Emma Bell Miles

Once I Too Had Wings

Emma Bell Miles

Emma Bell Miles (1879–1919) was a gifted writer, poet, naturalist, and artist with a keen perspective on Appalachian life and culture. She and her husband Frank lived on Walden’s Ridge in southeast Tennessee, where they struggled to raise a family in the difficult mountain environment. Between 1908 and 1918, Miles kept a series of journals in which she recorded in beautiful and haunting prose the natural wonders and local customs of Walden’s Ridge. Jobs were scarce, however, and as the family’s financial situation deteriorated, Miles began to sell literary works and paintings to make ends meet. Her short stories appeared in national magazines such as Harper’s Monthly and Lippincott’s , and in 1905 she published Spirit of the Mountains, a nonfiction book about southern Appalachia. After the death of her three-year-old son from scarlet fever in 1913, the journals took a more somber turn as Miles documented the difficulties of mountain life, the plight of women in rural communities, the effect of disparities of class and wealth, and her own struggle with tuberculosis. Previously examined only by a handful of scholars, the journals contain both poignant and incisive accounts of nature and a woman’s perspective on love and marriage, death customs, child raising, medical care, and subsistence on the land in southern Appalachia in the early twentieth century. With a foreword by Elizabeth S. D. Engelhardt, this edited selection of Emma Bell Miles’s journals is illustrated with examples of her painting.

The Common Lot and Other Stories

Emma Bell Miles

The seventeen narratives of The Common Lot and Other Stories, published in popular magazines across the United States between 1908 and 1921 and collected here for the first time, are driven by Emma Bell Miles’s singular vision of the mountain people of her home in southeastern Tennessee. That vision is shaped by her strong sense of social justice, her naturalist’s sensibility, and her insider’s perspective. Women are at the center of these stories, and Miles deftly works a feminist sensibility beneath the plot of the title tale about a girl caught between present drudgery in her father’s house and prospective drudgery as a young wife in her own. Wry, fiery, and suffused with details of both natural and social worlds, the pieces collected here provide a particularly acute portrayal of Appalachia in the early twentieth century. Miles’s fiction brings us a world a century in the past, but one that will easily engage twenty-first-century readers. The introduction by editor and noted Miles expert Grace Toney Edwards places Miles in the literary context of her time. Edwards highlights Miles’s quest for women’s liberation from patriarchal domination and oppressive poverty, forces against which Miles herself struggled in making a name for herself as a writer and artist. Illustrations by the author and Miles family photographs complement the stories.