The Works of Christopher Marlowe, Vol. 3 (of 3). Christopher Marlowe

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      The Works of Christopher Marlowe, Vol. 3 (of 3)

      HERO AND LEANDER

      Two editions of Hero and Leander appeared in 1598. The first edition, containing only Marlowe's portion of the poem, is entitled Hero and Leander. By Christopher Marloe. London, Printed by Adam Islip, for Edward Blunt. 1598. 4to. The title-page of the second edition, which contains the complete poem, is Hero and Leander: Begun by Christopher Marloe; and finished by George Chapman. Ut Nectar, Ingenium. At London, Printed by Felix Kingston, for Paule Linley, and are to be solde in Paules Churche-yard, at the signe of the Blacke-beare. 1598. 4to.

      Two copies of the second edition were discovered a few years ago at Lamport Hall (the seat of Sir Charles Isham, Bart.) by Mr. Charles Edmonds. The existence of this edition was previously unknown. Later editions are:—

      Hero and Leander: Begunne by Christopher Marloe: Whereunto is added the first booke of Lucan translated line for line by the same Author. Ut Nectar, Ingenium. At London Printed for John Flasket, and are to be solde in Paules Church-yard, at the signe of the Blacke-beare. 1600. 4to.

      Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for John Flasket, and are to be sold in Paules Church-yard, at the signe of the blacke Beare. 1606. 4to.

      Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the blacke Beare. 1609. 4to.

      Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London. Printed by W. Stansby for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the Blacke Beare. 1613. 4to.

      Hero and Leander: Begun by Christoper Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London, Printed by A. M. for Richard Hawkins: and are to bee sold at his Shop in Chancerie-Lane, neere Serieants Inne. 1629. 4to.

      Hero and Leander: Begun by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London: Printed by N. Okes for William Leake, and are to be sold at his shop in Chancery-lane neere the Roules. 1637. 4to.

      I have not had an opportunity of seeing the 4tos. of 1598 or the 4to. of 1600. For the text of the Isham copy, I am indebted to the Works of George Chapman: Poems and Minor Translations, 1875. I have examined the texts of eds. 1606, 1613, 1629, 1637; and my friend Mr. C. H. Firth has examined for me the Bodleian copy of ed. 1600, in the margin of which Malone has noted the readings of the first edition.

      TO THE

      RIGHT-WORSHIPFUL SIR THOMAS WALSINGHAM,

      KNIGHT

      Sir, we think not ourselves discharged of the duty we owe to our friend when we have brought the breathless body to the earth; for albeit the eye there taketh his ever-farewell of that beloved object, yet the impression of the man that hath been dear unto us, living an after-life in our memory, there putteth us in mind of farther obsequies due unto the deceased; and namely of the performance of whatsoever we may judge shall make to his living credit and to the effecting of his determinations prevented by the stroke of death. By these meditations (as by an intellectual will) I suppose myself executor to the unhappily deceased author of this poem; upon whom knowing that in his lifetime you bestowed many kind favours, entertaining parts of reckoning and worth which you found in him with good countenance and liberal affection, I cannot but see so far into the will of him dead, that whatsoever issue of his brain should chance to come abroad, that the first breath it should take might be the gentle air of your liking; for, since his self had been accustomed thereunto, it would prove more agreeable and thriving to his right children than any other foster countenance whatsoever. At this time seeing that this unfinished tragedy happens under my hands to be imprinted; of a double duty, the one to yourself, the other to the deceased, I present the same to your most favourable allowance, offering my utmost self now and ever to be ready at your worship's disposing:

EDWARD BLUNT.

      HERO AND LEANDER

      THE FIRST SESTIAD

The Argument 1 of the First Sestiad

      Hero's description and her love's;

      The fane of Venus, where he moves

      His worthy love-suit, and attains;

      Whose bliss the wrath of Fates restrains

      For Cupid's grace to Mercury:

      Which tale the author doth imply.

      On Hellespont, guilty of true love's blood,

      In view and opposite two cities stood,

      Sea-borderers,2 disjoin'd by Neptune's might;

      The one Abydos, the other Sestos hight.

      At Sestos Hero dwelt; Hero the fair,

      Whom young Apollo courted for her hair,

      And offer'd as a dower his burning throne,

      Where she should sit, for men to gaze upon.

      The outside of her garments were of lawn,

      The lining purple silk, with gilt stars drawn;

      Her wide sleeves green, and border'd with a grove,

      Where Venus in her naked glory strove

      To please the careless and disdainful eyes

      Of proud Adonis, that before her lies;

      Her kirtle blue, whereon was many a stain,

      Made with the blood of wretched lovers slain.

      Upon her head she ware3 a myrtle wreath,

      From whence her veil reach'd to the ground beneath:

      Her veil was artificial flowers and leaves,

      Whose workmanship both man and beast deceives:

      Many would praise the sweet smell as she past,

      When 'twas the odour which her breath forth cast;

      And there for honey bees have sought in vain,

      And, beat from thence, have lighted there again.

      About her neck hung chains of pebble-stone,

      Which, lighten'd by her neck, like diamonds shone.

      She ware no gloves; for neither sun nor wind

      Would burn or parch her hands, but, to her mind.

      Or warm or cool them, for they took delight

      To play upon those hands, they were so white.

      Buskins of shells, all silver'd, usèd she,

      And branch'd with blushing coral to the knee;

      Where sparrows perch'd of hollow pearl and gold,

      Such as the world would wonder to behold:

      Those with sweet water oft her handmaid fills,

      Which as she went, would cherup through the bills.

      Some say, for her the fairest Cupid pin'd,

      And, looking in her face, was strooken blind.

      But this is true; so like was one the other,

      As he imagin'd Hero was his mother;

      And oftentimes into her bosom flew,

      About her naked neck his bare arms threw,

      And laid his childish head upon her breast,

      And, with still panting rock,4 there took his rest.

      So lovely-fair was Hero, Venus' nun,

      As Nature wept, thinking she was undone,

      Because

1

The Arguments are by Chapman, who also divided Marlowe's portion of the form into the First and Second Sestiad.

2

Eds. 1600, 1606, 1613, "Sea-borders."—Ed. 1598, according to Malone, has "sea-borderers;" and so eds. 1629, 1637.

3

Some editions give "wore."

4

Some eds. have "rockt," which may be the right reading.