Ужасы и Мистика
Различные книги в жанре Ужасы и МистикаCrossTown
• Packaged ARC mailing 4-6 months pre pub date to a core list of 30+ reviewers, booksellers, media contacts, and librarians (package includes 2-7 other titles from the C list in the same season that fit together in some way)–focusing on sci-fi and fantasy publications and blogs. • Individualized ARC and/or finished copy mailings to 20-30 of author’s requested personal or professional contacts • Awards submissions • Programming author in Red Hen’s East Coast and West Coast events series • Featured signing slot at Red Hen’s Association of Writers and Writing Programs annual booth • Inclusion in Red Hen’s online and print catalog • Sharing of author/book news and events on Red Hen’s social and digital media platforms • Encouraging the author to hold a national tour, or at least a regional tour; write articles for pitching; reach out to book clubs; visit local bookstores and libraries; send eblasts to personal contacts asking for Goodreads and Amazon reviews, visits to local bookstores encouraging an IndieNext List nomination, advance copies purchases, and sharing about the book to their networks; have an active website and social media presence.
Brother Carnival
Ethan Mueller, the narrator of <b><i>Brother Carnival</b></i>, has suffered a crisis of faith and is on the brink of taking his own life when he is informed by his father that he has an estranged brother who is an author. Whereupon he is handed a collection of his sibling’s stories and novel excerpts and urged to seek him out. “These stories are his effort to find you, Ethan. He’s been where you are now. Seek him out but it won’t be easy.” In effect, “Christopher Daugherty’s” writings function as the protagonist’s brother in absentia, thus creating the “dialogue” and suspenseful interplay between them. By immersing himself in the pieces, Ethan Mueller’s pursuit of his brother is a quest to discover himself.
The Running Lie
Cold War spy thriller featuring Max Falkland, hero of Cold Crash. Set just a few weeks after the first novel, Max meets up again with the mysterious John Knox, a chance for their relationship to deepen. But a family request pulls her away to the Berlin International Film Festival where the stakes get bigger and more deadly until Max is faced with a dangerous choice if she wants to save both John and her family.
Amra, Vol 2, No 38
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term «swords and sorcery» first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day.<P>This issue includes contributions from: Fritz Leiber, L. Sprague de Camp, John Boardman, and Robert P. Sheridan.
Amra, Vol 2, No 25
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term «swords and sorcery» first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day.<P>This issue includes contributions by: Poul Anderson, Michael Moorcock, John Boardman, and Dick Eney.
Amra, Vol 2, No 24
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term «swords and sorcery» first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day.<P>This issue includes work by: Anthony Boucher, L. Sprague de Camp, Harry Warner, John Boardman, and more.
Amra, Vol 2, No 22
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term «swords and sorcery» first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day.<P>This issue includes work by: Poul Anderson, L. Sprague de Camp, Harry Warner, Ray Garcia Capella, Redd Boggs, and more.
Amra, Vol 2, No 21
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term «swords and sorcery» first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day.<P>This issue includes work by: Poul Anderson, L. Sprague de Camp, Gordon R. Dickson, Karen Anderson, and John Boardman.
Amra, Vol 2, No 18
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term «swords and sorcery» first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day.<P>This issue includes work by: L. Sprague de Camp & P. Schuyler Miller, John Boardman, Fritz Leiber, Dick Tierney, and more.
Amra, Vol 2, No 17
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term «swords and sorcery» first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day—Poul Anderson, L. Sprague de Camp, Fritz Leiber, and many more.<P>This issue includes work by: L. Sprague de Camp, John Boardman, Glenn Lord, Poul Anderson, Fritz Leiber, and more.