Историческая литература
Различные книги в жанре Историческая литератураTerms of Response
This book takes a new look at the place occupied by medieval Spanish epic within European folk and literary tradition. Thomas Montgomery traces the origins of key parts of most known medieval Spanish epics to an ancient myth. He shows how the myth of the initiation of the young warrior, shown by Georges Dumézil to be fundamental to the belief systems of widely distributed Indo-European peoples, was variously adapted to shape the action of texts including the Siete Infantes de Lara , the Mocedades de Rodrigo , and the Poema de Mio Cid , in which it accounts for the peculiar behavior of the Infantes de Carrión. Montgomery also connects the same mythic tradition to works as diverse as Tristan and the Chanson de Roland . In a preliterate society, the oral presentation of this archetypal lore required a special language capable of re-creating the ritualized behavior of the epic characters and maintaining the ceremonial tone of the performance. Focusing on the Poema de Mio Cid , Montgomery examines the ways in which the poetic language worked to evoke a feeling of group unity that absorbed the audience and still works its spell upon today’s readers.
Masquerade and Gender
Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by male writers during the period—Addison, Steele, and Fielding all insisted that masquerade allowed women to usurp the privileges of men. Female authors, however, often mistrusted these claims, perceiving that masquerade's apparent freedoms were frequently nothing more than sophisticated forms of oppression. Catherine Craft-Fairchild's work provides a useful corrective to Castle's treatment of masquerade. She argues that, in fictions by Aphra Behn, Mary Davys, Eliza Haywood, Elizabeth Inchbald, and Frances Burney, masquerade is double-sided. It is represented in some cases as a disempowering capitulation to patriarchal strictures that posit female subordination. Often within the same text, however, masquerade is also depicted as an empowering defiance of the dominant norms for female behavior. Heroines who attempt to separate themselves from the image of womanhood they consciously construct escape victimization. In both cases, masquerade is the condition of femininity: gender in the woman's novel is constructed rather than essential. Craft-Fairchild examines the guises in which womanhood appears, analyzing the ways in which women writers both construct and deconstruct eighteenth-century cultural conceptions of femininity. She offers a careful and engaging textual analysis of both canonical and noncanonical eighteenth-century texts, thereby setting lesser-read fictions into a critical dialogue with more widely known novels. Detailed readings are informed throughout by the ideas of current feminist theorists, including Luce Irigaray, Julia Kristeva, Mary Ann Doane, and Kaja Silverman. Instead of assuming that fictions about women were based on biological fact, Craft-Fairchild stresses the opposite: the domestic novel itself constructs the domestic woman.
The Miners of Windber
In 1897 the Berwind-White Coal Mining Company founded Windber as a company town for its miners in the bituminous coal country of Pennsylvania. The Miners of Windber chronicles the coming of unionization to Windber, from the 1890s, when thousands of new immigrants flooded Pennsylvania in search of work, through the New Deal era of the 1930s, when the miners' rights to organize, join the United Mine Workers of America, and bargain collectively were recognized after years of bitter struggle.
Mildred Allen Beik, a Windber native whose father entered the coal mines at age eleven in 1914, explores the struggle of miners and their families against the company, whose repressive policies encroached on every part of their lives. That Windber's population represented twenty-five different nationalities, including Slovaks, Hungarians, Poles, Italians, and Carpatho-Russians, was a potential obstacle to the solidarity of miners. Beik, however, shows how the immigrants overcame ethnic fragmentation by banding together as a class to unionize the mines. Work, family, church, fraternal societies, and civic institutions all proved critical as men and women alike adapted to new working conditions and to a new culture. Circumstance, if not principle, forced miners to embrace cultural pluralism in their fight for greater democracy, reforms of capitalism, and an inclusive, working-class, definition of what it meant to be an American.
Beik draws on a wide variety of sources, including oral histories gathered from thirty-five of the oldest living immigrants in Windber, foreign-language newspapers, fraternal society collections, church manuscripts, public documents, union records, and census materials. The struggles of Windber's diverse working class undeniably mirror the efforts of working people everywhere to democratize the undemocratic America they knew. Their history suggests some of the possibilities and limitations, strengths and weaknesses, of worker protest in the early twentieth century.
