Kant´s Notion of a Transcendental Schema. Lara Scaglia

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Название Kant´s Notion of a Transcendental Schema
Автор произведения Lara Scaglia
Жанр Философия
Серия Studia philosophica et historica
Издательство Философия
Год выпуска 0
isbn 9783631821459



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added by the activity of understanding and fantasy, which have the tendency to go beyond experience, thus generating illusions and mistakes.

      Christian Thomasius provides another - and highly interesting for our purposes - epistemic use of the noun ‘schema’. According to him, cognition begins with the influence of the objects on our senses, which leads to the constitution of schemata, regarded as a kind of Cartesian material ideas as the basis of cognition:

      This process through which ideas are constituted is not only passive, but also active, as can be seen from what Thomasius attributes to the faculty of understanding:

      Since no schema is possible without the activity of the understanding, material ideas can be described as the first elements implied in the process of cognition, constituted both by passivity (the matter provided by the external world) as well as activity (the unification and diversification of the understanding):

      Later on, the term can be found in the works of Christian Wolff, who uses it not in an epistemic, but rather in the more common figurative sense, namely as a framework to represent a relation. More specifically, he refers to relations among relatives through a “schema of parenthood” - “schema cognationis”- (Wolff 1747, pp. 416–17).

      The soul, which is a simple and purely active essence, is affected by the senses thereby producing perceptions materialiter spectatae (Darjes 1743, par. 124) but for cognition to arise, these perceptions need to be moulded by schemata, which are mediating functions between the active soul and the passive sensibility. Then, through a process of confrontation and abstraction, general concepts can be produced by the soul’s operation. Cognition, therefore, begins with the senses, with the experience of single objects and then develops through processes of abstraction led by the understanding’s activity through attention and reflection (Psilojannopoulos 2013, pp. 252–253; Lorini 2011, p. 282). In this interpretation of the concept of schema as a medium between the receptivity of the senses and the activity of the understanding, we can see Darjes anticipating an important aspect of Kant’s account. More specifically, Darjes describes here what Kant discusses when he considers concrete, empirical examples of schematising concepts.

      Besides this epistemic connotation, the use of ‘schema’ in the philosophical literature of the modern age is still linked to the arts of rhetoric and speech, as it is stated in the Encyclopedie, where ‘schemata’ are seen as instruments of the mnemotechnique, methods used to increase the capacities of memory.