Remembering Hiroshima, the city obliterated by the world's first nuclear attack, has been a complicated and intensely politicized process, as we learn from Lisa Yoneyama's sensitive investigation of the «dialectics of memory.» She explores unconventional texts and dimensions of culture involved in constituting Hiroshima memories—including history textbook controversies, discourses on the city's tourism and urban renewal projects, campaigns to preserve atomic ruins, survivors' testimonial practices, ethnic Koreans' narratives on Japanese colonialism, and the feminized discourse on peace—in order to illuminate the politics of knowledge about the past and present. In the way battles over memories have been expressed as material struggles over the cityscape itself, we see that not all share the dominant remembering of Hiroshima's disaster, with its particular sense of pastness, nostalgia, and modernity. The politics of remembering, in Yoneyama's analysis, is constituted by multiple and contradictory senses of time, space, and positionality, elements that have been profoundly conditioned by late capitalism and intensifying awareness of post-Cold War and postcolonial realities.<br /><br /><i>Hiroshima Traces</i>, besides clarifying the discourse surrounding this unforgotten catastrophe, reflects on questions that accompany any attempts to recover marginalized or silenced experiences. At a time when historical memories around the globe appear simultaneously threatening and in danger of obliteration, Yoneyama asks how acts of remembrance can serve the cause of knowledge without being co-opted and deprived of their unsettling, self-critical qualities.
When August Frugé joined the University of California Press in 1944, it was part of the University's printing department, publishing a modest number of books a year, mainly monographs by UC faculty members. When he retired as director 32 years later, the Press had been transformed into one of the largest, most distinguished university presses in the country, publishing more than 150 books annually in fields ranging from ancient history to contemporary film criticism, by notable authors from all over the world. August Frugé's memoir provides an exciting intellectual and topical story of the building of this great press. Along the way, it recalls battles for independence from the University administration, the Press's distinctive early style of book design, and many of the authors and staff who helped shape the Press in its formative years.
Colombia's status as the fourth largest nation in Latin America and third most populous—as well as its largest exporter of such disparate commodities as emeralds, books, processed cocaine, and cut flowers—makes this, the first history of Colombia written in English, a much-needed book. It tells the remarkable story of a country that has consistently defied modern Latin American stereotypes—a country where military dictators are virtually unknown, where the political left is congenitally weak, and where urbanization and industrialization have spawned no lasting populist movement.<br /><br />There is more to Colombia than the drug trafficking and violence that have recently gripped the world's attention. In the face of both cocaine wars and guerrilla conflict, the country has maintained steady economic growth as well as a relatively open and democratic government based on a two-party system. It has also produced an impressive body of art and literature.<br /><br />David Bushnell traces the process of state-building in Colombia from the struggle for independence, territorial consolidation, and reform in the nineteenth century to economic development and social and political democratization in the twentieth. He also sheds light on the modern history of Latin America as a whole.
Al Capone, George «Machine Gun» Kelly, Alvin Karpis, «Dock» Barker—these were just a few of the legendary «public enemies» for whom America's first supermax prison was created. In <i>Alcatraz: The Gangster Years, </i>David Ward brings their stories to life, along with vivid accounts of the lives of other infamous criminals who passed through the penitentiary from 1934 to 1948. Ward, who enjoyed unprecedented access to FBI, Federal Bureau of Prisons, and Federal Parole records, conducted interviews with one hundred former Alcatraz convicts, guards, and administrators to produce this definitive history of «The Rock.» <i>Alcatraz </i>is the only book with authoritative answers to questions that have swirled about the prison: How did prisoners cope psychologically with the harsh regime? What provoked the protests and strikes? How did security flaws lead to the sensational escape attempts? And what happened when these «habitual, incorrigible» convicts were finally released? By shining a light on the most famous prison in the world, Ward also raises timely questions about today's supermax prisons.
