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Все книги издательства АвторCroce Di Oro (Cross of Gold)
Die Originalversion von «Croce Di Oro» wurde 1955 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt, die bekannteste ist von Patti Page. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.
Collegiate
Die Originalversion von «Collegiate» wurde 1932 veröffentlicht. Bis heute wurden über 5 Millionen Platten von dem Song verkauft. Er wurde in verschiedenen Filmen eingesetzt, die bekannteste Version spielte Chico Marx in dem Film «Horse Feathers». In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.
The February 2015 Assassination of Boris Nemtsov and the Flawed Trial of his Alleged Killers
The book provides a detailed description of “the Russian crime of the twenty-first century” as well as a thorough examination of the eighty sessions of the nine-month-long trial (during 2016-2017) of Boris Nemtsov’s alleged killers. It directs attention to the chief obstacle in determining what precisely happened shortly before midnight on February 27, 2015, on a bridge located a mere stone’s throw away from the Kremlin, in an area under the active surveillance of the Russian Federal Protective Service. The glaring absence of closed circuit videos from this most heavily guarded site in Russia is underscored. Given the absence of such key evidence, those seeking to investigate the murder have been akin to blind people stumbling about in obscurity.
The attempts to penetrate this man-made fog undertaken during the course of the trial by the Nemtsov family attorneys, Vadim Prokhorov and Olga Mikhailova, as well as by numerous tenacious analysts of the crime, such as former deputy Russian energy minister Vladimir Milov, former Russian presidential economics advisor Andrei Illarionov, and leading mathematician Andrei Piontkovskii, are covered in full. The uneven case mounted by the prosecution and the scrappy defense effort of the attorneys for the alleged killers, many of them ethnic Chechens, are highlighted, as is the non-unanimous verdict which was reached by the twelve jurors. The findings of this study are in agreement with those of a number of commentators who contend that the actual organizers of the crime remain at large as does the assassination’s shadowy mastermind.
Higher Education in Post-Communist States
How far have universities in post-Communist states adopted the practices and habits of their branded and consumer-oriented equivalents in the English-speaking world? While not assuming that university education in those states reflects in any mechanistic way the regulated, business-led system long established in places like the US, and now being dramatically realized in countries like Britain, this edited collection identifies some marked shifts in the direction of what might best be described as ‘neoliberalisation’, examining its particularities in local situations where establishment ideologies were, until the early 1990s, deeply alien to all kinds of commercially driven entities. Many of the authors are concerned not only with the linked issues of commercialism, instrumentalism, bureaucracy, and managerialism, framed locally and nationally, but also with the meaning and purpose of universities outside or against their status as efficient gatherers of income. The collection makes specific reference to Lithuania, Hungary, Azerbaijan, Ukraine, Georgia, and Russia, and comprises theoretical as well as empirical studies of diverse but connected subjects, including the marketization of the academy, regional reactions to globalization as expressed in the representational rhetoric of specific curricula, the role and place of civic education, comparisons between educational settings, pedagogies for a critical and ethical consciousness, corporate and state demands and their effects on academic freedom, and the positive potential of new communication technologies. In all these cases, the system of neoliberalism, or rather an uneven process of neoliberalisation, forms a backdrop to the particular issues discussed.
Digital Orthodoxy in the Post-Soviet World
This volume explores the relationship between new media and religion, focusing on the WWW’s impact on the Russian Orthodox Church.
Eastern Christianity has travelled a long way through the centuries, amassing the intellectual riches of many generations of theologians and shaping the cultures as well as histories of many countries, Russia included, before the arrival of the digital era. New media pose questions that, when answered, fundamentally change various aspects of religious practice and thinking as well as challenge numerous traditional dogmata of Orthodox theology. For example, an Orthodox believer may now enter a virtual chapel, light a candle by drag-and-drop operations, send an online prayer request, or worship virtual icons and relics. In recent years, however, Church leaders and public figures have become increasingly skeptical about new media. The internet, some of them argue, breaches Russia’s 'spiritual sovereignty' and implants values and ideas alien to the Russian culture.
This collection addresses such questions as: How is the Orthodox ecclesiology influenced by its new digital environment? What is the role of clerics in the Russian WWW? How is the specifically Orthodox notion of sobornost’ (catholicity) being transformed here? Can Orthodox activity in the internet be counted as authentic religious practice? How does the virtual religious life intersect with religious experience in the 'real' church?
Beckett, Lacan and the Voice
The voice traverses Beckett's work in its entirety, defining its space and its structure. Emanating from an indeterminate source situated outside the narrators and characters, while permeating the very words they utter, it proves to be incessant. It can alternatively be violently intrusive, or embody a calming presence. Literary creation will be charged with transforming the mortification it inflicts into a vivifying relationship to language.
In the exploration undertaken here, Lacanian psychoanalysis offers the means to approach the voice's multiple and fundamentally paradoxical facets with regards to language that founds the subject's vital relation to existence. Far from seeking to impose a rigid and purely abstract framework, this study aims to highlight the singularity and complexity of Beckett's work, and to outline a potentially vast field of investigation.
Harlem Nocturne
Die Originalversion von «Harlem Nocturne» wurde 1948 veröffentlicht und gehört heutzutage zum Jazz Standard. In den letzten Jahrzehnten wurden zahlreiche Bearbeitungen des Songs angefertigt. Es bestehen Versionen von The Glenn Miller Orchestra, The Lounge Lizards, Duke Ellington etc. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.
Guitar Boogie
Die Originalversion von «Guitar Boogie» wurde 1948 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.
Down Home Rag (Deeten Datten Dooten)
Die Originalversion von «Down Home Rag (Deeten Datten Dooten)» wurde 1911 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. Mittlerweile gehört der Song zum Popular-Standard-Repertoire. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.
Down By The Winegar Woiks
Die Originalversion von «Down by the Winegar Woiks» wurde 1925 veröffentlicht. Von verschiedenen Künstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. Mittlerweile gehört der Song zum Popular-Standard-Repertoire. In dieser Ausgabe sind die Klaviernoten im Violin- und Bassschlüssel enthalten. Text, Akkorde und Gesangsmelodie sind separat notiert.