Kevin McCloud’s 43 Principles of Home: Enjoying Life in the 21st Century. Kevin McCloud

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Название Kevin McCloud’s 43 Principles of Home: Enjoying Life in the 21st Century
Автор произведения Kevin McCloud
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Год выпуска 0
isbn 9780007412358



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      Written in memory of my father

      Donald McCloud, Engineer

      Contents

       Cover

       Title Page

       Chapter 01 Setting Fire to Things

       Chapter 02 Energy In Your Walls

       Chapter 03 How to Recycle Energy

       Chapter 04 Home-made Energy

       Chapter 05 How to Not Burn Energy

       Chapter 06 Storing Energy at Home

       Part 2 Buildings

       Chapter 07 Making a Place to Live

       Chapter 08 Looking after the Elderly

       Chapter 09 Comfort and Joy

       Chapter 10 Architecture after Dark

       Chapter 11 Things Not to Put Into Your House

       Part 3 Things

       Chapter 12 Shopping for Stuff

       Chapter 13 How to Not Shop

       Chapter 14 How to Shop

       Chapter 15 Things at Home Not Worth Investing In

       Chapter 16 Things at Home Worth Investing In

       Chapter 17 Patina

       Part 4 Sharing

       Chapter 18 Sharing out the Garbage

       Chapter 19 Recycling and Reusing

       Chapter 20 Sharing

       Other people’s idea of home

       Appendix

       About the Author

       Copyright

       About the Publisher

       A hundred times every day I remind myself that my inner and outer life are based on the labours of other men, living and dead, and that I must exert myself in order to give in the same measure as I have received and am still receiving.

       Albert Einstein, The World As I See It

       Introduction

      This book is something of a manifesto for how we can live. It’s a manifesto for a way of living that, in comparison with life of the last 60 years, could be slower, more enjoyable, gentler and altogether less taxing on the resources of this planet. It calls for a new appreciation of the magical human effort and energy that go into designing and making everything around us, from a spoon to a car, from a house to a city, from a dam to a cathedral. It calls for a re-evaluation of materials and fuel energy, and it calls for a culture in which we share much more of what we have in order that we don’t squander it.

      I think we have lost touch with the made world. We have forgotten how difficult and time consuming it is to make something; how hard it is to make an elegant table out of a tree or a spoon out of metals dug out of the ground and refined. Our sensibilities to craftsmanship have been eroded by high-quality machine manufacturing; our tactile sense has been debased by a plethora of artificial materials pretending to be something that they are not. Our attention, meanwhile, has been diverted by the virtual built worlds that exist inside screens. The landscapes of gaming and avatar worlds, for instance, are not complicated by the inconvenient messiness of the real world. In them, stuff, narratives, buildings and people are both perfect and disposable. Need some money to beat your friends in Super Mario? You can earn that in 15 seconds simply by jumping over a log. Need more ammo to blow people up? Press button B.

      The real world is not perfect and it’s not disposable. In the real world, things and people age and decompose. The real, tangible world is much harder to make, more difficult to maintain and unpleasant to recycle. Which may explain why so many people seek solace in virtual worlds, even if it’s just by watching a soap opera on TV.

      My Big Point is that I find the real world, which man has shaped, layered and renewed over thousands of years, more exciting and energizing—despite its grime—than any 3-D movie effect. Watching the Brooklyn Bridge explode in a computer-animated sequence may be awesome, but it is never as awe-inspiring as standing underneath the real thing and wondering how men managed to make it. Awesome is loud but awe is quiet.

      I’m aware that my manifesto is motivated by a passionate love for places, buildings and things, not as objects that I