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    You Can't Get Lost in Cape Town

    Zoe Wicomb

    • Author has a cult following in the US and an international reputation. • More than 15,000 sold in English. • Widely reviewed on first publication: “[Wicomb’s] prose is vigorous, textured, lyrical. . . . a sophisticated storyteller.” –Bharati Mukherjee, New York Times Book Review “Wicomb deserves a wide American audience, on a par with the fabulous reception her white countrymen Nadine Gordimer and J. M. Coetzee have received.”–Wall Street Journal • Previously available in US an UK, published by Pantheon and Virago, respectively. OP Since mid 1980’s. Combined sales of 20,000.

    Eat My Heart Out

    Zoe Pilger

    At twenty-three, Ann-Marie is single, broke, and furious, and convinced that love—sweet love!—is the answer to all of her problems. Then she meets legendary second wave feminist Stephanie Haight, who becomes obsessed with the idea that she can save Ann-Marie and her entire generation. From Little Mermaid-themed warehouse parties and ritual worship ceremonies summoning ancient goddesses to disastrous one-night stands with strikingly unsuitable men, Ann-Marie hurtles through London and life. Fiercely clever and unapologetically wild, Eat My Heart Out is the satire for our narcissistic, hedonistic, post-postfeminist era.

    Apocalypse Baby

    Виржини Депант

    "Virginie Despentes's Apocalypse Baby kept me up several nights in a row—in part because it's a terrific page-turner, and in part because I was anxious to see how Despentes would sustain her narrative ride. Apocalypse Baby is more than a compelling punk, queerish spin on the noir genre. It is a choral performance that tumbles its readers into the heart of violent spectacle, with all its attendant grief, unease, and unclarity."—Maggie Nelson, author of The ArgonautsApocalypse Baby is a smart, fast-paced mystery about a missing adolescent girl traveling through Paris and Barcelona. She is tailed by two mismatched private investigators: the Hyena, part ruthless interrogator, part oversexed rock star, and Lucie, her plain and passive—almost to the point of invisible—sidekick. As their desperate search unfolds, they interrogate a suspicious cast of characters, and the dark heart of contemporary youth culture is exposed.

    The Present Moment

    Marjorie Oludhe Macgoye

    This contemporary African classic tells the story of seven unforgettable Kenyan women as it traces more than sixty years of turbulent national history. Like their country, this group of old women is divided by ethnicity, language, class, and religion. But around the charcoal fire at the Refuge, the old-age home they share in Nairobi, they uncover the hidden personal histories that connect them as women: stories of their struggles for self-determination; of conflict, violence, and loss, but also of survival.Each woman has found her way to the Refuge because of a devastating life experience—the loss of family and security to revolution, emigration, or poverty. But as they reflect upon their tragedies, they also become aware of the community they have formed—a community of collective history, strength, humor, and affection. And they learn that they are more connected than they know, as the murder of a student in the neighborhood reveals how their lives have intersected across generations, how securely the past is tied to the present—and to the future—of their young nation.

    The Amputated Memory

    Marjolijn de Jager

    “….An expansive, eclectic, and innovative novel.”—Women's Review of Books A modern-day Things Fall Apart, The Amputated Memory explores the ways in which an African woman’s memory preserves, and strategically forgets, moments in her tumultuous past as well as the cultural past of her country, in the hopes of making a healthier future possible. Pinned between the political ambitions of her philandering father, the colonial and global influences of encroaching and exploitative governments, and the traditions of her Cameroon village, Halla Njokè recalls childhood traumas and reconstructs forgotten experiences to reclaim her sense of self. Winner of the Noma Award—previous honorees include Mamphela Ramphele, Ngugi wa Thiong’o, and Ken Saro-Wiwa—The Amputated Memory was called by the Noma jury “a truly remarkable achievement . . . a deeply felt presentation of the female condition in Africa; and a celebration of women as the country’s memory.”

    Babygate

    Dina Bakst

    * The only comprehensive guide for parents’ rights in the US* Includes sample letters to employers, quizzes, and checklists* Breaks down federal and state legislation on family rights into accessible language and how-to instructions* Includes anecdotes and examples of a range of expecting parents navigating a diversity of workplace situations* Of interest to anyone starting a family, as well as those interested in family and labor law*Author Dina Bakst appears often on CNN, NPR, and other media as spokesperson for the rights of parents and caretakers in the workplace.

    Laura

    Vera Caspary

    Laura Hunt was the ideal modern woman: beautiful, elegant, highly ambitious, and utterly mysterious. No man could resist her charms—not even the hardboiled NYPD detective sent to find out who turned her into a faceless corpse. As this tough cop probes the mystery of Laura’s death, he becomes obsessed with her strange power. Soon he realizes he’s been seduced by a dead woman—or has he?Laura won lasting renown as an Academy Award-nominated 1944 film, the greatest noir romance of all time. Vera Caspary’s equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale.Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; Laura; The Man Who Loved His Wife; Mother Finds a Body; Now, Voyager; Return to Lesbos; Skyscraper; Stranger on Lesbos; Stella Dallas; Women's Barracks.

    Give It To Me

    Ana Castillo

    Recently divorced, Palma, a forty-three-year-old Latina, takes stock of her life when she reconnects with her gangster younger cousin recently released from prison. As she checks out her other options, her sexual obsession with her cous' ignites but their family secrets bring them together in unexpected ways. In this wildly entertaining and sexy novel, Ana Castillo creates a memorable character with a flare for fashion, a longing for family, and a penchant for adventure. Give It to Me is Sex in the City for a Chicana babe who's looking for love in all the wrong places.

    What Flowers Say

    George Sand

    Roses plead to go out to dance; an old oak tree offers advice; paintings of gods and goddesses come alive. In What Flowers Say, renowned writer George Sand dares children to fantasize, to believe in an alternate world. This magical collection, originally penned for her grandchildren, calls into question what is real, a life lesson from someone who refused to accept the gender roles available to women in the nineteenth century. Sand shares her love and immense knowledge of science and mythology, engages issues of class and character, and captures the wonder and determination of a curious child, offering all of us a true sense of infinite possibilities—well beyond the world we live in.

    Now in November

    Josephine W. Johnson

    Brilliant, evocative, poetic, savage, this Pulitzer Prize-winning first novel (1934) depicts a white, middle-class urban family that is turned into dirt-poor farmers by the Depression and the great drought of the thirties.Like Ethan Frome, the relatively brief, intense story evokes the torment possible among people isolated and driven by strong feelings of love and hate that, unexpressed, lead inevitably to doom. Reviewers in the thirties praised the novel, calling its prose «profoundly moving music,» expressing incredulity «that this mature style and this mature point of view are those of a young women in her twenties,» comparing the book to «the luminous work of Willa Cather,» and, with prescience, suggesting that it «has that rare quality of timelessness which is the mark of first-rate fiction.»