Imagining the American Polity
Americans have long prided themselves on living in a country that serves as a beacon of democracy to the world, but from the time of the founding they have also engaged in debates over what the criteria for democracy are as they seek to validate their faith in the United States as a democratic regime. In this book John Gunnell shows how the academic discipline of political science has contributed in a major way to this ongoing dialogue, thereby playing a significant role in political education and the formulation of popular conceptions of American democracy. Using the distinctive “internalist” approach he has developed for writing intellectual history, Gunnell traces the dynamics of conceptual change and continuity as American political science evolved from a focus in the nineteenth century on the idea of the state, through the emergence of a pluralist theory of democracy in the 1920s and its transfiguration into liberalism in the mid-1930s, up to the rearticulation of pluralist theory in the 1950s and its resurgence, yet again, in the 1990s. Along the way he explores how political scientists have grappled with a fundamental question about popular sovereignty: Does democracy require a people and a national democratic community, or can the requisites of democracy be achieved through fortuitous social configurations coupled with the design of certain institutional mechanisms?
Blood and Debt
What role does war play in political development? Our understanding of the rise of the nation-state is based heavily on the Western European experience of war. Challenging the dominance of this model, Blood and Debt looks at Latin America's much different experience as more relevant to politics today in regions as varied as the Balkans and sub-Saharan Africa. The book's illuminating review of the relatively peaceful history of Latin America from the late eighteenth through the early twentieth centuries reveals the lack of two critical prerequisites needed for war: a political and military culture oriented toward international violence, and the state institutional capacity to carry it out. Using innovative new data such as tax receipts, naming of streets and public monuments, and conscription records, the author carefully examines how war affected the fiscal development of the state, the creation of national identity, and claims to citizenship. Rather than building nation-states and fostering democratic citizenship, he shows, war in Latin America destroyed institutions, confirmed internal divisions, and killed many without purpose or glory.
From Tenements to the Taylor Homes
Authored by prominent scholars, the twelve essays in this volume use the historical perspective to explore American urban housing policy as it unfolded from the late nineteenth through the twentieth centuries. Focusing on the enduring quest of policy makers to restore urban community, the essays examine such topics as the war against the slums, planned suburbs for workers, the rise of government-aided and built housing during the Great Depression, the impact of post–World War II renewal policies, and the retreat from public housing in the Nixon, Carter, and Reagan years.
September Swoon
Everything seemed to be going the Phillies’ way. Up by 6 1/2 games with just 12 left to play in the 1964 season, they appeared to have clinched their first pennant in more than a decade. Outfielder Johnny Callison narrowly missed being the National League MVP. Third baseman Richie Allen was Rookie of the Year. But the "Fightin’ Phils" didn’t make it to the postseason—they lost 10 straight and finished a game behind the St. Louis Cardinals. Besides engineering the greatest collapse of any team in major league baseball history, the ’64 Phillies had another, more important distinction: they were Philadelphia’s first truly integrated baseball team. In September Swoon William Kashatus tells the dramatic story—both on the field and off the field—of the Phillies’ bittersweet season of 1964. More than any other team in Philadelphia’s sports history, the ’64 Phillies saddled the city with a reputation for being a "loser." Even when victory seemed assured, Philadelphia found a way to lose. Unfortunately, the collapse, dubbed the "September swoon," was the beginning of a self-destructive skid in both team play and racial integration, for the very things that made the players unique threatened to tear the team apart. An antagonistic press and contentious fans blamed Richie Allen, the Phillies’ first black superstar, for the team’s losing ways, accusing him of dividing the team along racial lines. Allen manipulated the resulting controversy in the hopes that he would be traded, but in the process he managed to further fray already tenuous race relations. Based on personal interviews, player biographies, and newspaper accounts, September Swoon brings to life a season and a team that got so many Philadelphians, both black and white, to care deeply and passionately about the game at a turbulent period in the city’s—and our nation’s—history. The hometown fans reveled in their triumphs and cried in their defeat, because they saw in them a reflection of themselves. The ’64 Phillies not only won over the loyalties of a racially divided city, but gave Philadelphians a reason to dream—of a pennant, of a contender, and of a City of Brotherly Love.
