The place is gaudy yet drab, lively yet death-like, dispassionate mother hen to a brood of dithered chicks. Discover its bizarre existence from the inside, through the muddled collective mind of the outcast in-group, a gay throng of third-sex bewildered ones who frantically seek a why–but must always settle for The Why Not!
Borgo Press is pleased to represent a true classic of gay literature, now available again for the first time in four decades. Includes an introduction by the author, written for this release.
Kenny walked into the old farm house as if he'd never been away, as if nothing he'd done had ever shattered their reputations.
But was this the real Kenny, the man who had disappeared into the night five years earlier? He certainly wasn't behaving like it. There was something sinister about him, too vague to put into actual words. Even his romantic interest in Ingrid, the co-heir to the family estate, was unlike the man–he'd never shown a real interest in a woman before.
Mar had to find out for sure–and he had to know if this was the same man he'd loved all those years ago!
A new government has been elected and, as usual, savings must be made in the public service. Some individuals in the Department of Multifarious, Extraneous and Artistic Affairs will go to any lengths to be made redundant and to leave with lucre, but Alan Mewling is not one of them; he is unashamedly desperate to avoid bureaucratic irrelevance. At the very time, though, when he needs to demonstrate his indispensability to senior management, his domestic life descends into chaos, his work colleagues behave in increasingly strange ways and he is the target of bizarre romantic overtures. He finds himself tasked with solving impossible problems and with serving each of the warring parties in an industrial dispute made intractable by that most feared of clerical crises: the stationery freeze. Will he be able to save his job, his identity and his sense of purpose, or will he – after years of selfless service – be obliged to hang up his cardigan? If anyone can prevail with dignity in such testing circumstances, it is surely A. A. C. Mewling.
Queen City and Other Dimensions is a humorous satire of manners, mythologies and social conventions. Satirized are a small circle of friends, Supreme Court Judges in the guise of Roman Catholic Cardinals, more than a few politicians, some evil benefactors, religion and science. There is an infamous book from a distant planet pursued by many, including the Vatican. As the book goes through a succession of hands each reader is changed by its magic. <br /><br />Victoria Aires and her bevy of gay friends, members of the Friends of Erotic Artifacts, take a wild field trip to the caverns of sensuous delights on the far side of the Cheyanne Mountain Strategic Air Command where they discover a government secret plot to spy on the citizens of Queen City with tiny bots; a test in preparation for spying on all world leaders. Chaos ensues when Queen City becomes the victim of a fracking disaster, the brain child of the Koch brothers who have set up shop by Lake Titicaca near a psychic retreat called Puerto Nostradamus. Queen City and Other Dimensions explores time travel, astro projection, folding space and so much, much more.
This follows up on the success of <i>Little Beast</i>. It is also a translation and has a similar fairy-tale vibe but a little more gruesome…
Don’t Start Me Talkin' is a comedic road novel about Brother Ben, the only remaining True Delta Bluesman, playing his final North American tour. Set in contemporary society, Brother Ben's protege Silent Sam Stamps narrates an episodic 'last ride,' laying bare America's complicated relationship with African American identity, music, and culture, and like his hero Sonny Boy Williamson once sang, Silent Sam promises «I'll tell everything I know.» Don’t Start Me Talkin’ is not merely a story about the blues, but with its rhythm, language, and sense of self and place, it also channels the DNA of this very American style of music.
"Mr. Dixon wields a stubbornly plain-spoken style; he loves all sorts of tricky narrative effects. And he loves even more the tribulations of the fantasizing mind, ticklish in their comedy, alarming in their immediacy."—The New York Times The interlinked tales in this Late Stories detail the excursions of an aging narrator navigating the amorphous landscape of grief in a series of tender and often waggishly elliptical digressions. Described by Jonathan Lethem as «one of the great secret masters» of contemporary American literature, Stephen Dixon is at the height of his form in these uncanny and virtuoso fictions. With Late Stories, master stylist Dixon returns with a collection exploring the elision of memory and reality in the wake of loss. Stephen Dixon was born in 1936 in New York City. He is the author of more than thirty books, including Frog and Interstate, which were nominated for the National Book Award. He is the recipient of a Guggenheim Fellowship, the American Academy Institute of Arts and Letters Prize for Fiction, the O. Henry Award, and a Pushcart Prize.
Это сказка о том, как негодяй продал двум дуракам спички, и хомяк из-за этого погиб. Останется ли эта смерть единственной? И кто победит: компания смелых подростков во главе с рыжей девчонкой или злой Клоун? Содержит нецензурную брань.
Finalist for the Minnesota Book AwardTall, trusted Tandy Caide, CPA, is a long-time patron of the arts in her town, which is why you will find her sitting in the front row of the high school’s annual musical production. This year is an Annie year—and it would be no different than other years were it not for the high school’s hiring of a new vocational agriculture (Vo-Ag) teacher. With his beguiling ponytail and decorative beaded belt, Kenny catches Tandy’s eye immediately. Ignoring the fact of her slovenly husband—who takes most of his meals in their hot tub—Tandy decides to entertain Kenny’s advances.Trusted community pillar that she is, Tandy’s affair has instant repercussions. People are talking and her husband’s subsequent breakdown and check-in to a mental institution doesn’t help. At her regular meeting with the Order of the Pessimists—comprised of her deceased father’s disgruntled and drunken best friends—she is asked to step down as treasurer. Not only that, but her old lover is keeping a secret somehow connected to the Vo-Ag teacher. And meth labs—fueled by the abundance of fertilizer present in the region—keep blowing up. Somehow, it is all connected to Tandy’s ex-bestfriend’s daughter—the star of this year’s Annie. As Tandy pieces together the puzzle that has become her life, it becomes clear she must embark on a journey of self-discovery that might even include leaving town for good.
Kevin Kramer is the new senior vice president of the Products Profit center at Production Solutions. He’s worked hard for all his success. It’s taken him years to perfect a non-clammy handshake. But Kevin Kramer harbors many dark secrets. In fact, for everyone in these stories, avoiding the truth is a full-time job: An HR manager tries desperately to maintain order, even as the entire software department vanishes under mysterious circumstances. An estranged sister devises her comeback by throwing together a DIY wedding shower. A man who wears a Chewbacca costume feels he is uniquely qualified to divide the world into winners and losers. And a call center representative tries to give himself a pep talk after a particularly egregious client interaction. The satirical short stories in Kevin Kramer Starts on Monday tell the tales of souls adrift in a corporate netherworld. The collection details the delusions the characters wear as comfortably as their khakis and no-iron button downs to skewer corporate culture and more generally, the lies we tell ourselves as humans in order to persevere.