“Whatever his subject matter, Killian maintains full authority—offering up a homoerotic interpretation of Flannery O’Connor’s A Good Man Is Hard to Find and a brilliant imagined history of Hank Williams. Here, under the author’s careful control and easygoing charisma, everything seems up for grabs, and almost anything seems possible.”—Time Out New York Impossible Princess is the third collection of gay short fiction by PEN Award–winning San Francisco–based author Kevin Killian. A member of the “new narrative” circle including Dennis Cooper and Kathy Acker, Killian is a master short story writer, crafting campy and edgy tales that explore the humor and darkness of desire. A former director of Small Press Traffic and a co-editor of Mirage/Periodical, Killian co-wrote Jack Spicer’s biography, Poet Be Like God, and co-edited three Spicer books, including My Vocabulary Did This To Me: Collected Poems. His latest book, Action Kylie, is a collection of poems devoted to Kylie Minogue.
Rebecca Brown is one of the best-known lesbian writers in the country. New work from the award-winning author of The Terrible Girls, The Gifts of the Body, and The End of Youth
New and selected fiction, over half in English for the first time, from the winner of the 2014 Neustadt Prize. Known internationally for his novels, Neustadt Prize-winner Mia Couto first became famous for his short stories. Sea Loves Me includes sixty-four of his best, thirty-six of which appear in English for the first time. Covering the entire arc of Couto's career, this collection displays the Mozambican author's inventiveness, sensitivity, and social range with greater richness than any previous collection—from early stories that reflect the harshness of life under Portuguese colonialism; to magical tales of rural Africa; to contemporary fables of the fluidity of race and gender, environmental disaster, and the clash between the countryside and the city. The title novella, long acclaimed as one of Couto's best works but never before available in English, caps this collection with the lyrical story of a search for a lost father that leads unexpectedly to love.
In this collection of four linked stories, newly reissued by Grove, Will Self takes aim at the disease and decay that target the largest of human organs: the liver. Set in locales as toxic as a London drinking club and mundane as a clinic in an orderly Swiss city, the stories distill the hard lives of their subjects, whether alcoholic, drug addict, or cancer patient. In “Foie Humaine,” set at the Plantation Club, it’s always a Tuesday afternoon in midwinter, and the shivering denizens of this dusty realm spend their days observing its proprietor as he force-feeds the barman vodka-spiked beer. Joyce Beddoes, protagonist of “Leberknödel,” has terminal liver cancer and is on her way to be euthanized in Zurich when, miraculously, her disease goes into remission. In “Prometheus,” a young copywriter at London’s most cutting-edge ad agency has his liver nibbled by a griffon thrice daily, but he’s always in the pink the following morning and ready to make that killer pitch. If blood and bile flow through liverish London, the two arteries meet in “Birdy Num Num,” where career junky Billy Chobham performs little services for the customers who gather to wait for the Man, while in his blood a virus pullulates. A moving portrayal of egos, appetites, and addictions, <i>Liver</i> is an extraordinary achievement from one of the most talented minds working today.
Award-winning author and powerhouse talent Roxane Gay burst onto the scene with An Untamed State and the New York Times bestselling essay collection Bad Feminist (Harper Perennial). Gay returns with Difficult Women, a collection of stories of rare force and beauty, of hardscrabble lives, passionate loves, and quirky and vexed human connection.The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister's marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls’ fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Gay delivers a wry, beautiful, haunting vision of modern America reminiscent of Merritt Tierce, Jamie Quatro, and Miranda July.
Will Self, whom the Los Angeles Times calls “the hottest young novelist in England,” demonstrates his razor-sharp wit in these nine new stories. Self’s method depends upon taking an ordinary aspect of the world and then pushing it to its limit in furious absurdity. The short stories in Grey Area reflect the technical brilliance and satiric voice that have made him one of the most highly praised comic writers in a decade.These are stories that delve into the modern psyche with unsettling and darkly satiric results. “Inclusion®” tells the story of a doctor who is illegally testing a new antidepressant made from bee excrement. “A Short History of the English Novel” brings us face to face with a pompous publisher who is greeted at every turn by countless rejected authors. In “The End of the Relationship” a woman who has been left by her boyfriend provokes—“like some emotional Typhoid Mary”—that same reaction among all the couples she goes to for comfort. The narrator of “Between the Conceits” declares without hesitation that London is controlled by only eight individuals, and, thankfully, he is one of them. Self’s world in these pieces is both curiously familiar and hauntingly strange.Published to critical acclaim in England, Grey Area is a dazzling collection by one of the most talented and original writers of his generation.
