lovecraft was born in 1890 in Rhode Island, USA. Although a sickly boy, Lovecraft began writing at a very young age, quickly developing a deep and abiding interest in science. At just sixteen he was writing a monthly astronomy column for his local newspaper. However, in 1908, Lovecraft suffered a nervous breakdown and failed to get into university, sparking a period of five years in which he all but vanished.

      In 1913, Lovecraft was invited to join the UAPA (United Amateur Press Association)—a development which re-invigorated his writing. In 1917, he began to focus on fiction, producing such well-known early stories as Dagon and A Reminiscence of Dr. Samuel Johnson. In 1924, Lovecraft married and moved to New York, but he disliked life there intensely, and struggled to find work. A few years later, penniless and now divorced, he returned to Rhode Island. It was here, during the last decade of his life, that Lovecraft produced the vast majority of his best-known fiction, including The Dunwich Horror, The Shadow over Innsmouth, The Thing on the Doorstep and arguably his most famous story, The Call of Cthulhu. Having suffered from cancer of the small intestine for more than a year, Lovecraft died in March of 1937.

H. P. Lovecraft's Tales IN THE CTHULHU MYTHOS

      THE NAMELESS CITY

      When I drew nigh the nameless city I knew it was accursed. I was travelling in a parched and terrible valley under the moon, and afar I saw it protruding uncannily above the sands as parts of a corpse may protrude from an ill-made grave. Fear spoke from the age-worn stones of this hoary survivor of the deluge, this great-grandmother of the eldest pyramid; and a viewless aura repelled me and bade me retreat from antique and sinister secrets that no man should see, and no man else had ever dared to see.

      Remote in the desert of Araby lies the nameless city, crumbling and inarticulate, its low walls nearly hidden by the sands of uncounted ages. It must have been thus before the first stones of Memphis were laid, and while the bricks of Babylon were yet unbaked. There is no legend so old as to give it a name, or to recall that it was ever alive; but it is told of in whispers around campfires and muttered about by grandams in the tents of sheiks, so that all the tribes shun it without wholly knowing why. It was of this place that Abdul Alhazred the mad poet dreamed on the night before he sang his unexplainable couplet:

      “That is not dead which can eternal lie,

      And with strange aeons even death may die.”

      I should have known that the Arabs had good reason for shunning the nameless city, the city told of in strange tales but seen by no living man, yet I defied them and went into the untrodden waste with my camel. I alone have seen it, and that is why no other face bears such hideous lines of fear as mine; why no other man shivers so horribly when the night-wind rattles the windows. When I came upon it in the ghastly stillness of unending sleep it looked at me, chilly from the rays of a cold moon amidst the desert’s heat. And as I returned its look I forgot my triumph at finding it, and stopped still with my camel to wait for the dawn.

      For hours I waited, till the east grew grey and the stars faded, and the grey turned to roseal light edged with gold. I heard a moaning and saw a storm of sand stirring among the antique stones though the sky was clear and the vast reaches of the desert still. Then suddenly above the desert’s far rim came the blazing edge of the sun, seen through the tiny sandstorm which was passing away, and in my fevered state I fancied that from some remote depth there came a crash of musical metal to hail the fiery disc as Memnon hails it from the banks of the Nile. My ears rang and my imagination seethed as I led my camel slowly across the sand to that unvocal stone place; that place too old for Egypt and Meroë to remember; that place which I alone of living men had seen.

      In and out amongst the shapeless foundations of houses and palaces I wandered, finding never a carving or inscription to tell of those men, if men they were, who built the city and dwelt therein so long ago. The antiquity of the spot was unwholesome, and I longed to encounter some sign or device to prove that the city was indeed fashioned by mankind. There were certain proportions and dimensions in the ruins which I did not like. I had with me many tools, and dug much within the walls of the obliterated edifices; but progress was slow, and nothing significant was revealed. When night and the moon returned I felt a chill wind which brought new fear, so that I did not dare to remain in the city. And as I went outside the antique walls to sleep, a small sighing sandstorm