The Kit-Cat Club: Friends Who Imagined a Nation. Ophelia Field

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Название The Kit-Cat Club: Friends Who Imagined a Nation
Автор произведения Ophelia Field
Жанр Историческая литература
Серия
Издательство Историческая литература
Год выпуска 0
isbn 9780007287307



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      OPHELIA FIELD

      

       The Kit-Cat Club

       To Paul, and the other members of the Second Hungarian Literary Society

      All the good talk over the pies and wine, Congreve's wit, Wharton's fascinating impudence, and Addison's quiet humour, is lost forever without record. The Kit-Cat had no Boswell.

      G. M. TREVELYAN, The Times, 10 March 1945

      Persons in great Station have seldom their true Characters drawn till several Years after their Deaths. Their personal Friendships and Enmities must cease, and the Parties they were engaged in be at an end…[I]f an English Man considers the great Ferment into which our Political World is thrown at present, and how intensively it is heated in all its parts, he cannot suppose that it will cool again in less than three hundred Years.

      JOSEPH ADDISON, The Spectator, no. 101, 25 June 1711

      Remember that a free State is only a more numerous and more powerful Club…

      SIR WILLIAM JONES, The Principles of Government, in a Dialogue between a Scholar and a Peasant, 1783

      Table of Contents

       Epigraph

       Preface

       Prologue - Dryden's Funeral, May 1700

       Chapter I - Self-Made Men

       Chapter II - Friendships Formed

       Chapter IX - By Several Hands

       Chapter X - The Comeback Kits

       Chapter XI - Uneasy Unions: 1707

       Chapter XII - Beset

       Chapter XIII - Ireland: Kit-Cat Colony

       Chapter XIV - The Monopoly Broken: Whig Downfall

       Chapter XV - In Their Own Image

       Chapter XVI - The Crisis

       Chapter XVII - Big Whigs: The First Georgians

       Chapter XVIII - Paradise Lost

       Chapter XIX - The End of the Club

       Chapter XX - Later Clubs and Kit-Cats

       Epilogue - Legacies

       Notes

       Bibliography

       List of Members

       Index

       Acknowledgements

       About the Author

       From the reviews of The Kit-Cat Club

       By the Same Author

       Copyright

       About the Publisher

      A detailed chronology and other additional material may be found at www.opheliafield.com

       PREFACE

      THE KIT-CAT CLUB existed at a pivotal point in British history, and its members participated prominently in the cultural, constitutional and social revolutions of their times. The Kit-Cat Club's story can therefore be read as a study of how the political stability Britain experienced after 1720 was constructed and defended from the 1690s onwards. For over twenty years—from the aftermath of the Glorious Revolution in 1688, through two long and expensive wars against Catholic France, into the reign of George I after 1714—nearly all roads in British politics and culture led through the Kit-Cat Club, or took their direction in opposition to it.

      That is the most objective explanation of why I wanted to write the first full biography of the Kit-Cat Club, but there were other reasons. This is, above all, a book about friendship. Having previously written on a female friendship in the early eighteenth century—the relationship between Queen Anne and her favourite, Sarah Churchill—I wanted to examine the more reticent but equally powerful male friendships of the same period. I was also interested in universal questions of how much we should be in business for ourselves, or how far we should be prepared to broker favours for friends, and nothing could better dramatize these dilemmas than the Kit-Cats' relationships with one another.

      Of the fifty-odd Kit-Cat members, I have concentrated on a dozen, and within that dozen, on a literary quintet who are relatively well known today: Joseph Addison, William Congreve, Richard Steele, John Vanbrugh and the publisher Jacob Tonson. This is therefore also a book about being a writer. Those who look back to some hypothetical golden age, before commercialism corrupted the arts, will be consoled by how similar the anxieties