During the decades of empire (1870–1914), legendary heroes and their astonishing deeds of conquest gave imperialism a recognizable human face. Henry Morton Stanley, Pierre Savorgnan de Brazza, Charles Gordon, Jean-Baptiste Marchand, and Hubert Lyautey all braved almost unimaginable dangers among «savage» people for their nation’s greater good. This vastly readable book, the first comparative history of colonial heroes in Britain and France, shows via unforgettable portraits the shift from public veneration of the peaceful conqueror to unbridled passion for the vanquishing hero. Edward Berenson argues that these five men transformed the imperial steeplechase of those years into a powerful «heroic moment.» He breaks new ground by linking the era’s «new imperialism» to its «new journalism»—the penny press—which furnished the public with larger-than-life figures who then embodied each nation’s imperial hopes and anxieties.
In this autobiography, Richard E. Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation during WWII, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of Japan and dissolution of the Japanese empire. Examining the intersections of Japanese and Korean history that influenced Korea-Japan relations at the time, <I>Lost Names</I> is at once a loving memory of family, an ethnography of Zainichi Koreans in 1930s Japan, and a vivid portrayal of human spirit in a time of suffering and survival.
Making Japanese Citizens is an expansive history of the activists, intellectuals, and movements that played a crucial role in shaping civil society and civic thought throughout the broad sweep of Japan's postwar period. Weaving his analysis around the concept of shimin (citizen), Simon Avenell traces the development of a new vision of citizenship based on political participation, self-reliance, popular nationalism, and commitment to daily life. He traces civic activism through six phases: the cultural associations of the 1940s and 1950s, the massive U.S.-Japan Security Treaty protests of 1960, the anti-Vietnam War movement, the antipollution and antidevelopment protests of the 1960s and 1970s, movements for local government reform and the rise of new civic groups from the mid-1970s. This rich portrayal of activists and their ideas illuminates questions of democracy, citizenship, and political participation both in contemporary Japan and in other industrialized nations more generally.
This vividly detailed revisionist history exposes the underworld of the largest metropolis of the early modern Mediterranean and through it the entire fabric of a complex, multicultural society. Fariba Zarinebaf maps the history of crime and punishment in Istanbul over more than one hundred years, considering transgressions such as riots, prostitution, theft, and murder and at the same time tracing how the state controlled and punished its unruly population. Taking us through the city's streets, workshops, and houses, she gives voice to ordinary people—the man accused of stealing, the woman accused of prostitution, and the vagabond expelled from the city. She finds that Istanbul in this period remains mischaracterized—in part by the sensational and exotic accounts of European travelers who portrayed it as the embodiment of Ottoman decline, rife with decadence, sin, and disease. Linking the history of crime and punishment to the dramatic political, economic, and social transformations that occurred in the eighteenth century, Zarinebaf finds in fact that Istanbul had much more in common with other emerging modern cities in Europe, and even in America.
This remarkable book examines the complex history of Japanese colonial and postcolonial interactions with Korea, particularly in matters of cultural policy. E. Taylor Atkins focuses on past and present Japanese fascination with Korean culture as he reassesses colonial anthropology, heritage curation, cultural policy, and Korean performance art in Japanese mass media culture. Atkins challenges the prevailing view that imperial Japan demonstrated contempt for Koreans through suppression of Korean culture. In his analysis, the Japanese preoccupation with Koreana provided the empire with a poignant vision of its own past, now lost–including communal living and social solidarity–which then allowed Japanese to grieve for their former selves. At the same time, the specific objects of Japan's gaze–folk theater, dances, shamanism, music, and material heritage–became emblems of national identity in postcolonial Korea.
Today labor migrants mostly move south to north across the Mediterranean. Yet in the nineteenth century thousands of Europeans and others moved south to North Africa, Egypt, and the Levant. This study of a dynamic borderland, the Tunis region, offers the fullest picture to date of the Mediterranean before, and during, French colonialism. In a vibrant examination of people in motion, Julia A. Clancy-Smith tells the story of countless migrants, travelers, and adventurers who traversed the Mediterranean, changing it forever. Who were they? Why did they leave home? What awaited them in North Africa? And most importantly, how did an Arab-Muslim state and society make room for the newcomers? Combining fleeting facts, tales of success and failure, and vivid cameos, the book gives a groundbreaking view of one of the principal ways that the Mediterranean became modern.