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Все книги издательства IngramFour Legs Move My Soul
An illuminating look at the story behind the success of one of the best dressage riders in the world. German Olympian Isabell Werth has six Olympic gold medals and scores of championship titles to her name—there are few her equal on paper. But an equestrian’s success is wholly dependent on the relationship she has with her athletic partner―her horse―and Werth’s astounding accomplishments would not have been possible without her unique approach to working with the animals she’s loved since childhood. Even as a little girl, growing up on a farm on the Lower Rhine, it was clear that Werth possessed an extraordinary gift for empathizing with horses and foreseeing how they were likely to react in certain situations. This insight gave her a special ability as a rider and trainer. Here, Werth collaborates with accomplished sports journalist Evi Simeoni―someone who has witnessed and written about her career from the very beginning―to tell her life story. Readers will get the inside scoop when it comes to Werth’s accomplishments―and her failures, too. They’ll hear her personal thoughts regarding some of the biggest controversies to rock the dressage world: Rollkur and Totilas. Perhaps most importantly, they’ll learn about each of the sensitive and talented horses that has impacted Werth’s life, including Gigolo, Satchmo, and Bella Rose. There is a meme that is popular in the riding community that says, “Two legs move our body, four legs move our soul.” It is this sentiment that Werth feels perhaps best defines her.
Sporting Blood
This is powerful writing. Enjoy it." —Thomas Hauser, Pulitzer Prize and National Book Award nominee “Carlos Acevedo is the most original, perceptive, and best new writer in boxing. Sporting Blood is a vivid and gripping collection.” —Donald McRae, writer for The Guardian and author of Dark Trade: Lost in Boxing Boxing’s literary tradition is perhaps the richest in sports. From A. J. Liebling to Donald McRae, the sweet science has consistently inspired great sportswriting. The work of Carlos Acevedo stands firmly in that honored tradition. The essays that make up Sporting Blood include Acevedo’s moving meditation on Muhammad Ali; his penetrating look at Ali’s fearsome rival, the enigmatic heavyweight Charles “Sonny” Liston; and his profile of Mike Tyson, which brilliantly conjures the Boy King’s late 1980s reign of terror. Acevedo offers many other unforgettable tales from boxing’s dark side, featuring Jack Johnson, Joe Frazier, Roberto Duran, Aaron Pryor, Johnny Tapia, Evander Holyfield, Jake LaMotta, and more. Sporting Blood is ultimately a poetic throwback, an uncanny book that evokes journalism’s golden age and places Acevedo not only among the best sportswriters of this generation, but of any other as well.
A Matter of Time
One morning, with no warning, Gopal, respected professor, devoted husband, and caring father, walks out on his family for reasons even he cannot articulate. His wife, Sumi returns with their three daughters to the shelter of the Big House, where her parents live in oppressive silence: they have not spoken to each other in 35 years. As the mystery of this long silence is unraveled, a horrifying story of loss and pain is laid bare—a story that seems to be repeating itself in Sumi's life.This multigenerational story, told in the individual voices of the characters, catches each in turn the cycles of love, loss, strength, and renewal that becomes an essential part of the women's identities. A Matter of Time reveals the hidden springs of character while painting a nuanced portrait of the difficulties and choices facing women—especially educated, independent women—in India today.
The Man Who Loved His Wife
Continuation of a successful FP series. FP will be marketing the series as well as each title. Pulp Studies in colleges and universities has blossomed in the past ten years, especially in relation to literature and gender theory. Out of print for several decades. Laura and Bedelia also by Caspary are available from FP in the Femmes Fatales series. Several of the Femmes Fatales have been made into Audible books, and this one is likely to be licensed as well.
Naphtalene
Seen through the eyes of a strong-willed and perceptive young girl, Naphtalene beautifully captures the atmosphere of Baghdad in the 1940s and 1950s. Through her rich and lyrical descriptions, Alia Mamdouh vividly recreates a city of public steam baths, roadside butchers, and childhood games played in the same streets where political demonstrations against British colonialism are beginning to take place.At the heart of the novel is nine-year-old Huda, a girl whose fiery, defiant nature contrasts sharply with her own inherent powerlessness. Through Mamdouh's strikingly inventive use of language, Huda's stream-of-consciousness narrative expands to take in the life not only of a young girl and her family, but of her street, her neighborhood, and her country. Alia Mamdouh, winner of the Naguib Mahfouz Award in Arabic Literature, is a journalist, essayist and novelist living in exile in Paris. Long banned from publishing in Saddam Hussein's Iraq, she is the author of essays, short stories, and four novels, of which Naphtalene is the most widely acclaimed and translated.
