Кинематограф, театр
Различные книги в жанре Кинематограф, театрThe Journey of Luke Skywalker
Using C. G. Jung's approach to dreams and myths, Jungian analyst Steven Galipeau reveals to readers the wealth of symbolism and meaning embedded in George Lucas's modern fairytale. From the battle between light femininity and dark masculinity to the conflict between nature and technology, Galipeau explains why the characters and themes in the movies resonate so deeply with us. Appealing to Star Wars fans as well as those interested in popular culture, contemporary myths, and archetypes, The Journey of Luke Skywalker will bring new insight to the most popular film series of the last two decades."Behind the space dogfights and light-saber duels is a mythology that touches a chord in the human psyche . . . this title will be the basis of many internet discussions—not to mention term papers—by fans who will enjoy it. Recommended."—Michael Rogers, Library Journal
Quentin Tarantino and Philosophy
The films of Quentin Tarantino are ripe for philosophical speculation, raising compelling questions about justice and ethics, violence and aggression, the nature of causality, and the flow of time. In this witty collection of articles, no subject is too taboo for the writers to tackle. From an aesthetic meditation on the use of spraying blood in Kill Bill to the conundrum of translation and reference in Vincent and Jules' discussion about French Big Macs in Pulp Fiction, Tarantino and Philosophy shies away from nothing. Is The Bride a heroic figure, even though she’s motivated solely by revenge? How is Tarantino able to create a coherent story when he jumps between past, future, and present? The philosophers in this book take on those questions and more in essays as provocative as the films themselves.
The Quotable Actor
Collecting advice, quotes, essays, and observations from hundreds of famous actors and highly regarded acting teachers, The Quotable Actor covers a wide range of topics on the art and history of acting.Entertaining, instructive, and informative, it is organized into specific, easy-to-search categories, such as «On Why We Act»; «On Auditioning»; «On Struggling and Building a Career»; and «On Gender Differences and Aging in the Biz.»From art and technique to business and lifestyle, entries include fascinating anecdotes and advice from some of the greatest actors in history:Marlon Brando commenting on the rehearsal processMeryl Streep’s advice on building a characterAl Pacino recalling what it was like to be a starving young artistBeauty tips from some of Hollywood’s leading ladiesRecollections of horrible auditions from A-list starsMusings from Jack Nicholson, Edwin Booth, and many othersAdditional contributors include Constantin Stanislavski, Daniel Day-Lewis, Ellen Burstyn, Julie Andrews, Paul Newman, and Peter O’Toole—providing insights into the actor’s craft that are equally useful to young actors just starting out and accomplished professionals looking for inspiration in the words of peers.
MGM
M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur.It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture.All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property.Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.
L.A. Noir
Los Angeles has always been as much a star in film noir as any actor, be it Humphrey Bogart, Barbara Stanwyck, Burt Lancaster, Ava Gardner or Jack Nicholson. In L.A. Noir: The City as Character renowned film historians Alain Silver and James Ursini explore the world of noir cinema in the context of Los Angeles. The book features dozens of noir and neo-noir landmark films from Double Indemnity, Criss Cross, Sunset Boulevard, Gun Crazy, The Big Heat, Kiss Me Deadly, and Touch of Evil in the classic period (1940-1960) to such neo-noir notables as Chinatown, L.A. Confidential, Mulholland Drive, and Pulp Fiction.L.A. Noir illustrates how these noir films use L.A.'s diverse cityscape and architecture to convey a unique vision of urban corruption and existential fatalism, not only in the ever-changing, chaotic downtown of Bunker Hill, Main Street, and Chinatown, but in its affluent coastal communities (Santa Monica, Malibu) as well as its deceptively sunny suburbs (South Bay, San Fernando Valley). The authors deftly analyze the key films of noir while integrating them into the geography and history of this «dark city» which became such an important icon of noir literature and film.L.A. Noir is profusely illustrated with approximately 150 photographs-many of them appearing in print for the very first time-including production stills from the movies discussed, archival photos of the locations from the films and new photographs of the locations today, chronicling the ever-changing cityscape of this noir character-Los Angeles.
The Complete History of American Film Criticism
The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities.People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.
