Twelve-year-old Gillian had never been so scared as the bus wound its way toward Canyon Falls summer camp. She had been dreaming about a horseback riding experience like this for years, but now that she was actually on her way, she was terrified. She had never been away from her family, never mind for a whole month. Would she make friends? Would she be able to keep up with the other girls’ riding? When Gillian finds herself paired with Beauty, a beautiful silver-gray mare, the negative voice in her head eases up. But then her fears begin to come true. Snobby Katrina causes an accident that injures Beauty and another rider, Gillian’s best friend. Gillian ends up atop the Beast, a horse even the camp counsellors struggle to control. Things only get worse when the Beast leaps into a river with Gillian still in the saddle. Gillian finds herself alone in the wilderness, far from help and facing challenges she never imagined even in her worst nightmares. Will the skills she has learned be enough to save her?
Renaissance Normcore belts like a classically trained riot grrrl, composing catchy tunes in the key of fear and desire. Building on the dreamy emotional landscapes she plumbed in If I Were in a Cage I’d Reach Out for You , Barclay navigates even sharper peaks and valleys in her second collection to examine the links between intimacy and power. Tracking the paradoxical impulses of anguish and joy that underpin daily life in our hostile neoliberal climate, these poems are both abject and sweet as they repurpose loss into life and test the bounds of how much a poem can hold.
Patricia Sorbara has been a political operative for more than forty years—a mainstay in the background of both federal and provincial politics in Ontario, dedicating her career to the Liberal Party. She’s worked for and with Liberal Opposition Leaders, Premiers, Members of Parliament, Members of Provincial Parliament and more candidates than any staffer could imagine. Sorbara became known as the woman to have on side, the one who knows the ground game and never backs down from a challenge. In December of 2014, all of that changed. A potential candidate in Sudbury, ON, went to the media with the allegation that Sorbara, acting on behalf of the Party, had offered a bribe in exchange for stepping down from a nomination race. She was blindsided. While on trial in Sudbury in the fall of 2017, Sorbara found herself leaning on the unique education of decades in politics, one that came with being a lifelong female political staffer, which saw her through the first emotional moments of the trial to the eventual verdict nearly seven weeks later. But it didn’t end there. In Let ’Em Howl: Lessons from a Life in Backroom Politics , Sorbara shares her best lessons from the back room—the ones that sustained her in the darkest hours—illustrated by stories featuring key political figures in Canadian politics. The result is required reading for anyone interested in Canadian politics or government.
In the summer of 2017, wildfires dominated the headlines in British Columbia. As a low pressure weather system continued to cause lightning strikes, starting new fires, strong winds fanned the existing ones. Over two hundred fires burned in the province and nearly ten thousand people in or around the towns of 100 Mile House, Ashcroft, Cache Creek, Princeton and Williams Lake received the instruction YOU MUST EVACUATE NOW . But not everyone left. Captured by Fire alternates between the dramatic first-person accounts of wilderness dweller Chris Czajkowski and homesteader Fred Reid, who both ignored the evacuation order and stayed to protect their properties, animals and livelihoods. Living in a remote area, they knew that their homes would be of low priority to officials when fire fighting resources were deployed. Over the course of the summer, as alerts fluctuated and even the firefighters pulled out, both had to decide: when is it time to go?
Still compact and the perfect size for travelling, Pacific Reef and Shore has been updated with new species, up-to-date scientific information and many brilliant photographs of the more than 300 common plants and animals found in the intertidal zone off the coast of North America—from the Aleutian Islands, Alaska, to Point Conception, California. Each entry includes a description summary with information on size and habitat, and a photo for species verification, giving readers an overview of local sea life without weighing them down as they explore the shore. The world's oceans contain mysteries that scientists are discovering every day. While the depths of the Pacific may seem a world away, the intertidal zones are at the fingertips of any diver, kayaker or beach stroller curious about the various plants and wildlife that dwell there. Lightweight, inexpensive and accessible, Pacific Reef and Shore is the indispensable reference for any curious visitor to the shore.