Adam in Eden
In this comic novel of political intrigue, Adam Gorozpe, a respected businessman in Mexico, has a life so perfect that he might as well be his namesake in the Garden of Eden—but there are snakes in this Eden too. For one thing, Adam's wife Priscila has fallen in love with the brash director of national security—also named Adam—who uses violence against token victims to hide the fact that he's letting drug runners, murderers, and kidnappers go free. Another unlikely snake is the little Boy-God who's started preaching in the street wearing a white tunic and stick-on wings, inspiring Adam's brother-in-law to give up his job writing soap operas to follow this junior deity and implore Adam to do the same. Even Elle, Adam's mistress, thinks the boy is important to their salvation—especially now that it seems the other Adam has put out a contract on Adam Gorozpe. To save his relationship, his marriage, his life, and the soul of his country, perhaps Adam will indeed have to call upon the wrath of the angels to expel all these snakes from his Mexican Eden.
Southerly
Consiglio has won awards in Argentina and Spain for his novels and poetry. Charco will be publishing his newest novel in 2021.
Slum Virgin
“Queer writing at its most exhilarating.” —Times Literary Supplement The slums of Buenos Aires, the government, the mafia, the Virgin Mary, corrupt police, sex workers, thieves, drug dealers, and debauchery all combine in this sweeping novel deemed a ‘revelation for contemporary literature’ and ‘pure dynamite’ (Andrés Neuman, author of Traveller of the Century & Talking to Ourselves ). When the Virgin Mary appears to Cleopatra, she renounces sex work and takes charge of the shantytown she lives in, transforming it into a tiny utopia. Ambitious journalist Quity knows she’s found the story of the year when she hears about it, but her life is changed forever once she finds herself irrevocably seduced by the captivating subject of her article. Densely-packed, fast-paced prose, weaving slang and classical references, Slum Virgin refuses to whitewash the reality of the poor and downtrodden, and jumps deftly from tragedy to comedy in a way that has the reader laughing out loud.
The Wind That Lays Waste
Leni crossed her arms, said nothing, and watched the fight unfold. She was like a bored onlooker at a boxing trial, wasting no energy on the undercard, saving her passion for the moment when the real champions would step into the ring. And yet, at some point, she began to cry. Just tears, without any sound. Water falling from her eyes as water was falling from the sky. Rain disappearing into rain. The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is an evangelist preaching the word of God across northern Argentina with Leni, his teenage daughter, in tow. When their car breaks down, fate leads them to the workshop of an ageing mechanic, Gringo Brauer, and his assistant, a boy called Tapioca. Over the course of a long day, curiosity and a sense of new opportunities develop into an unexpected intimacy. Yet this encounter between a man convinced of his righteousness and one mired in cynicism and apathy will become a battle for the very souls of the young pair: the quietly earnest and idealistic mechanic’s assistant, and the restless, sceptical preacher’s daughter. As tensions among the four ebb and flow, beliefs are questioned and allegiances tested, until finally the growing storm breaks over the plains. Selva Almada’s exquisitely crafted debut, with its limpid and confident prose, is profound and poetic, a near-tangible experience of the landscape amid the hot winds, wrecked cars, sweat-stained shirts and damaged lives, told with the cinematic precision of a static road movie, like a Paris, Texas of the south. With echoes of Carson McCullers, The Wind That Lays Waste is a contemplative and powerfully distinctive novel that marks the arrival in English of an author whose talent and poise are undeniable.
Older Brother
“This slim and vital novel is a tour de force; it will floor you, and lift you right the way up—I adored it.” —Claire-Louise Bennett , author of Pond During the summer of 2014, on one of the stormiest days on record to hit the coast of Uruguay, 31-year old Alejandro, lifeguard and younger brother of our protagonist and narrator, dies after being struck by lightning. This marks the opening of a novel that combines memoir and fiction, unveiling an intimate exploration of the brotherly bond, while laying bare the effects that death can have on those closest to us and also on ourselves. It’s always the happiest and most talented who die young. People who die young are always the happiest of all… Can grief be put into words? Can we truly rationalise death to the point of embracing it? Older Brother is the vehicle Mella uses to tackle these fundamental questions, playing with tenses and narrating in the future, as if all calamities described are yet to unfold. In a style reminiscent of Bret Easton Ellis and J.D. Salinger, recalling in parts Cronenberg’s or Burgess’s examination of violence and society, Mella takes us with him in this dizzying journey right into the centre of his own neurosis and obsessions, where fatality is skilfully used to progressively draw the reader further in.