The Duplicating Imagination
Maria Marotti applies a unique mixture of strains of contemporary literary theory to the body of posthumously published works so far published in the Mark Twain Papers series, examining these late, frequently incomplete or abandoned, and usually experimental, works in theoretical light. Marotti's approach is a text-centered one, semiotic and structuralist in inspiration, and she brings a fresh Continental perspective to bear on an author usually treated biographically, thematically, psychologically. Her concern is with generic definition, and this guides her shaping of the book into four chapters on burlesque, fantasy and dream voyage, romance, and myth. She advances with success the finding, novel in Twain scholarship, that Mark Twain really was experimenting with aspects of fiction ordinarily thought of today as modern or postmodern, and Twain scholars will see that simply being able to consider his various experiments in the terms posed by these theories is itself grounds for changing or at least for reevaluating how they have looked at these writings in the past. Marotti further demonstrates the effectiveness of her terms and terminology for picking up the story of Twain's roots in folklore and oral storytelling, and for grounding these well-known stories in the entirety of his literary development. Interest in Twain is at an all-time high. This penetrating, authoritative, and lively book has the capacity to appeal to an audience far beyond the narrow range of literary theorists. Marotti's contribution, in addition to the presentation of the Twain Papers as a corpus deserving of the kind of attention that has been directed to Twain's published work, is the promotion of recognition of his as a bold experimenter in literary form, an aspect of his achievement that all too often has been neglected.
The Medievalism of Lawrence of Arabia
M. D. Allen's study deals with T. E. Lawrence's lifelong interest in the medieval world, especially medieval literature, and its considerable influence on his view of himself and of the Arabs with whom he fought in an archaic theater of war, and hence his own literary production. The Medievalism of Lawrence of Arabia investigates the influence Lawrence's interest in medieval life and literature had on his attitudes toward life in general and—in content, theme, and diction—on his masterpiece, Seven Pillars of Wisdom , in particular. Allen begins with a brief biography of Lawrence—his early interest in things medieval and his somewhat controversial BA thesis on crusader castles. Allen then reveals the extent to which Lawrence's ideas about honor, warfare, and chivalry in the Arab war against the Turks were shaped by his reading in medieval writings such as Malory's Morte d'Arthur . (Both, as he makes clear, were warrior societies dominated by horses.) Lawrence's reading in the nineteenth-century medievalism is also explored, as in Tennyson's Idylls of the King , and Ruskin's writing on art, where the parallel between Ruskin's ideas on ornament and Lawrence's ideas about the dignity of war is demonstrated. Allen then identifies the medieval and neomedieval texts of Seven Pillars of Wisdom and shows why and to what effect Lawrence borrowed from chivalric, neochivalric, and pseudochivalric works, and sometimes transmogrified them, revealing Lawrence's greatest inspiration to be an English translation of the Moallakat (which is, so to speak, the Arabic Beowulf ). Allen sheds new light on many aspects of the influence of medievalism on Lawrence's thought and writing.
Our Indigenous Ancestors
Our Indigenous Ancestors complicates the history of the erasure of native cultures and the perceived domination of white, European heritage in Argentina through a study of anthropology museums in the late nineteenth and early twentieth centuries. Carolyne Larson demonstrates how scientists, collectors, the press, and the public engaged with Argentina’s native American artifacts and remains (and sometimes living peoples) in the process of constructing an “authentic” national heritage. She explores the founding and functioning of three museums in Argentina, as well as the origins and consolidation of Argentine archaeology and the professional lives of a handful of dynamic curators and archaeologists, using these institutions and individuals as a window onto nation building, modernization, urban-rural tensions, and problems of race and ethnicity in turn-of-the-century Argentina. Museums and archaeology, she argues, allowed Argentine elites to build a modern national identity distinct from the country’s indigenous past, even as it rested on a celebrated, extinct version of that past. As Larson shows, contrary to widespread belief, elements of Argentina’s native American past were reshaped and integrated into the construction of Argentine national identity as white and European at the turn of the century. Our Indigenous Ancestors provides a unique look at the folklore movement, nation building, science, institutional change, and the divide between elite, scientific, and popular culture in Argentina and the Americas at a time of rapid, sweeping changes in Latin American culture and society.