This updated and expanded guide thoroughly documents every aspect of seaweed life, from species identification and seaweed biology to the essential—and often surprising—roles seaweed plays in the marine ecosystem and our everyday lives. Seaweeds are used in everything from cosmetics to sustainable biofuels, and some species, like kelp, contribute to the remediation of coastal ecosystems.Featuring an attractive new full-color design, the expanded Pacific Seaweeds includes updated species descriptions, dozens of additional color photos, new species discovered since the original edition, and brand-new sections on common shore plants and the use of DNA techniques to discover, catalog and identify seaweeds. It also features several new recipes and an essay on umami—because in addition to all its other uses, some species of seaweed make delectable food.Packed with illustrations, vivid color photographs, comprehensive scientific information and further readings, this easy-to-use guidebook will appeal to marine biologists, amateur beachcombers, gourmet foragers and everyone in between.
Michelle Elrick's <i>then/again</i> is a poetic account of finding home, and the meanings and moments that the concept of home can come to embody. The collection tracks the poet through a landscape of intimate places—an ancestral home in Scotland, a mother's birthplace in Salzburg, a childhood home on the West Coast—as well as the memory-warped terrain of the poet's past houses.
In brief poetic capsules that combine to form long, lyrical narratives, Elrick enfolds layers of tactile and remembered experience, offering continual moments of surprise. In the observer's eye, the double act of perceiving and writing lends transformative and mythic properties to the everyday: "a heron drums a pattern of shadows on the surface of the sea, wings tick with quartz regularity. bay clouds spot red, bulbs of peach bloom, smoulder and die down into blue.” The collection is infused by a sense of nostalgia and longing within the present moment, illustrating the elusiveness of home even while it is being lived: "I watch as the day opens, expanding its geometry. diffuse light penetrates the blind. hot sun yellows cold concrete (caress stretching across the courtyard).”
Each quiet moment of reflection builds upon the others to produce a sense of place that is as immediate and fleeting as home itself. Elrick has an uncanny sense for capturing and illuminating those moments that will later glow in memory.
Nobody knows bad ideas quite like Michael V. Smith. In his new collection of poetry, he speaks to an intangibility of sense, or a sense beyond the rational. Bad Ideas explores the inevitability of loss and triumph with characteristic irony and tenderness. Through this dazzling collection of a remembered life, hung out to ogle like laundry on the line, Smith recalls a mother who discovers a sex tape, a man who dreams of birthing his own son and a woman who blends her baby girls into milkshakes. Bad Ideas is a testament to how an altered perspective effects change, how stories can be recast. The collection forms itself into an exercise in which optimism is a practiced art recaptured in dreams and prayers and combined to acknowledge the unknowable, the contradictory, the ungraspable: "An evening is composed / in a hundred unchoreographed / dramas”; "I pull a Clark Kent / transform, dressed as a monk / in burgundy and gold robes. I think / this will protect me, but it doesn't”; "Dear Hatred, sweet / Hatred, do you not move our enemies / to know us better?” Hyperbolic and sincere, this collection brawls with the unquantifiable themes of family, loneliness and love.
The power of water is the power of blood, flood and drought. Water keeps it real, keeps us real. Forgetting this, we turn the earth into a toxic dump. Remembering this, we unfurl the future as perpetual possibility.Water is also the strength of subtlety, quietly making its way through your body. perpetual is both a gift and a warning from water. Through drawings and graphic essays by artist Cindy Mochizuki and writer Rita Wong, the book visits some key sites where people have sabotaged themselves by desecrating water: the Pacific Ocean, the tar sands leaking into the Athabasca River, the historical salmon streams buried in sewers under Vancouver’s streets, pressing to be daylighted…perpetual draws strength from the rivers that still flow wild, like the Fraser River, and from friendships made along the way in journeys with and for water. The book is a response to Dorothy Christian’s call to protect sacred waters. Humble and holy, water shows us a way to make peace and ethics, if we have the heart and spirit to learn.
When Mercy Brown, a reluctant psychic and freelance journalist, discovers her late Aunt Ginger's diaries, packed with early Canadian dance history and a painful past, she realizes that she has two mysteries to sort out. Mercy Brown and her dog Sadie embark on a writing assignment up the Alaska Highway.
A BC bestseller, <i>Alaska Highway Two-Step</i> was selected as one of <i>The Globe and Mail</i>'s Top 100 Books. Caroline Woodward's sharp wit and unerring ability to create warm, believable characters make this a delightful novel of the North.