Seeking Rapture: A Memoir. Kathryn Harrison

      

       Seeking Rapture

      A Memoir

      KATHRYN HARRISON

       Dedication

      WITH THANKS TO SARAH, WALKER, AND JULIA,

      without whom this book could not exist

       Epigraph

      The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet.

      – Franz Kafka

      Contents

       Cover

       Title Page

Dedication

Epigraph

The Children’s Room

Home for the Holidays

Interior Castles I

Seeking Rapture

       Interior Castles II

       Keeping Time

       Tick

       Siva’s Daughters

       Minor Surgeries

       Beach Trip

       The Supermarket Detective

       A Pilgrimage to Saks Fifth Avenue

       Renewal

       What Remains

       Nitpickers

       Labor

       Mother’s Day Card

       Keep Reading

       Acknowledgments

       Also by the Author

       Copyright

       About the Publisher

       The Children’s Room

      The children are young enough so that the passage between our two bedrooms is still umbilical, a door through which I travel nightly once or twice, between midnight and dawn, sometimes more often. Summoned by a cry, impelled by a worry or nightmare of my own, I don’t wake fully in the journey from our bed to Walker’s (nine steps) or Sarah’s (fourteen). I kneel beside whichever child I’ve come to comfort, sometimes I let my cheek rest on the foot of the bed and fall back into my dreams. When I rouse myself, minutes or hours later, I am cold, stiff, confused. The night-light, which seems so weak at bedtime that it fails to illuminate the cars and dolls and blocks underfoot, dazzles my just-opened eyes. The entire room is gold and glowing, and I can see each eyelash curled against his cheek, count the pale freckles on her nose.

      Boy and girl, they are still young enough to share this large room that adjoins our bedroom, the room that, innocent of children, my husband and I imagined would be a library. After all, it has a whole wall of floor-to-ceiling bookcases. When we moved into this brownstone in Brooklyn, I transferred novels and poems and essays from their boxes (packed as they had been shelved, alphabetically) directly into the empty cases. At last, here was a home with built-in shelves! A fireplace, and furniture inherited from my mother’s mother – antique steamer trunks, mahogany chairs and desk, a chaise longue for more desultory study – contributed to our literary aspirations for the space. Now only the chaise remains. All but the top four shelves are emptied of grown-up books and filled with toys, picture books, art supplies. I have removed novels and essays, poems and histories as I have needed to, in response to our children’s ability to reach and climb. I carried them upstairs and stacked them, ‘A’s and ‘M’s and ‘Z’s all jumbled together and furred with dust. This was the way the room was transformed from library to nursery: book by book, shelf by shelf, chair by chair. I wonder if it is by equally small increments that we become parents, as our children claim another and another sinew of devotion.

      Sarah’s arrival was followed by that of her crib. Hundred-spindled, made of fruitwood, it displaced two chairs and the desk. When she woke at two or at four and called me to her, I stumbled from our bed to the crib and reached over its tall side. I took her into my arms and took us both into the chaise, where we ultimately fell asleep together, my nipple still in her mouth.

      Long before she stopped nursing, our daughter began acquiring things, many of them. The baby swing and the toy chest nudged the steamer trunks to the living room; a rocking chair replaced the last of its immobile colleagues. Colin and I bought a craft table so small that even carefully folded onto the matching stools we cannot coax our humped knees under its surface, now covered with sedimentary layers of adhesives and pigment. Before Sarah was three, she became enamored of Play-Doh, paste, poster paint, acrylic paint, glitter paint, oil paint, and Magic Markers. In short order, she acquired a glue gun; a glutinous, slippery, shiny gunk called Gak; Silly Putty; plaster of Paris; a machine that employs centrifugal force to splatter paint onto whirling cards; and a little brother – all of which arrivals encouraged the exchange of the pink and mauve Oriental rug for a nearly wall-to-wall Stainmaster in a practical shade of dark blue.

      Three years old, the carpet already wears its history. People who do not have children will give other people’s children the sort of gifts their parents never buy,