Plague Child. Peter Ransley

Читать онлайн.
Название Plague Child
Автор произведения Peter Ransley
Жанр Историческая литература
Серия
Издательство Историческая литература
Год выпуска 0
isbn 9780007357208



Скачать книгу

id="u7c1253a1-5e21-5187-8ef6-83c8a734d9b7">

      PETER RANSLEY

      PLAGUE CHILD

      Copyright

      William Collins

      An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      Copyright © Peter Ransley 2011

      Peter Ransley asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content or written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780007312351

      Ebook Edition © 2011 ISBN: 9780007357208 Version: 2017-09-05

       For Cynthia, Nicholas, Imogen, Rebecca and Lochlinn

      Contents

       Cover

       Title Page

       Copyright

       Prologue

       Part One - At the Half-Moon

       Chapter 1

       Chapter 2

       Chapter 3

       Chapter 4

       Chapter 5

       Chapter 6

       Chapter 7

       Chapter 8

       Chapter 9

       Chapter 10

       Chapter 11

       Chapter 12

       Chapter 13

       Chapter 14

       Chapter 15

       Chapter 16

       Chapter 17

       Chapter 18

       Chapter 19

       Chapter 20

       Chapter 21

       Chapter 22

       Chapter 23

       Chapter 24

       Chapter 25

       Chapter 26

       Part Two - Highpoint

       Chapter 27

       Chapter 28

       Chapter 29

       Chapter 30

       Chapter 31

       Chapter 32

       Chapter 33

       Chapter 34

       Chapter 35

       Chapter 36

       Chapter 37

       Chapter 38

       Part Three - Edgehill

       Chapter 39

       Chapter 40

       Chapter 41

       Chapter 42

       Chapter 43

       Chapter 44

       Chapter 45

       Chapter 46

       Keep Reading

       Historical Note

       Acknowledgements

       BEHIND THE SCENES

       CONSTRUCTION AND CREATION

       AN IDEA, LIKE A GHOST

       UNOPENED ON A SHELF

      About the Author

      About the Publisher

       Prologue

      One cloudy September evening in 1625 Matthew Neave drove the cart, loaded with the bodies he had collected, to the edge of the River Cherwell. Seven bodies: they would not pay him much for that.

      While the horses drank he finished off the last of his bread and cheese. The bread was hard and dry and he softened it from his flask of beer as he waited for the light to go. He never went near the plague pit before dark.

      In early summer, at the start of the plague in Oxford, relatives would lie in wait for the cart. Fear of the disease was overcome by the fear of hell that their loved ones (and they later) would suffer if they did not get a Christian burial in sanctified ground. Matthew was stabbed and nearly thrown into the pit in one fight before the watch was called.

      But as people died or fled, and that remorseless hot summer reduced the remainder to a numb apathy, the disturbances petered out. Nevertheless, when he heard the sound of a galloping horse, Matthew put down his flask. Beer dribbled unnoticed down his stained fustian jacket as he stared over Christchurch Meadow.

      He couldn’t make out the rider at first for the trees, but the horse was a black gelding, a gentleman’s horse. The horse cleared the trees. The rider was dressed in black. He was masked, although the day had not been hot. The mask might hold a nosegay of herbs to protect against the plague, but Matthew was taking no chances.

      He picked up the knife with which he had cut the cheese and retreated to the cart –