In 1933, Chatto & Windus agreed to publish Samuel Beckett's More Pricks Than Kicks, a collection of ten interrelated stories—his first published work of fiction. At his editor's request, Beckett penned an additional story, «Echo's Bones», to serve as the final piece. However, he’d already killed off several of the characters—including the protagonist, Belacqua—throughout the book, and had to resurrect them from the dead. The story was politely rejected by his editor, as it was considered too imaginatively playful, too allusive, and too undisciplined—qualities now recognized as quintessentially Beckett. As a result, «Echo's Bones» (not to be confused with the poem and collection of poems of the same title) remained unpublished—until now, nearly eight decades later.This little-known text is introduced by the preeminent Beckett scholar, Dr. Mark Nixon, who situates the work in terms of its biographical context and textual references, examining how it is a vital link in the evolution of Beckett's early work. Beckett confessed that he included «all I knew» in the story. It harnesses an immense range of subjects: science, philosophy, religion, literature; combining fairy tales, gothic dreams, and classical myth. This posthumous publication marks the unexpected and highly exciting return of a literary legend.
Debut collection of stories by Carribean Fragoza, who is poised to break out as one of Chicanx writing’s «new stars.» This short-story collection is especially timely, since it confronts the United States-Mexico border crisis, the dominance of patriarchal society, and the political projects that are at odds with healthy democracy. Fragoza’s work pushes on the pressure points of our current climate, and offers up feminist takes on our era’s most urgent debates. Her work is comparable to that of classic Chicana writers like Sandra Cisneros and Helena Maria Viramontes; thematic similarities and use of allegory harken back to Shirley Jackson’s “The Lottery,” too, and even Jamaica Kincaid’s “Lucy.” In February 2020, her first book, a collection of writings by and about the people and culture of El Monte, California titled East of East was published by Rutgers University Press. Book cover features a photo by Graciela Iturbid, renowned Mexican photographer. Fragoza’s short stories have published in BOMB Magazine, Huizache , Entropy , the Los Angeles Review of Books , and Tropics of Meta . Her work as a journalist covering art, culture, and social justice issues was recognized with a prestigious LA Press Club Award. She was named co-editor of BOOM Magazine , an important journal of California culture published by the University of California Press. She has worked alongside acclaimed and respected purveyors of literary fiction, including Maggie Nelson, Sesshu Foster and Ben Ehrenreich. Fragoza’s work will appeal to readers of adult literary fiction, and more specifically readers interested in the categories of Latinx/Latino, Chicanx/Chicana/o literature, Latin American Literature, Cultural Studies, and Women Studies and it is a strong fit for college level courses in those subject areas.
During a lonely and difficult year, author Jason Schwartzman began allowing regular, everyday interactions with strangers to escalate. In NO ONE YOU KNOW, Schwartzman compiles dozens of these encounters and deftly reveals the kinship he finds there, ultimately reconsidering what it means to know someone. From taxi dispatchers to aquarium attendants, drifters to neighbors, exes to siblings, Schwartzman captures the space between people, meticulously distilling the turning point when strangers become intimates. Heartbreaking, insightful, and often profoundly funny, NO ONE YOU KNOW revels in connections, examining how we make ourselves known. A rich and beautiful debut. From Outpost19 Books. "Sharply observational, atmospheric, with a clever surprise on every page" – Chloe Caldwell, author of I'll Tell You in Person "Sparkling with humor…a one-of-a-kind book that will stay with me for years to come" – Lucy Tan, author of What We Were Promised "Reminds us of the power and beauty of random encounters with strangers. Jason's honest, insightful and cathartic prose embraces you like a warm hug" – Noah Rosenberg "Reads like a collection of Polaroids…told through Schwartzman's curious, caring, attentive eye" – Aaron Burch "With the moral zip of Isaac Bashevis Singer and the sharp compassion of Lydia Davis" – Amanda Goldblatt
10 short stories; different voices; unsettling content; gender bending; experimental.