Designed as a companion to The Writer's Journey, Myth & the Movies analyzes 50 U.S. and foreign films in every cinematic genre.
Offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track.
Demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong and more.
Master Shots gives filmmakers the techniques they need to execute complex, original shots on any budget. By using powerful master shots and well-executed moves, directors can develop a strong style and stand out from the crowd. Most low-budget movies look low-budget because the director is forced to compromise at the last minute. Master Shots gives you so many powerful techniques that youll be able to respond, even under pressure, and create knock-out shots. Even when the clock is ticking and the light is fading, the techniques in this book can rescue your film and make every shot look like it cost a fortune. Each technique is illustrated with samples from great feature films and computer-generated diagrams for absolute clarity.
Despite the growing body of work on the media in Wales, very little exists on the history of commercial television in Wales. This book seeks to address this imbalance by tracing the growth and development of ITV in Wales and assessing its contribution to the life of the nation. ITV has been a powerful force in British broadcasting since its inception in 1955. When commercial television came to Wales for the first time in 1958, it immediately got caught up in with matters of national identity, language and geography. Compared with the BBC, it is a relative newcomer; its growth was slower than that of the BBC and it took until 1962 to complete the network across the UK. Once it had arrived, however, its impact was considerable. The book will provide an historical narrative and critical analysis of independent television (ITV) in Wales from 1958 up until the present day.
The world is in the midst of a social media paradigm. Once viewed as trivial and peripheral, social media platforms like Twitter, Facebook and WeChat have become an important part of the information and communication infrastructure of society. They are bound up with business and politics as well as everyday life, work, and personal relationships. This international Handbook addresses the most significant research themes, methodological approaches and debates in the study of social media. It contains substantial chapters written especially for this book by leading scholars from a range of disciplinary perspectives, covering everything from computational social science to sexual self-expression. Part 1: Histories And Pre-Histories Part 2: Approaches And Methods Part 3: Platforms, Technologies And Business Models Part 4: Cultures And Practices Part 5: Social And Economic Domains
The Amazing Race is a reality show like no other and it has the best set around.Bestselling novelist, Adam-Troy Castro, explores The Amazing Race in My Ox is Broken! one of the first books ever published about one of the best reality television programs around. From Thailand to Greenland, this show has consistently gone where no other show has gone before, and Castro continues the excitement of the Race in a book that is funny, entertaining, and unique—just like the show itself.The Amazing Race has hooked viewers for all the right reasons and it doesn’t show any signs of stopping. My Ox is Broken! is the best reading companion for any fan of this hit show or for any fan of reality television at its best.
An essential analysis of cinema from one of the great figures of French philosophy. Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature’s images and philosophy; and film rejects theatre, while also fulfilling theatre’s dream. Built on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images.
From the big issues to the fine points, this book gives you what you need to know when they call “Action!” D. W. Brown is one of the world’s leading experts on the subject and he provides his invaluable 31 Principles for Acting On Camera, as well as key advice on how to come through in the clutch. In addition, he incisively interviews directors of major acclaim for their insights on the unique art of acting for the camera.
Martin Scorsese directs films that range from the subtlest studies of relationships to violent gangster movies, with characters who are driven to the extremes of their personality. This book looks at Scorsese’s key techniques, showing how he uses space, framing, and a strong sense of direction, to en-sure that your films are brimming with tension, shock, and emotion.