Acting: The First Six Lessons
First published in 1933, “Acting: The First Six Lessons” is the classic work on what would later become known as Method acting by Richard Boleslavsky. Born in Russia in 1889, Boleslavsky began his acting career by studying under Konstantin Stanislavski at the Moscow Art Theatre where he learned about the “system”. After World War I, Boleslavsky both directed and acted in films in Poland and Germany before settling in New York, where he founded the American Laboratory Theatre in 1923. There he taught Stanislavski’s “system” to such students as Lee Strasberg and Stella Adler. Boleslavsky went on to direct many prominent films in Hollywood and wrote “Acting: The First Six Lessons”, which introduced a wider audience to the “system”. Now known as Method acting, Boleslavsky’s approach was based on his years of experience and guides actors in perfecting and understanding their craft. It has become widely practiced the world over and Boleslavsky’s work is considered an essential guide for both new and seasoned actors. “Acting: The First Six Lessons” is an engaging and accessible series of lessons and techniques to help all actors excel and grow in their craft.
Audience Revolution: Dispatches from the Field
• A collection of essays written by theatre practitioners and experts with track records of successful audience engagement• Discusses findings from TCG's ongoing assessments and research of the field, as well as findings from cross-disciplinary sources• Explores current audience engagement and community development models in the field• Dynamic essays that aim to connect with their theatre peers to share successful strategies• Every essay is selected from Svich’s work with the “TCG Circle,” the national professional theatre blog. The essays come from a salon about audience engagement, a forum curated by Svich.• An important book for the theatre field and university theatre schools.• The book’s editor, Caridad Svich, is a widely-respected writer and editor in the theatre field• Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theatre.• Svich was honored with a 2012 Edgerton Foundation New Play Award for her play Guapa.• Svich won the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on the Isabel Allende novel.
Culture is the Body
"Mr. Suzuki's art seeks to reach audiences not through the intellect but through the senses and instincts."— New York Times "In my opinion, a 'cultured' society is one where the perceptive and expressive abilities of the human body are used to the full; where they provide the basic means of communication."—Tadashi SuzukiRenowned for his actor training methods, Tadashi Suzuki provides a thorough and accessible formulation of his ideas and beliefs in this new edition of his theater writings. One of the world's most revered theater directors, Suzuki is also a seminal thinker and practitioner whose work has had a profound influence on theater worldwide. This landmark collection provides a useful, provocative look at his philosophical and practical approaches to the stage. Culture is the Body is a complete revision of Suzuki's influential book The Way of Acting , featuring new essays and in a revised translation by Kameron Steele, a longtime collaborator of Suzuki's.Legendary theater director Tadashi Suzuki explains his revered approach in this new edition of his writings. Tadashi Suzuki is the founder and director of the Suzuki Company of Toga (SCOT), the organizer of Japan's first international theater festival (Toga Festival), and the creator of the Suzuki Method of Actor Training. Suzuki has articulated his theories in a number of books. He has taught his system of actor training in schools and theaters throughout the world. Besides productions with his own company, he has directed several international collaborations.
An Actor's Companion
"I was totally unprepared for the transformation that Seth's technique created in me. . . . I realized that what I thought I knew about acting up to that point was largely misguided . . . but I now had a great, talented, dedicated teacher who generously wanted to share his tools with everyone. There is muscularity, not to mention wisdom and truth to Seth's techniques. He is a wonderful teacher, and I know that having him as my first guide is one of the luckiest things to have happened to me in my career and life. And when I can't get back to class with him, I am so grateful I have this book to turn to."—Anne Hathaway"This book is truly unlike anything else I know—these pieces are haikus on specific elements of performance and character building."—Philip Himberg, executive director, Sundance Theatre InstituteA collection of practical acting tips, tools, and exercises, An Actor's Companion is ideal for both the seasoned professionals and actors-in-training. The tips—all simple, direct, and useful—are easy to understand and even easier to apply, in both rehearsal and in performance. Seth Barrish is an actor, teacher, and the co-artistic director of The Barrow Group in New York City. In his thirty-year career, he has directed the award-winning shows My Girlfriend's Boyfriend (Lucille Lortel Award for Best Solo Show, Drama Desk and Outer Critics Circle nominations for Best Solo Show), Sleepwalk With Me (Nightlife Award for Outstanding Comedian in a Major Performance), The Tricky Part (Obie Award, Drama Desk nominations for Best Play and Best Solo Show), Pentecost (Drama Desk nomination for Best Play), Old Wicked Songs (Los Angeles Drama Critics Circle Award and Garland Award for Best Direction), and Good (Straw Hat Award for Best Direction), among dozens of others.